San Francisco: San Francisco Arts Festival, 1963. Eight illustrated broadsides, laid into a 14 x 21" large card folder with printed title pastedown to front panel. Each broadside limited to 300 copies. A remarkable publication of eight broadsides issued on the occasion of the San Francisco Arts Festival, and printed..... More

Somerville: Firefly Press, 1985. First edition. 8vo, unpaginated, saddle-stitched in printed wraps. One of a limited edition of 250 copies letterpress printed in both English and Cyrillic, with Dan Carr setting the latter and George McCoubrey setting the former. The book was edited and designed by Carl Kay, and translated..... More

San Francisco: Auerhahn Press, nd. Paperback. 5 x 8" sheet of blue paper, folded once, with bird device to front panel. Some faint handling creases else fine. An advertising leaflet offering the services of the press, suggesting that they can produce a wide variety of material, from stationary to reproduction..... More

New York: Fuck You Press, 1964. First edition. 4to, mimeographed from typescript and drawing on rectos only. Side-stapled. The first edition of the author's first book, a report on the legendary 1963 conference at the University of British Columbia, made in order to "respond to the intense interest and questions..... More

New York: Lorenz and Ellen Gude, 1966. First edition. Foolscap format, 31 pp., mimeographed from typescript and stap-stapled into an offset printed card cover illustrated by Joe Brainard. The 13th and final regular issue of the seminal little mag of the second generation of the New York School. This issue..... More

New York: Lorenz Gude, 1963. First edition. Foolscap, mimeographed from typescript on rectos only, and stab-stapled into an offset printed cover by Joe Brainard. Collated and complete against Birmingham. Conributors include John Ashbery, Ron Padgett, John Wieners, Lorenzo Thomas, LeRoi Jones, James Schuyler, Barbara Guest et al. A strong and..... More

New York: Lorenz Gude, 1963. First edition. Foolscap format, mimeographed on rectos only; stab-stapled. Early number of the little magazine, which was of of primary importance to the formation of the second New York School. Early issues are increasingly uncommon. This issue includes contributions from Berrigan and Sandy Alper, J...... More

New York: Alex Rosenberg Gallery, 1980. First edition. 22 x 34" sheet, offset printed on recto only, and folded into a two panel brochure. Illustrated in black and white. The beautifully designed catalog for the prescient 1980 exhibition on personal narratives by artists. With contributions from Joe Brainard, Colette, John..... More

Suffolk: Scorpion Press, 1961. First edition. Translated by John Berger and Anna Bostock, who also provide a brief foreward. The first English language edition of these 7 poems, which were taken from Messinkauf. Superb translations...Near fine with fading to the extremities of the wraps and some faint toning within. More

Rabun Gap, GA: Foxfire, 1968. 8vo, offset printed on various color stocks, and saddle-stapled into wraps illustrated by Virginia Read. Illustrated throughout with drawings and photographs. A superb issue of the little magazine that printed, not only poetry, but material from the back to the land movement, folk art, and..... More

Pittsburgh: Mother Press, nd c. 1960's]. First edition. Foolscap format, two sheets mimeographed on both recto and verso, unbound and folded as issued. A single issue of this early little magazine of the Mimeograph Revolution, which began in the late 50’s and, like Floating Bear, was distributed free, or as..... More

Baltimore: Laughing Man Press, 1975. First edition. 8vo, saddle-stapled wraps. One of a limited edition of 300 signed and numbered copies. In addition, this copy is further inscribed to fellow poet Gerrit Lansing, in the year following publication. Very good with some minor foxing and toning to wraps. More

np: Jargon Society, 1971. First edition. Narrow 4to, bound in stiff photographically illustrated French wraps after a photograph by Bert Parker. Single faint droplet stain to spine and some faint, innocuous scuffing to back panel, else fine, a gorgeous copy. More