Paris: Galerie 1900-2000, 1988. First edition. 4to, 24 pp, wraps. Illustrated with 17 reproductions, most in color. The catalog for the 1988 exhibition of work by the editor of SMS (Shit Must Stop) in Paris, with texts and appreciations by Marcel Duchamp, Max Ernst, Édouard Jaguer, Man Ray, Roland Penrose... More about CPLY. William N. Copley
New York: Collaborative Projects [aka COLAB], 1986. 8vo, 8 pp. [including covers], original xerox in b/w. Saddle-stapled. Single issue of the COLAB zine, including news about the program Radio Thin Air, photographs by Baird Jones of of Basquiat and Andy Warhol, and Keith Haring and Timothy Leary, and an article... More about Blast Vol. 1 No. 6
[San Francisco]: [1969]. 17 x 22", offset printed in color on recto, and in b/w on verso. No imprint or authorship information; date and authorship attributions from OCLC. The verso is taken up with a striking psychedelic drawing in color; the verso prints a long single poem, along with an... More about Planet Earth is Much More Farout Than the Human Brain
[Philadelphia]: nd [c. 1980's]. 22 1/2 x 25", ink on heavyweight paper, edged in black gaffer's tape, as hung. Unsigned and undated. A large scale flash poster,completely handdrawn, by the influential tattoo artist Crazy Philadelphia Eddie, aka Eddie Funk, which hung in his Philadelphia tattoo parlor. Eddie began his career... More about Handmade Wall Flash from the Tattoo Parlor of Crazy Philadelphia Eddie
New York: Peter Blum, 1985. First edition. 8vo, 89 pp, bound in printed wraps with unprinted glassine jacket and printed belly band intact, and scarce thus. Text in both English and Italian. Illustrated with plates of various dimensions bound in. A beautifully designed book. Fine. More about The Ceremony of Things
[Paris]: none, 1960. 9 1/2 x 12" broadside printed on coated yellow paper stock. Text in French and English. A Surrealist tract attacking Salvador Dali and Marcel Duchamp on the occasion of the 1960 exhibit of international surrealism at D'Arcy Gallery in New York. The tract bears the printed signatures... More about We Don't Ear It That Way
North Hollywood, CA: L.A. Artist's Publication, c. 1973. 4to, loose sheets fastened with a pressure clip at upper left hand corner. Lacking the original mailing envelope. Though not denoted as such, from the collection of Athena Tacha. Single issue of this remarkable assemblage magazine intended, as the editor states in... More about L.A. Artist's Publication #4
North Hollywood, CA: L.A. Artist's Publication, c. 1973. 4to, loose sheets fastened with a pressure clip at upper left hand corner. Lacking the original mailing envelope. Though not denoted as such, from the library of Athena Tacha. Single issue of this remarkable assemblage magazine intended, as the editor states in... More about L.A. Artist's Publication #4 1/2
North Hollywood, CA: L.A. Artist's Publication, 1972. 4to, loose sheets fastened with a pressure clip at upper left hand corner. Lacking the original mailing envelope. Though not denoted as such, from the library of Athena Tacha. Single issue of this remarkable assemblage magazine intended, as the editor states in the... More about L.A. Artist's Publication Vol. 1 No. 3
Lund, Sweden: Gelleriet, 1980. Single sheet folded once to make a small booklet, with two transparent leaves of tissue glassine laid in, which are printed in blue and are designed to overlay a geometric drawing within. The strikingly designed announcement for this 1980 exhibition by Denes at Galleriet in Lund... More about Exhibition Announcement for 'Teckningar, Objekt, Grafik, Foto'
np: E. D. A., 1994. First edition. 8vo, 98 pp, saddle-stapled wraps. A prose novel. Rare; OCLC locates only the Bibliotheque National copy. Fine. More about Ilda Les Chants du Signe
Clichy Cedex, France: E. D. A., 1985. First edition. 8vo, unpaginated, glue bound in printed wraps. Xeroxed from cut-up collage and typescript. One of only 50 copies printed, the entire edition, of this beautiful hypergraphique novel. With a preface by Francois Poyet. OCLC locates only two holdings. Fine. More about Une Vie de Signe: Roman Hypergraphique
New York: Art City, 1986. 10 1/2 x 12" sheet, offset printed on coated card stock. Folded once, as issued, and addressed and postmarked. Text by Klaus Ottman. The poster exhibition announcement for this prescient and far too little-known exhibition at Art City devoted to "manifestations of space in a.... More about Poster Mailer for the Exhibition 'Hyperspaces'
New York: Floating Bear, 1969. First edition. Paperback. 4to, [22] pp., mimeographed; stab-stapled into a cover illustrated by Ray Johnson. One of the most beautiful issues of the Bear, with Ray Johnson's "Untitled Lithograph by Ray Johnson" as cover. Staples rusted, some light foxing and spotting. Very good. More about Floating Bear 36
Amsterdam: Art & Project, 1975. 4to, single sheet folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost... More about Art & Project Bulletin 87
New York: Appearances Press, 1981. First edition. 8vo, saddle-stapled wraps. Fantastic artists' book / zine by Dickson, dedicated "To Mom", and featuring drawings of men and their cocks. Later reprinted in the 1990's by No Press, this first edition is now very scarce. Near fine with minor toning to wraps. More about Hey Honey Wanna Lift?
