New York: Dunetz & Lovetz, 1965. First edition. 4to, [16] pp, photographically illustrated wraps. A souvenir booklet celebrating the life of the musician, produced in conjunction with the production at the Ambassador Theatre that year. Very good with some toning and rubbing along the spine. More
Paris: Eric Losfeld, 1971. First edition. Narrow 8vo, 155 pp, bound in illustrated wraps. Book ably and beautifully designed by the great Pierre Faucheux. The script of the 1971 Surrealist horror film, written by Buñuel, based upon the 18th century novel The Monk by Lewis, and directed by the great... More
New York: Anthology Film Archives and Film Culture, 1988. First edition. 4to, 684 pp, hardcover in photographically illustrated dust jacket. Illustrated with black and white photographs. The scarcer hardcover edition of the second part of this massive work of scholarship to attempt to unravel the mystery of Deren. Fine in... More
New York: Lancer, 1967. First edition. 16mo, pocket paperback. Profusely illustrated with stills from the film. Some minor rubbing to wraps, text block a bit toned, binding somewhat fragile as expected given age and paper, but very good. More
![Postcard Announcement for SHORTS [Factory 137]. Factory Records.](/pictures/thumb/25939.jpg?v=1544578823)
New York: Factory New York Limited, 1985. 3 1/2 x 5" postcard, offset printed in color. Addressed and mailed to an employee at Rough Trade. Postcard probably designed by Malcolm Whitehead after the original Trevor Johnson. The postcard announcement for Factory 137, a VHS of short films, and the same... More
Paris: Editions Du Cerf, 1972. First edition. 12mo, photographically illustarted wraps. Foreward by Jeanne Moreau. Text in French. Illustrated with stills and photographs. Early monograph on Truffaut, a nicely designed volume. Laminate lifted at spine, with some toning and slight tenderness to the fragile binding. Very good. More
Madison, WI: Madison Supporters of the Attica Brothers, [1974]. 10 1/2 x 16 1/2", offset printed in b/w. Provenance: from the collection of J. Wesley Miller. Original poster for a screening of the documentary film Attica, which documented the Attica Prison uprising in 1971. From the collection of the famously... More
Dayton, Ohio: Film Heritage, 1968. 8vo, 48 pp, saddle-stapled wraps. Profusely illustrated. Special issue devoted to Godard, including Raymond Federman's excellent essay Jean-Luc Godard and Americanism, and other essays by Joel Siegel, Molly Haskell, Andrew Sarris, Margot Kernan and John Simon. Very good with light toning to back panel. More
Paris: L'Avant-Scene Du Cinema, 1967. 4to, saddle-stapled wraps. Profusely illustrated. Text in French. Special issue devoted to Jean-Luc Godard, including the text of "2 Ou 3 Choses Que Je Sais D'elle," and photographs of the filming of Made in USA. Some minor creasing and traces of soiling to wraps, some... More
New York: Leacock Pennebaker, 1968. First edition. Square 12mo, saddle-stapled wraps. Text in English. Covers illustrated with photographs of Godard by Kate Taylor. Prints a superb interview with Godard, which includes criticism of the film world and the American film machine. Near fine with minor toning. More
Various places, various dates. A stack including two unpublished typescripts submitted by Heliczer to the International Times, and 11 posters advertising performances, happenings or film screenings by Heliczer and others, a generous selection of the scarce ephemera that Heliczer used in conjunction with his strange and beautiful career. A complete... More
Munich: Skellig, 1976. First edition. 8vo, 198 pp, hardcover in dust jacket. Illustrated with black and white photographs by Greenberg. Text in English. The first edition of the production journal for Herz au Glaz, a beautifully produced book. Very good, with a slight cock to spine, in a very good dust jacket. More
Chicago: Facets Multimedia, 1979. First edition. 8vo, 39 pp, saddle-stapled wraps. With "New York Zoetrope" distribution sticker to title page. An unusual publication produced for this workshop, and nicely designed, the rear wrap featuring a solarized image of the cover. Wraps heavily toned, with an old price sticker to back... More
![William Blake As Prophet [Invitation]. William Hull.](/pictures/thumb/26470.jpg?v=1544579016)
New York: Gallery East, 1954. 4 1/2 x 5 5/8" postcard, printed on blue card stock on recto only. The invitation to a sieres of "Lecture-Readings" by William Hull at the Gallery East, which was one the incredibly early and important artist-run co-op galleries on the Lower East Side, which... More
Berkeley: Kinopraxis, 1970. 4to, single sheet folded into 8 panels. The first, and only issue of this innovatively designed and beautifully typeset film periodical, which describes itself as a "News & Text Broadside." This issue entirely devoted to Jean-Luc Godard, including texts and public comments by Godard. Very good with... More
New York: Random House, 1988. First edition. The first English edition of the work more succinctly titled in German as 'Ich Brauche Liebe'. This edition was quickly withdrawn from publication, and later reprinted as Kinski Uncut. Near fine, with a small spot of soiling to back cover, in a near... More
Paris: Editions Herscher, 1982. First edition. 8vo, unpaginated. Bound in grey boards, with photographically illustrated dust jacket. Text in French. First and only edition of this photobook by Marker, illustrated with photographs of Japan, many of them taken in the street. A remarkable book. Fine in a dust jacket that... More
Paris: Gallimard, 1975. 12mo, 226 pp, trade paperback. A strange and beautiful work of time travel, written by the noted sociologist, historian of the Paris Commune, and "prospectiviste" Decouflé. Written in 1975, the book envisages what the year 2000 would be like, 25 years in the past. The vision of... More
New York: Film Culture, 1956. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1957. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1957. First edition. 4to, saddle-stapled wraps. A relatively early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1958. First edition. 4to, saddle-stapled wraps. A relatively early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1960. First edition. 8vo, saddle-stapled wraps. A relatively early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1955. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1956. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More