New York: Backworks, 1977. First edition. 4to, [20] pp, saddle-stapled wraps. With mimeographed errata and addenda slip laid in. The second catalog from the pioneering avant-garde bookselling concern, started by Barbara Moore and Jon Hendricks. The bulk of the catalog is devoted to photographs by Max Baker, Martha Holmes, Scott..... More

New York: Backworks, 1979. 4to, four leaves, each printed on both recto and verso, stapled once at the upper left hand corner. A special catalog by the pioneer avant-garde bookselling project at 488 Greenwich St, a collaboration between Barbara Moore and Jon Hendricks. This catalog is devoted to books, ephemera..... More

Berlin & New York: Galerie Rene Block & Ronald Feldman Gallery, 1979. First edition. 12mo, 141 pp, photographically illustrated wraps. Provenance: illustrated ex libris bookplate of John Humov tipped inside front cover. Artists' book documenting Beuys' 1979 work upon the closing of the René Block Gallery, in which the artist..... More

New York: New Wilderness Foundation, 1977. First edition. Tabloid format, [8] pp. including covers. Early issue of the longrunning artists' periodical devoted to avant-garde music, which was associated with, and later published above, the famous Ear Inn on Spring Street. This issue includes contributions from Bill Hellerman, Dick Higgins, Philip..... More

New York: New Wilderness Foundation, 1980. First edition. Tabloid format, 16 pp. including covers. Single issue of the longrunning artists' periodical devoted to avant-garde music, which was associated with, and later published above, the famous Ear Inn on Spring Street. This issue is a special issue devoted to sound environments..... More

New York: New Wilderness Foundation, 1981. First edition. Tabloid format, 20 pp. including covers. Special issue focusing on international music, of the longrunning artists' periodical devoted to avant-garde music, which was associated with, and later published above, the famous Ear Inn on Spring Street. Articles on African music, including Senegal..... More

New York: New Wilderness Foundation, 1983. First edition. Tabloid format, 36 pp. including covers. Special issue of the longrunning artists' periodical devoted to avant-garde music, which was associated with, and later published above, the famous Ear Inn on Spring Street, entirely devoted to Gamelan music and Indonesian arts in America..... More

Copenhagen: Panel 13, [1970]. Large plastic bag, Approximately 10 x 14", stuffed full of pageworks, appropriate works, ephemera, and objects, including a painted coin, a film strip, posters, and a booklet entitled "Vietnam-Solidaritet." One of 250 copies produced. The final issue, of five published, of this radical and important assemblage..... More

Rhinebeck, NY: Factotum Art at Open Studio, [1981]. 12 x 15 1/2" poster, offset lithograph in two colors. The beautiful poster for the Book of Bean, designed by Knowles, and printed for Factotum-Art at Open Studio in Rhinebeck, New York. The poster also prints George Quasha's poem Transvironment. Machine-folded twice..... More

Köln: Galerie Zwirner, 1963. Scroll, approximately 4 x 36", printed with a single line of text on both recto and verso. The exhibition announcement for an infamous and early Spoerri exhibition in Cologne, which lasted for the length of time that it takes to hard boil an egg; about the..... More

New York: New Wilderness Foundation, 1984. First edition. Tabloid format, 36 pp. Special technology issue of artists' periodical devoted to avant-garde music, which was associated with, and later published above, the famous Ear Inn on Spring Street. Contributors include Bernard Heidsieck, Rosemary Birardi, David Evan Jones, Richard Teitelbaum, Fred Ciccone..... More

Munich: Heiner Friedrich, 1969. First edition. 8vo, unpaginated, printed wraps. One of a limited edition of 2100 copies, of which 98 were numbered and signed by both artists. Early and scarce collection of text works by the two artists, which includes poems, an interview conducted by Richard Kostelanz, reproductions of..... More