New York: The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters, [1980]. 11 x 17" poster, offset lithograph on white paper. Association copy, addressed and mailed to Judith Aminoff at Cover. A poster announcing visitation hours at 325 Spring Street for an event by one of the least documented..... More
New York: Printed Matter, c. 1981. Small oblong wraps, [16] pp, saddle-stapled. Illustrated with black and white photographs. Association copy, addressed and mailed to the artist Philip Corner. Early PM catalog, and one of the best designed, in landscape format, with each offering illustrated and described at some length, including..... More
Maastricht: Luuksgroep, 1967. 8vo, 24 pp, saddle-stapled wraps. Text in Dutch. Tenth issue of one of the most beautiful periodicals of the Provo movement, and the entire decade. Some toning and a touch of insect damage to covers, else very good. More
Maastricht: Luuksgroep, 1966. 8vo, uynpaginated, printed on various colors, sizes, and shapes of paper stock via mimeograph or offset lithography. Text in Dutch. Sixth issue of one of the most beautiful periodicals of the Provo movement, and the entire decade, complete with oddly folding pages, exquisite layout, and die-cut portions..... More
Amsterdam: Art & Project, [1974]. 4to, single sheet folded once to make a four pager. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in..... More
Houston, TX: JC/WIN [Judy Chicago Word and Image Network], 1982. First edition. 8vo, 24 pp, saddle-stapled wraps. Designed by Sheila de Bretteville. Raven's landmark feminist art essay, commissioned by JC/WIN, the corporation created by Judy Chicago to make available inexpensive art and publications by women. The text includes an abecedary..... More
Amsterdam: Art & Project, 1973. 4to, single sheet folded once. Photographically illustrated. Association copy, addressed and postmarked to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the..... More
Amsterdam: Art & Project, 1975. 4to, single sheet folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost..... More
NP: The Artist, c. 1979-82. 8 1/2 x 11" poster or maquette, photomechanically printed with a xolor xerox print tipped on (now detached). Signed by the artist at verso. More
[New York]: The Artist, [1979]. 8 1/2 x 11" poster, printed in black on green paper. Signed by the artist at verso. One of a series of superb, ironic great poster works made by the artist which critique the military-industrial complex well as the role of the human in an..... More
np: The Artist. 8 1;2 x 11" poster maquette, with four hand-cut baseballs pasted down onto a printed sheet, with check marks and x's hand-colored in marker. Signed by Rothenberg at verso. One of a series of superb, ironic great poster works made by the artist which critique the military-industrial..... More
[New York]: erika Rothenberg, [1982]. 8 1/2 x 11", pigment, paper, and glue on red construction paper with the title printed below in black. Signed by the artist at verso. The maquette for a different version of this brilliant poster work, which drew a stark economic contrast between militarization and..... More
Amsterdam: Art & Project, 1977. 4to, single sheet folded once to make a four pager. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in..... More
Amsterdam: Art & Project, 1977. 4to, single sheet folded once to make a four pager. Association copy, addressed to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years..... More
[New York]: [c. 1967]. 11 x 14" silver gelatin print [image size 8 x 10"]. Unsigned and undated. A fantastic photograph of Ed Sanders, with a moccasined foot in the foreground. The photograph was taken in Central Park by Lenny Schechter, and was shot on spec to be used for..... More
Paris: Yvon Lambert, 1966. First edition. Oblong 8vo. (10) pp. Saddle-stitched printed wraps. Exhibition catalog, illustrated with black and white photographs of this serial installation, handsomely printed on glossy paper. A very early solo catalog by the important minimalist, issued for his second solo show during the early stages of his..... More
New York: Kulchur Press, 1962. 8vo, 104 pp, photographically illustrated wraps. Early issue of the important NYC little mag, which ran to 20 numbers. This issue includes a review of John Coltrane's Live at the Village Vanguard by A. B. Spellman, and Leroi Jones with an essay introducing Bobby Bradford..... More
Heidelberg: Dr. Alfred Hüthig Verlag, 1950. First edition. 8vo, 156 pp, bound in pale blue cloth titled in gilt. Illustrated dust jacket. Profusely illustrated with black and white photographs. Text in German. First edition of an essential study on the history of tattooing, branding and body painting, based upon Schönfeld's..... More
New York: The Artist, nd [c. 1990's]. 4 x 6" postcard, with xerox print tipped onto recto. Beautiful announcement this happening by Max Schumann, featuring the sale of artwork priced from 10 cents to $100! Max is of the beloved director of Printed Matter. Very good with some light toning and..... More
Sherborne, Dorset, Great Britain: A South Street Publication, 1969. First edition. 8vo, 8 pp., two sheets of card stock glued together, and printed in 2 colors. Housed in the publisher's original card slipcase with title pastedown to cover. First and only edition of this collection of protest concrete poetry dealing..... More
[New York]: Seth Siegelaub, 1969. 4to, 26 pp, saddle-stapled wraps. Text in three languages. The catalog for the 1969 exhibition, which featured work from 11 different artists or groups in 11 different locales. The artists and locations were Carl Andre (The Hague), Robert Barry (Baltimore), Daniel Buren (Paris), Jan Dibbets (Amsterdam)..... More
London: Omphalos and Sub 71, [1970]. 4to, 24 pp, saddle-stapled wraps. Illustrated with appropriated and detourned images. This debut issue of the Situationist periodical includes essays by Eduardo Rothe, "The Conquest of Space in the Time of Power," Raoul Vaneigem, "Masters Without Slaves", and "The End of the Christian Era"..... More
![The New York Spanner 1-5 [Complete]. Terise Slotkin, eds Richard Miller](/pictures/thumb/29479.jpg?v=1623184443)
New York: Aloes Books / Collaborative Projects, 1978-85. First edition. Nos. 1-3 each a 4to, perfect bound in wraps. Fourth issue a full size paper jumpsuit extensively rubberstamped by numerous artists. The final issue a combbound set of postcards. A complete run of this innovative artists' periodiocal allied with Colab..... More
[Paris]: Carnets de Rhinoceros Jr, 2007. 12mo [5 3/4 x 5 1/4", a little book] 48 pp, bound in photographically illustrated stiff wraps. No dust jacket as issued. Text in French. The now very scarce first edition of the first book on the photographer's work to appear outside of Russia..... More
Ithaca, NY: Andrew Dickson White Museum of Art, Cornell University, 1970. First edition. Oblong 8vo, [88] pp, printed wraps. Illustrated with more than 40 b/w photographs. Texts by Willoughby Sharp and Thomas W. Leavitt. The catalog for the important 1969 exhibition, the first US museum exhibition to focus on Land..... More