![Indeterminancy in New Piano Music [Handbill]. David Tudor, Toshi Ishiyanagi John Cage](/pictures/thumb/29777.jpg?v=1635290822)
New York: The Living Theatre, 1960. 8 1/2 x 11", mimeographed from typescript on offset printed Living Theatre stationary. The rare handbill for this recital by David Tudor at the Living Theatre, the last of three recitals devoted to indeterminancy in new piano music. John Cage and Toshi Ishiyanagi are..... More
Amsterdam: Art & Project, 1973. 4to, single sheet folded once to make four pages. Illustrated with color reproductions within. Association copy, addressed to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course..... More
Amsterdam: Art & Project, 1973. 4to, single sheet folded once. Association copy, addressed to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of..... More
Amsterdam: Art & Project, 1975. 4to, single sheet folded once to make four pages. Association copy, addressed to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the..... More
Amsterdam: Art & Project, 1973. 4to, single sheet folded once. Photographically illustrated. Association copy, addressed and postmarked to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the..... More
Amsterdam: Art & Project, 1970. 4to, single sheet folded once to make four pages. Addressed and mailed to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the..... More
Amsterdam: Art & Project, 1975. 4to, single sheet folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost..... More
Np: [Zephyrus Image], nd. 4 1/2 x 8 1/2 " broadside, letterpress printed with Cheltenham type. Of three paper variants, this example is on light green paper stock. Among the earliest ephemera from the press, dating from the Collins St. days. The simple design gives the text, a powerful manifesto..... More
[San Francisco]: Communication Company, [1967]. 8 1/2 x 11" sheet of yellow watermarked Mead Bond paper hole-punched along left margin (as issued) and mimeographed from typescript. One of the simplest, and most striking of the Diggers / Com/Co broadsides, summing up with great economy the anti-authoritarian ethos of the two..... More
![Mother Eight [8]. Ron Caplan, ed, Aram Saroyan](/images/noimage.png)
Pittsburgh: Mother Press, nd c. 1960's]. First edition. Foolscap format, two sheets mimeographed on both recto and verso, unbound and folded as issued. A single issue of this early little magazine of the Mimeograph Revolution, which began in the late 50’s and, like Floating Bear, was distributed free, or as..... More
Warminster, PA: Constant Cause, nd [c. early 1980's]. 16mo, [8] pp, including covers. Offset printed on yellow textured paper. Mini-comic zine distriuted by Constant Cause. Fine. More
Amsterdam: Art & Project, 1979. 4to, single sheet folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost..... More
Berkeley: English Department, University of California, Berkeley, 1954-1955. First edition. Four issues, each 4to, mimeographed on rectos only and stapled in upper left corner. An important newsletter for Pound scholars and enthusiasts in the mid-1950s, during the period when Pound was imprisoned at St. Elizabeths. The newsletter helped catalyze a...... More
Hanover, Germany: Klarschlamm, 1986. First edition. One of 500 numbered copies. 4to, 32 pp. incl. covers, photo-mechanically reproduced on various colors of paper stock. Text entirely in German. Seventh issue of the German punk fanzine, featuring great layout, typography and some original photography of German gigs. With a section of..... More
London: Richards Press, 1951. First edition. 8vo, 230 pp, red boards titled in gilt, top edge of text block died red. No dust jacket. Illustrated with photographs. From the library of Ralph Donaldson, with his ownership signature to the ffep. A bright, sound very good copy with bumping to the..... More
London: Neville Spearman, 1972. First edition. 8vo, 285 pp, bound in brown boards titled in gilt at the spine. Includes index. A sturdy, near fine copy in a very good, price-clipped dust jacket a bit rubbed at extremities with a couple of closed tears. More
Paris: J.-B. Baillière et Fils, 1869. First edition. 8vo, viii, 184 pp, printed wrappers. With 8 pp. publisher's catalog laid in at rear. Inscribed by the author at the title page, with a faint, almost imperceptible rubberstamp beneath the signature. Text in French. A rare inscribed copy of the first..... More
Lyon: Bosc frères : M. et L. Riou, 1933. First edition. 8vo, 229 [2] pp, printed wraps. Text in French. This expansive work on tattoos grew out of De Tromelin's doctoral thesis, in which he studied 788 subjects and 4,142 tattoos, making classifcations between ethnic, professional, and allegorical tattoos. The..... More
Heidelberg: Dr. Alfred Hüthig Verlag, 1950. First edition. 8vo, 156 pp, bound in pale blue cloth titled in gilt. Illustrated dust jacket. Profusely illustrated with black and white photographs. Text in German. First edition of an essential study on the history of tattooing, branding and body painting, based upon Schönfeld's..... More
Paris: Tchou, 1966. First edition thus. 8vo, 374 pp, bound in illustrated cloth. No dust jacket as issued. Complete with the 22 cards housed in two card folders tipped onto rep, as issued. A fold-out table follows the text, which is in French. Silk bookmark bound in. Foreward by Roger..... More
San Francisco: Poetry Flash. One issue foolscap format and mimeographed, early issues stapled once at the upper left hand corner, some saddle-stapled, and later issues in tabloid format, offset printed on newsprint - the latter folded once, as issued. 44 issues of the longrunning periodical devoted not only to information..... More
[Oxford]: Nicholson Gallery [Lady Frieda Harris], 1941. First edition. 8vo, 19 pp, saddle-stapled wraps. With the lower portion of the first leaf neatly excised by Lady Frieda Harris, as usually found [see below]. This catalog was originally printed for an exhibition of Lady Harris' paintings for the Thoth tarot, at..... More
San Francisco: Theatre Rhinoceros, 1984. 8 1/2 x 11" flyer, original xerox on blue paper stock. Original flyer for the first performance of this early and important collaboratively written play in the basement studio at Theatre Rhinoceros. The play, directed by Leland Moss, was instrumental in raising awareness of the..... More
Ithaca, NY: Andrew Dickson White Museum of Art, Cornell University, 1970. First edition. Oblong 8vo, [88] pp, printed wraps. Illustrated with more than 40 b/w photographs. Texts by Willoughby Sharp and Thomas W. Leavitt. The catalog for the important 1969 exhibition, the first US museum exhibition to focus on Land..... More
New York: Long Island Drug Division, [1970]. 8 1/2 x 11" flyer, printed on blue paper. Illustrated with a drawing by A. Funcke. Flyer for this show by the Holy Modal Rounders and Jebediah Wood at NYU's Weinstein Hall, sponsored by the legendary Long Island Drug Division. Folded once, with..... More