Np: Vandal Publications, 1966. First edition. 18 x 23” poster poem, offset printed on recto only. One of the most famous poster poems of the sixties. Logue’s elegiac poem is here matched to a photograph of the corpse of Rube Burroughs, an American outlaw gunman killed in Souix City in... More
[Healdsburg]: [Zephyrus Image], c. 1977. 7 1/2 x 12" broadside, letterpress, with zinc print of a serial image of an eclipse down the left side. See Johnston p. 212. Fine. More
San Francisco: Auerhahn Press, 1960. First edition. Paperback. 8vo. Saddle-stapled wraps. Illustrated with drawings by Robert Ronnie Branaman. One of 750 copies. First edition of the author's first book. A sharp, fine copy. [Auerhahn 10]. More
San Francisco: Auerhahn Press, 1960. First edition. Paperback. 8vo. Saddle-stapled wraps. Illustrated with drawings by Robert Ronnie Branaman. One of 750 copies. This copy is signed by Marshall at the first blank, and scarce thus. First edition of the author's first book, one of the most unusual books of poetry... More
New York: Carp & Whitefish, 1967. First edition. 3 1/2 x 6 5/16" card, offset lithograph, reproducing a work by William Heine at recto, and publication information at verso. The announcement for the first book published under the C & W imprint, which was created by Irving Rosenthal in his... More
![Oyez 1-10 [Complete]. Michael McClure, Josephine Miles Brother Antoninus, Gary Snyder, Charles Olson, Denise Levertov, Dvid Meltzer, Robert Creeley, Robert Duncan, William Bronk.](/pictures/thumb/27050.jpg?v=1547156368)
San Francisco: Oyez, 1964. Set of ten broadsides, each approximately 11 1/2 x 17", each printed letterpress by the Auerhahn Press on heavyweight paper with deckled edges. Includes broadsides by Michael McClure (Two for Bruce Conner), Brother Antoninus (The Rose of Solitude), Josephine Miles (In Identity), Robert Duncan (Wine), Robert... More
London: Novello, 1964. First edition. 4to, 36 pp, saddle-stapled wraps. Signed by Robert Duncan at the title page. The opening phrase of the prologue to the piece is based upon Robert Duncan's line "Often I am permitted to return to a meadow," taken from The Opening of the Field. A.... More
Vermont: Finial Press, 1973. First edition. Square 8vo, saddle-stitched wraps housed in an unprinted slate blue jacket with a small die cut hole to cover (perhaps as issued?). One of a limited edition of 200 copies signed by the poet at the colophon. Illustrated with three drawings by Michael Carol... More
Austin: Sal Volatile Press, 1995. First edition. Narrow 8vo, 50 pp, printed wraps. With the numerals 51 and 52 whited out, likely as issued (given that the colophon was accidentally including in the pagination). Association copy, inscribed by Middleton to his friend and collaborator R. B. Kitaj, and dated in... More
London: Oasis, 1985. First edition. 8vo, printed wraps. Association copy, inscribed to R. B. Kitaj in the year of publication on Mayday: "For Ron love from Christopher May 1 1985." A note in Peter Howard's hand notes that the "Ron" is Kitaj. A superb association copy of Middleton's amazing, "lost"... More
New York: National Poetry Magazine of the Lower East Side, 1992. 4to, side-stapled in illustrated covers. Special swimsuit issue of the longrunning poetry magazine, with contributions from Hal Sirowitz, Hersch Silverman, Les bridges, Mike Topp, Arthur Nersesian, Richard Russo, Mike Zuccaro et al. Very good with some light toning and... More
New York: National Poetry Magazine of the Lower East Side, 1993. 4to, side-stapled in illustrated covers. Special issue of the longrunning poetry magazine, with contributions from Jill Rapaport, Hersch Silverman, Eve Pacler, Hal Sirowitz, Adriana Scopino, Erika Knerr, Mike Zuccaro, Tom Savage, Rebecca Wright, Bob Holman, Gwen Sprinkle, Matty Jankowski... More
