New York: Fuck You Press, 1965. First edition thus. 8vo, unbound, folded sheets laid into printed wraps. Mimeographed from typescript. One of a limited edition of 300 copies. The first separate edition of the poem attributed to Auden, though W.H. didn't cop to authorship. The work was clandestinely circulated before..... More
San Francisco: Auerhahn Press, nd. Paperback. 5 x 8" sheet of blue paper, folded once, with bird device to front panel. Some faint handling creases else fine. An advertising leaflet offering the services of the press, suggesting that they can produce a wide variety of material, from stationary to reproduction..... More
Tacoma: Salted Feathers, 1966. 4to, mimeographed, stab-stapled into an illustrated cover sheet with smaller title sheet stapled onto cover. One of 500 copies issued. Sixth issue of this little magazing of the Mimeograph Revolution out of Washington State, which was distinguished by some very unusual, and striking design choices -..... More
New York: C Press, 1964. First edition. 4vo, mimeographed from typescript, stapled wraps. Cover by Joe Brainard. One of a limited edition of 300 numbered copies, this copy unnumbered and out of series. The first edition of this legendary book of the second generation of the New York School. Covers..... More
New York: Lorenz and Ellen Gude, 1966. First edition. Foolscap format, 31 pp., mimeographed, stab-stapled covers. The 13th and final regular issue of the seminal little mag of the second generation of the New York School. This issue includes work by Joe Brainard, Ted Berrigan, William Saroyan, Dick Gallup, Pierre..... More
[Calais, VT]: [1966]. First edition. 14 x 22", 19 sheets printed on rectos only and an additional printed cover sheet printed on card stock. Collated and complete. One of the most striking New York School collaborations, Wild Oats is gloriously impractical as a book. It has the sense of a...... More
New York: Lorenz Gude, 1963. First edition. Foolscap, mimeographed from typescript on rectos only, and stab-stapled into an offset printed cover by Joe Brainard. Collated and complete against Birmingham. With some minor ink corrections to the Harry Fainlight contributions, likely in the editor's hand. Conributors include John Ashbery, Ron Padgett..... More
New York: Lorenz Gude, 1963. First edition. Foolscap, mimeographed from typescript on rectos only, and stab-stapled into an offset printed cover by Joe Brainard. Collated and complete against Birmingham. Conributors include John Ashbery, Ron Padgett, John Wieners, Lorenzo Thomas, LeRoi Jones, James Schuyler, Barbara Guest et al. A strong and..... More
New York: Lorenz Gude, 1963. First edition. Foolscap format, mimeographed on rectos only; stab-stapled. With single word holograph addition"and" in pencil to Ted Berrigan's poem "Sonnet XXXVI". Early number of the little magazine, which was of of primary importance to the formation of the second New York School. Early issues..... More
![C: A Journal of Poetry Vol. 1, No. 2 [with an Unpublished Holograph Poem by Berrigan]. Ted...](/pictures/thumb/20315.jpg?v=1544578649)
New York: Lorenz Gude, 1963. First edition. Foolscap format, mimeographed on rectos only; stab-stapled. Early number of the little magazine, which was of of primary importance to the formation of the second New York School. Early issues are increasingly uncommon. This issue includes contributions from Berrigan and Sandy Alper, J...... More
New York: C Press, 1965. First edition. Foolscap, mimeographed from typescript on rectos only, stab-stapled into an offset printed cover sheet by Joe Brainard. Collated and complete against Birmingham. Contributors include Aram Saroyan, Edwin Denby, Kenneth Koch, Barbara Guest, Kenward Elmslie, others. Some toning and light soiling to cover and..... More
San Francisco: Analecta Press, [1968]. 9 x 14", offset litho on both recto and verso. The promotional poster for the book, illustrated with drawings by R. Crumb, with lengthy blurbs for Blazek's work by t.l. kryss, Don Cauble, Karen Waring, d. r. wagner, William Wantling, Eric Oatman, Charles Bukowski, Gershon..... More
