np: 1957. Provenance: acquired by Peter Howard of Serendipity Books from Robert Creeley. The immensely talented Laubies was a visual artist associated at different times with the Tachisme, Art Informel, and Nuagisme movements. He was also the first translator of Ezra Pound into French, and it was Ezra Pound who... More
Calais, Vermont: Z Press, 1998. First edition. 8vo, hand-stitched in dove grey Fabriano Ingres French fold wraps with title pastedown to front panel; interior printed on German Ingres by Peter Kruty Editions. One of 226 copies, the entire edition. The title poem by Lauterbach, here accompanied by a beautifully printed... More
Athens: Hermias, 1974. First edition. 8vo, wraps. Signed by Layton at the title page. A battered copy with some creasing, a narrow tidemark to top edge, and a ballpoint pen doodle on front cover. More
New York: New Directions, 1966. First edition. First edition, simultaneous wrappered issue. With errata slip laid in. Very good with some moderate toning to the wraps. More
New York: New Directions, 1966. First edition. Hardcover. Fine in a jacket showing some faint traces of soiling, else fine. More
Temple, Maine: 1964. Two typescripts, two ALS, one APS, and a signed mimeographed typescript of a telegram, all sent to Ed Budowski. The correspondence relates to publication in a magazine edited by Budowski (almost certainly Fubbalo, though not named). Included are typescripts of two poems, "For Flossie" and "The Broken... More
Cleveland: Renegade Press, 1965. First edition. 4 1/4 x 5 1/2", [8] pp, saddle-stapled oblong wraps. Letterpress printed in two colors. Edition unstated, but one of only approximately 100 copies produced. Lowell B3, T&H P-48. An early, minimal, experimental poem by levy, his eighth standalone book issued only two years... More
Cleveland: Renegade Press, 1964. First edition. 8vo, letterpress printed in on various colors of paper stock, and side-stapled into letterpress printed white card wraps. Illustrated with prints by Katherine Wasil, Cuz, and Kent Taylor. One of a limited edition of 150 copies. A beautifully printed and innovatively designed issue of... More
Northwood, Middlesex, UK: Scorpion Press, 1958. First edition. 12mo, 36 pp, bound in black card wraps printed in white. One of a limited edition of 500 numbered copies. A collection of poems based on Pablo Neruda's Los Cantos d'amores, and an early work by Logue. A couple faint creases to wraps, else fine. More
[Healdsburg]: [Zephyrus Image], c. 1977. 7 1/2 x 12" broadside, letterpress, with zinc print of a serial image of an eclipse down the left side. See Johnston p. 212. Fine. More
Bruxelles: Les Levres Nues, 1968. First edition. 4to. Single sheet folded twice to make 8 pp., including covers. The eighth installment in the artist's Le Fait Accompli series, one of 45 numbered copies "sur verge" out of a total edition of 70. "Noir" is crossed out on the cover in... More
San Francisco: Auerhahn Press, 1960. First edition. Paperback. 8vo. Saddle-stapled wraps. Illustrated with drawings by Robert Ronnie Branaman. One of 750 copies. First edition of the author's first book. A sharp, fine copy. [Auerhahn 10]. More
San Francisco: Auerhahn Press, 1960. First edition. Paperback. 8vo. Saddle-stapled wraps. Illustrated with drawings by Robert Ronnie Branaman. One of 750 copies. This copy is signed by Marshall at the first blank, and scarce thus. First edition of the author's first book, one of the most unusual books of poetry... More
New York: Carp & Whitefish, 1967. First edition. 3 1/2 x 6 5/16" card, offset lithograph, reproducing a work by William Heine at recto, and publication information at verso. The announcement for the first book published under the C & W imprint, which was created by Irving Rosenthal in his... More
San Francisco: Oyez, 1964. Set of ten broadsides, each approximately 11 1/2 x 17", each printed letterpress by the Auerhahn Press on heavyweight paper with deckled edges. Includes broadsides by Michael McClure (Two for Bruce Conner), Brother Antoninus (The Rose of Solitude), Josephine Miles (In Identity), Robert Duncan (Wine), Robert... More
London: Novello, 1964. First edition. 4to, 36 pp, saddle-stapled wraps. Signed by Robert Duncan at the title page. The opening phrase of the prologue to the piece is based upon Robert Duncan's line "Often I am permitted to return to a meadow," taken from The Opening of the Field. A.... More
Vermont: Finial Press, 1973. First edition. Square 8vo, saddle-stitched wraps housed in an unprinted slate blue jacket with a small die cut hole to cover (perhaps as issued?). One of a limited edition of 200 copies signed by the poet at the colophon. Illustrated with three drawings by Michael Carol... More
Austin: Sal Volatile Press, 1995. First edition. Narrow 8vo, 50 pp, printed wraps. With the numerals 51 and 52 whited out, likely as issued (given that the colophon was accidentally including in the pagination). Association copy, inscribed by Middleton to his friend and collaborator R. B. Kitaj, and dated in... More
London: Oasis, 1985. First edition. 8vo, printed wraps. Association copy, inscribed to R. B. Kitaj in the year of publication on Mayday: "For Ron love from Christopher May 1 1985." A note in Peter Howard's hand notes that the "Ron" is Kitaj. A superb association copy of Middleton's amazing, "lost"... More
New York: National Poetry Magazine of the Lower East Side, 1992. 4to, side-stapled in illustrated covers. Special swimsuit issue of the longrunning poetry magazine, with contributions from Hal Sirowitz, Hersch Silverman, Les bridges, Mike Topp, Arthur Nersesian, Richard Russo, Mike Zuccaro et al. Very good with some light toning and... More
New York: National Poetry Magazine of the Lower East Side, 1993. 4to, side-stapled in illustrated covers. Special issue of the longrunning poetry magazine, with contributions from Jill Rapaport, Hersch Silverman, Eve Pacler, Hal Sirowitz, Adriana Scopino, Erika Knerr, Mike Zuccaro, Tom Savage, Rebecca Wright, Bob Holman, Gwen Sprinkle, Matty Jankowski... More
New York: National Poetry Magazine of the Lower East Side, 1994. 4to, side-stapled in illustrated covers. Great issue of the longrunning downtown periodical, assembled at the dear departed Cedar Tavern. With contributions from Eve Packer, Jill Rapaport, Hersch Silverman, Bernice Holtzman, Peter Lamborn Wilson, Mia Hansford, Mike Golden, Tuli Kupferberg... More
Niagara Falls: Press Today, 1966. First edition. 32mo, [12] pp, mimeographed and stab-stapled in unprinted brown wraps purposefully trimmed smaller than the text block. One of 150 copies published by D. R. Wagner. Light offsetting from the wraps to verso of final leaf, else fine. More
London: The Poety Society, 1975. 4to, printed wraps. First issue of the periodical to use a larger format, and the fifteenth issue under Mottram's editorship. This issue includes work by George Oppen, Jackson Mac Low (his section notable for including his poem "Soft (Second from the Back of a Collage... More
![Oyez 1-10 [Complete]. Michael McClure, Josephine Miles Brother Antoninus, Gary Snyder, Charles Olson, Denise Levertov, Dvid Meltzer, Robert Creeley, Robert Duncan, William Bronk.](/pictures/thumb/27050.jpg?v=1547156368)
