Girard, Kansas: Haldeman-Julius, nd. 32mo, saddle-stapled beige titled in black, with Union Label printing slug to rear wrap. Crease rear wrap, a couple short nicks and other wear, else a very good example. More

Berlin: Buchverlag der Arbeiter-Kunst-Ausstellung, 1921. First edition. 8vo, 232 pp, bound in illustrated boards backed in black cloth illustrated by Käthe Kollwitz. Profusely illustrated in black and white. Edges of text block died red. Text in German. Inscribed by the editor, Ernst Friedrich, at the first blank and dated 1923..... More

Wien: Galerie St. Stephan, 1963. First edition. 4to, [24] pp. [including covers], saddle-stapled wraps. Profusely illustrated with photographs and drawings. The legendary catalog for this 1963 exhibition of utopian architecture, the first collaboration between the two architects, which had come about after Hollein's lecture 'Zurück zur Architektur' the prior year..... More

Paris: The Olympia Press, 1963. Signed by Burroughs at the title page. 12mo, 183 pp, bound in green printed wraps and dust jacket illustrated by Ian Sommerville. One of 5000 copies printed. Maynard & Miles A6a. Spine faintly cocked, with a light crease to spine, and a touch of soiling..... More

Napoli: Lucio Amelio Modern Art Agency, 1975. 7 13/16 x 5 7/8" postcard, offset printed on red coated stock, with exhibition information printed at verso. Association copy, addressed and mailed to the artist Athena Tacha. The beautifully designed announcement for the 1975 exhibition in Napoli.Slight crease to one tip else..... More

Northampton, UK: Privately Published, 1990. 4to, unpaginated, xeroxed in black and white and clip-bound into a glassine cover. One of a limited edition of 11 copies, with a xerox hand-print bound in before the text, with a handwritten colophon in ink, signed as Lola Babalon. With a business card for..... More

London: O.T.O., 1937. 4to, v, 137 + [1] pp, + [65] facsimile manuscript sheets laid in at rear, with errata slip tipped in facing p. [138] listing 17 items. With cancel slip to title page changing the date to 1937, with the High Holborn address. Fore edges of text untrimmed..... More

Edinburgh & London: McLachlan & Stewart and Baldwin & Cradock, 1836. 8vo, lii, 395 pp. xii, 416 pp. Each volume bound in brown cloth over boards backed in red leather stamped in gilt, and raised in four bands at spine. The second edition, printing both the introduction to both editions..... More

New York: The Floating Bear, 1961. 4to, 7 leaves mimeographed from typescript on recto and verso, and stapled once at the upper left corner. This early issue of The Bear is largely taken up with Michael McClure's theatre work "The Feast!" written for Ornette Coleman, the only other work this..... More

New York: Fuck You Press, 1964. First edition. 24mo, [12] pp, mimeographed from typescript and drawing. Covers illustrated with impeccable provocation and grace by Allen Ginsberg. The first separate edition of this section of the Yage Letters, which the "paranoid printers" of the City Lights edition in England refused to..... More

Copenhagen: Internationale Situationniste, 1959. First edition. 4to, [64] pp, offset lithograph in color, bound in unprinted white card wraps and housed in the original sandpaper dust jacket. Mémoires was the second book collaboration between Jorn, Debord and the printing company Permild & Rosengreen. Often anecdotally attributed to Debord, the sandpaper..... More

np: 1959. 7 x 9" photograph, captioned along top margin. With production marks in orange crayon at verso, along with a rubberstamp which states "Reference" with a date of 1959. Photographer unknown. A beautiful, candid image of the three poets, photographed during their infamous reading at Princeton, along with Michael..... More