Wien: Galerie St. Stephan, 1963. First edition. 4to, [24] pp. [including covers], saddle-stapled wraps. Profusely illustrated with photographs and drawings. The legendary catalog for this 1963 exhibition of utopian architecture, the first collaboration between the two architects, which had come about after Hollein's lecture 'Zurück zur Architektur' the prior year..... More

Somerville: Firefly Press, 1985. First edition. 8vo, unpaginated, saddle-stitched in printed wraps. One of a limited edition of 250 copies letterpress printed in both English and Cyrillic, with Dan Carr setting the latter and George McCoubrey setting the former. The book was edited and designed by Carl Kay, and translated..... More

County Durham: This Almighty Pop, 1990. First edition. 8vo. Folded, unbound sheets printed in blue on white paper stock. The fourth number of the legendary indie zine. Features material on The Lightning Seeds, Friends, Shack, The Sugargliders, Trash Can Sinatras, Honeybunch, The Posies, Patrick Skelly, Matt Allison, Greehouse, The Lavender..... More

Berkeley: Seymour Glass, [1989]. 8vo, saddle-stapled wraps. Lacking the 7" single. Johnny Marr (of Murder Can Be Fun) on Karen Carpenter, Pig Latin, Lucian Tielens, Thinking Fellers Union et al. A couple faint stains to wraps, else near fine. More

San Francisco: Tedium House, 1992. 4to, saddle-stapled wraps. J. D. King, Royal Trux, Hijo Kaidan, Pep Lester, Crust, Bob Larson et al, and illustrations by Matt Hall, Dick Sincere, et al. Some faint dust soiling to wraps else fine. More

Amsterdam: Art & Project, 1969. 4to, single folded sheet. Early issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost all cases a single sheet..... More

Stuttgart: The Artist, 1977. 8vo, [24] pp, saddle-stapled wraps. Illustrated in b/w. Artists' book addressing torture, sadism and violence, some of it re-documenting earlier work. Some light creasing and a touch of fading along spine. Very good. More

Paris: Centre de créativité, 1981. 4to, photocopied on rectos only and stab-stapled into thick unprinted glassine wraps. One of fifty numbered copies signed by Lemaitre, the entire edition. OCLC locates four holdings. More

San Francisco: More to Come, nd. Paperback. 8vo. [16] pp. [including covers]. Offset printed; saddle-stapled wraps. Illustrated with b/w photographs. Fine. A manifesto by the post-situ Bay Area group, with reference to the Carribean Situationists, Dolgoff, Reich, Coline et al; detourneed Charley Brown strip to back cover. Undated, but probably..... More

San Francisco: This Press, 1979. First edition. 8vo, perfect bound in wraps. This issue of the important magazine of the Language tendency with contributions from Lyn Hejinian, Charles Bernstein, Bruce Andrews, Ron Silliman, Kit Robinson, Peter Seaton, Christopher Dewdney, Abigail Child, Bernadette Mayer, Ted Greenwald, Michael Palmer, Carla Harryman, Michael..... More

San Francisco: This Press, 1977. First edition. 8vo. Offset printed and perfect bound in card wraps. This issue of the important magazine of the Language Poetry movement includes work by Clark Coolidge, Peter Seaton, Robert Grenier, Alan Davies, Bernadette Mayer, Bruce Andrews, Bill Berkson et al. Near fine with some..... More

Bloomington, Indina: Double Pelican, 1975. First edition. 8vo, wraps. Second issue of the important little magazine of experimental poetry, which ran to 6 issues (the last two issued in conjunction with New Wilderness Letter).With contributions from Bruce McClelland, Ted Enslin, John Cage, Michael Davidson, David Antin et al. Very good..... More

New York: Eudora Press, 1976. First edition. 8vo, string bound in handmade paper wraps with printed pastedown to front panel. Illustrated with two original etchings by Nell Blaine, each of which is numbered and signed. Of an edition limited to 80 total copies, this is copy no. 8, likely one..... More