New York: Angel Hair Press, 1970. First edition. 4to, saddle-stapled in photographically illustrated wraps. One of a limited edition of 700 copies. The first publication of the first installation of Brainard's most enduring work, published in three parts by Angel Hair. Wraps rather foxed, light creasing along spine, with some..... More
Np: nd. A collection of 37 sheets made to print two very early books by Joe Brainard, the Baby Book - published by his own Boke Press - and Power Plant Poems, a collaboration between Elmslie and Brainard which was published by C Press. Both of these books were printed..... More
New York: Lorenz Gude, 1964. First edition. Foolscap, mechanically duplicated on rectos only; stab-stapled. First, and much scarcer issue of the two issues of Brainard's artist periodical devoted to storyless or abstract comics. Illustrated throughout by Brainard with texts by many important poets of the New York School, including Bill..... More
New York: Boke Press, 1964. First edition. Foolscap, mechanically duplicated on rectos only; stab-stapled. The second and last issue of Brainard's artist periodical devoted to storyless or abstract comics. Illustrated throughout by Brainard with texts by many important poets of the New York School, including Bill Berkson, Ted Berrigan, Edwin..... More
New York: Fuck You Press, 1964. First edition. 24mo, [12] pp, mimeographed from typescript and drawing. Covers illustrated with impeccable provocation and grace by Allen Ginsberg. The first separate edition of this section of the Yage Letters, which the "paranoid printers" of the City Lights edition in England refused to..... More
New York: Floating Bear, 1969. First edition. Paperback. 4to, [22] pp., mimeographed; stab-stapled into a cover illustrated by Ray Johnson. One of the most beautiful issues of the Bear, with Ray Johnson's "Untitled Lithograph by Ray Johnson" as cover. Staples rusted, some light foxing and spotting. Very good. More
New York: Floating Bear, 1961. 4to, six leaves mimeographed from typescript and stapled once at the upper left hand corner. An unusual issue of the Bear, featuring Hubert Selby, Jr.'s "A Floating Bear Special", and work by Joel Oppenheimer, Charles Olson, Paul Metcalf, Max Finstein, Jerry Benjamin, and last but..... More
New York: Floating Bear, 1965. 4to, a mixture of mimeograph and offset printing, side-stapled. Front cover by Jess [Collins]. One of the most unusual and beautiful issues of the Bear, featuring a striking cover by Jess Collins. This issue is notable for the inclusion of three different dueling versions of..... More
New York: Floating Bear, 1961. 4to, six leaves mimeographed from typescript and stapled once at the upper left hand corner. This issue of the Bear features work by George Stanley, David Ossman, Martin Green, Charles Olson, Ron Loewinsohn, Marian Zazeela, Alan Marlowe, and Gilbert Sorrentino. Some faint traces of soiling..... More
San Francisco: M, [1962]. First edition. 4to, mimeographed from typescript and stab-stapled. First issue of the little magazine published from Gino & Carlo's Bar, where, submissions could be dropped off. Only two were published. The magazine bears some similarities with Open Space and J, and share many of the same..... More
New York: "Viking Press" nd. Paperback. 4to., mimeographed sheets stab-stapled covers. This copy of the work from the Leon collective is signed by Larry Fagin at the title page, and scarce thus. Includes a poem written for Leon Crabtree. Near fine with some very faint indenting around staples. More
Lawrence, KS: Grist, 1966. First edition. 4to, 40 pp., saddle-stapled in photographically illustrated wraps. Ninth issue of one of the greatest little magazines to come out of the midwest in the 1960's,, this issue notable for the inclusion of work by Steven C. Wilson, later known as S. Clay Wilson..... More
Annandale-On-Hudson: Matter Books / Joan Kelly, 1966. First edition. 8vo, mimeographed and stab-stapled into card covers. One of 200 copies, this copy unnumbered. His first book, with a foreward by Robert Kelly. Very good with some minor toning to margins. More