Paris: Gallimard, 1975. 12mo, 226 pp, trade paperback. A strange and beautiful work of time travel, written by the noted sociologist, historian of the Paris Commune, and "prospectiviste" Decouflé. Written in 1975, the book envisages what the year 2000 would be like, 25 years in the past. The vision of..... More
Pretoria, South Africa: Ophir, 1969. 8vo, pp, saddle-stapled in lettepress printed yellow card wrappers. With subscription form laid in. A 20 part poem, and early work by the New Zealand poet and later, frequent collaborator with the filmmaker Peter Weir. Davies co-wrote The Cars that Ate Paris! A faint indent to..... More
Berlin: Die Freunde der Deutschen Kinemathek, [1981]. 8 1/4 x 11 3/4" flyer, offset printed on white paper. Illustrated with a drawing of Uncle Sam with dropped pants, credited to "K.S.". Flyer for this series of 10 film screenings at Im Kino Arsenal. The films included Charles Burnett's Killer of..... More
Paris: Céros / Librairie Plantureaux, 2005. First edition. 12mo, 48 pp, bound in illustrated flexible boards. Text in French. A beautiful catalog reproducing frames from early French films, from 1895-1910, accompanied by short essays. One of the eccentric and beautiful catalogues associated with the French bookselling concern Librairie Plantureaux, similar..... More
Paris: Editions du Seuil, 1961. First edition. 8vo, unpaginated. Illustrated with b/w photographs. With the original printed wraparound band flattened and laid in. The scarce first edition of this artists' book printed from maquettes designed by Marker himself, which combines the spoken portion of several of his early films, matched..... More
Paris: Editions du Seuil, 1949. First edition. 12mo, 94 pp, printed wraps. Illustrated with four black and white plates. One of Marker's first two books, along with his novel Le Coeur Net, both published in 1949. A mysterious book, which Sarah Cooper describes as "a montage of different texts on..... More
![Item #29211 Gregory J. Markopoulos [Pin]. Gregory Markopoulos](/pictures/thumb/29211.jpg?v=1617642507)
np: c. 1965-66. `. Pinn, 2" in diameter, printed in blue on a white field. Printing slug of N. G. Slater Corp. of New York under of the fold. We can only conjecture at the remarkable circumstance that would have led the the enigmatic filmmaker to have fashioned a pin..... More
New York: Film-Makers' Cinematheque, nd. First edition. One of a limited edition of 1000 hand-numbered copies. Signed by Markoopoulos at the title page. Includes many notes and diary entries from the film Serenity. Issued as the Film-Makers' Cinematheque Monograph Series #1 and dedicated to Jonas Mekas. A sturdy, very good..... More
np: Stuart Pound, nd [c. 1960's]. 4to, mimeographed from typescript and side-stapled in pink illustrated covers. Illustrated within with several black and white pop art illustrations and a gorgeous sheet of some kind of color negative print tipped in. Unusual and beatiful artists' book of poetry and images which we..... More
London: Goliard Press, 1967. First edition. "Unsolicited manuscripts will be burned without ceremony" 4to, [12] pp. [incl. covers]. saddle-stapled. Lithographed in brown ink, printed on white card stock in various colors. Handset in Cochin and Westminster. The only issue of one more beautiful and unusual poetry magazines of the late 60's..... More
New York: Film-maker's Cinematheque, [1965]. 8 1/2 x 11" flyer, mimeographed from drawing and typescript. The flyer for this one day screening of films by the Film-makers' Cinematheque at the Astor Place Playhouse, notable for including a rare showing of Jack Smith's early film Blonde Cobra, made in collaboration with..... More