Np: The Artist, nd. 8vo, saddle-stapled wraps. Illustrated with color photographs. Artist's book limited to 50 numbered copies. A photozine abecedary, illustrated with photographs of drugs, weapons and cash seized in police raids, with, in each photograph a letter spelled out, usually with drugs. Old price sticker to back cover..... More
Germany: Concept Data, 1973. 4to, saddle-stapled wraps. Text mostly in German. Illustrated with drawings, comics and collages. Single unnumbered issue of the periodical, perhaps all that was issued - this is the only issue we've seen. Includes comics by the Fabulous Furry Freak Brothers, an R. Crumb centerfold, both translated..... More
Amsterdam: Barbara Huges, 1968. Second edition. 4to, 34 pp., mimeographed from typescript on rectos only and bound with cloth tape into textured card covers printed in color. Second expanded edition. A self-published treatise on trepanation by a member of Provo who had experienced the act firsthand. On January 6, 1965..... More
New York: [Fuck You Press], 1964. 8 1/2 x 11" flyer, mimeographed from holograph on rose paper stock. A flyer from a rare early reading by Huncke at Le Metro. Though unattributed, the flyer was obviously designed by Ed Sanders of the Fuck You press. Rare. The only example of..... More
New York: [1966]. 8 1/2 x 11" flyer, mimeographed from holograph and drawing on blue paper. Flyer for an appearance by Ed Sanders, speaking as part of an anarchist discussion group at CCNY. Though the flyer is illustrated with an Eye of Horus and is similar in design to various..... More
San Francisco: Zephyrus Image, nd. First edition. 9 1/4 x 14" broadside, linocut no newsprint. An early broadside from the press, dating from the Collins Street days, and with the newsprint paper utilized, and early spelling of the press name as "Zephyrous", similar in feel to the companion pieces Help..... More
[San Francisco]: Zephyrus Image, [1970]. First edition. 6 1/2 x 12 1/2", linocut in green on newsprint. The rare first state of the broadside, originally distributed by posting them on telephone poles around Berkeley. One of the greatest posters of the 70's, deriving a strange power from Myer's masterful linocut..... More