Bronx: Fashion Moda, 1980. 8 1/2 x 14" poster, offset printed on pink paper. The poster for this 1980 event at Fashion Moda, which included a performance by the feminist no wave supergroup Disband, which at one time or another included Ilona Granet, Donna Henes, Barbara Kruger, Ingrid Sischy, Diane... More about Land at Fashion Moda
Philadelphia: Diter Rot, [1964]. Irregularly cut diazotype sheet, approximately 23 x 35", folded twice, with glue remnants at verso. Titled in graphite in Rot's hand "an almost dummy", with a note at bottom edge reading "sorry D. R. 64". In 1964, Rot was invited to Philadelphia to create an artists'... More about Spread from 'Snow'
Poughkeepsie & Silverton: Division Leap / Fast Books, 2018. First edition. Dodd, John P. My Funny Valentine. Poughkeepsie & Silverton: Division Leap / Fast Books, 2018. First edition. Small 4to, 120 pages, offset printed in color, with one folding plate tipped-in by hand. One of a limited edition of 250... More about My Funny Valentine
np: Association pour l'Étude de Marcel Duchamp, [2000]. Narrow 4to, [15] pp, saddle-staple wraps. Handcut photographic frontispiece. A facsimile reprint of the work first published in 1924, here issued in a limited edition of 500 copies on bouffant, reserved solely for readers of the magazine "Étant Donné Marcel Duchamp." Near... More about The Wonderful Book. Reflections on Rrose Sélavy
![Untitled Drawing [Gestalt]. Robert Duncan](/pictures/thumb/21735.jpg?v=1544578662)
np: nd. 8 1/2 x 8”, ink on paper. Undated. Signed by Duncan within the image. Provenance: from the collection of the artist Ernesto Edwards, a longtime friend of Jess and Robert Duncan, who has a section devoted to his work in An Opening of the Field (pp. 188-193). A.... More about Untitled Drawing [Gestalt
Los Angeles: Pataphysics Program, 2011. First edition. 4to, unpaginated, bound in printed chipboard covers. Includes interviews with Lawrence Weiner, Lucas Baumeward (on Martin Kippenberger's MOMAS), Terry Wilson on William S. Burroughs and Naked Lunch, as well as an interview with Wilson, and more. Fine. More about Pataphysics Program
Los Angeles: Pataphysics Program, 2009. First edition. 4to, unpaginated, bound in printed chipboard covers. With works by Sylvère Lotringer, Hakim Bey, John Geiger, David Pinder, Bernard Heidsieck, Jim Dolot, Chris Kraus, and interviews with Harry Matthews, John Cage, Terry Winters etc. Fine. More about Pataphysics System Access
Hamburg: Quer-Verlag, 1968. First edition. Hardcover. Oblong 16mo. Side-stapled in cardboard covers, with photographic pastedown to front panel. Illustrated with two black and white photographs. The first and only edition of the only book on Eiffe, who is widely considered to be the first modern graffiti artist in Germany. His... More about Eiffe For President
Amsterdam: Art & Project, 1977. 4to, single sheet folded once to make four pages. Illustrated with color reproductions within. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156... More about Art & Project Bulletin 100