New York: National Poetry Magazine of the Lower East Side, 1994. 4to, side-stapled in illustrated covers. Great issue of the longrunning downtown periodical, assembled at the dear departed Cedar Tavern. With contributions from Eve Packer, Jill Rapaport, Hersch Silverman, Bernice Holtzman, Peter Lamborn Wilson, Mia Hansford, Mike Golden, Tuli Kupferberg... More
Niagara Falls: Press Today, 1966. First edition. 32mo, [12] pp, mimeographed and stab-stapled in unprinted brown wraps purposefully trimmed smaller than the text block. One of 150 copies published by D. R. Wagner. Light offsetting from the wraps to verso of final leaf, else fine. More
New York: Theo Publications, 1963. First edition. 8vo, [32] pp., mimeographed and saddle-stapled into printed wraps. Association copy, inscribed in the year following publication inside the front cover to Joan Jonas by George Montgomery, a contributor to this issue. Montgomery is also thanked by the editors for making the issue... More
np: nd. 4.25x5.5", artists' postcard, offset printed on recto on blue cardstock; verso ruled in marker. Fine. More
![Bastard Angel 1-3 [Complete]. Harold Norse, ed.](/pictures/thumb/26687.jpg?v=1544579110)
San Francisco: Bastard Angel, 1972-74. 4to, saddle-stapled wraps. Each issue profusely illustrated. A complete run of this early 1970's little magazine. With contributions across the numbers from William S. Burroughs, Jack Kerouac, Allen Ginsberg, William S. Burroughs, Paul Bowles, Bob Kaufman, Michael McClure, Diane di Prima, Lawrence Ferlinghetti, Mohammed Mrabet... More
New York: Tibor de Nagy, 1965. First edition. Square 8vo, bound in decorated wraps designed by Fred R. Siegel. The first edition, regular issue, one of a limited edition of 500 copies. The first edition of the poet's last book to be published in his lifetime, a collection of love... More
New York: Tibor de Nagy, 1965. First edition. Square 8vo, bound in decorated wraps designed by Fred R. Siegel. One of only 20 signed and numbered copies of the special edition, this copy also housed in an unprinted glassine wrapper, which we've not previously encountered. The first edition of the... More
New York: Jargon / Corinth, 1960. 8vo, 160 pp, bound in full cloth with illustrated pastedowns to panels and spine. Limited edition, one of 75 numbered hardcover copies - there were also 26 lettered and signed copies. The first complete edition of Olson's work. Glover A15. Offsetting to endpapers, as often... More
New York: Jargon / Corinth, 1960. 8vo, 160 pp, bound in full cloth with illustrated pastedowns to panels and spine. Limited edition, one of 26 lettered copies signed by Olson, this being copy "X". In addition, Olson has added the note "Footprints" to the colophon page, in reference to three... More
Tucson, AZ: Ironwood Press, 1975. First edition. 8vo, 88 pp, printed wraps. Special issue of the little magazine devoted to work by and about George Oppen, including a generous selection of new work by Oppen and contributions from Charles Reznikoff, Carl Rakosi, Diane Wakoski, Bruce Andrews, Mary Oppen, Theodore Enslin... More
np: Pacificmoonplanet Ecological Theatre, nd. 8 1/2 x 11", mimeographed from typescript on yellow paper. A poetry broadside. We can find no reference to the group, though we've seen other broadsides signed by the project, all with a similar poetic voice with heavy use of portmanteau word constructions. Very good with moderate creasing. More
New York: Poetry Project at St. Mark's, nd. 8 1/2 x 11", printed on recto only. Illustrated with an uncredited drawing of a pop bottle bearing a Portable Leon label. Lightly creased, with a short 1/4" nick at top margin; very good. More
New York: Lorenz Gude, 1964. First edition. 4to, 21 leaves [including blank leaf preceding colophon],mimeographed on rectos only and side-stapled into illustrated card covers, and illustrated with four internal mimeograph prints by Joe Brainard. One of an edition of 200 copies numbered and signed by Padgett at the colophon. Padgett's... More