New York: Dunetz & Lovetz, 1965. First edition. 4to, [16] pp, photographically illustrated wraps. A souvenir booklet celebrating the life of the musician, produced in conjunction with the production at the Ambassador Theatre that year. Very good with some toning and rubbing along the spine. More
Paris: Eric Losfeld, 1971. First edition. Narrow 8vo, 155 pp, bound in illustrated wraps. Book ably and beautifully designed by the great Pierre Faucheux. The script of the 1971 Surrealist horror film, written by Buñuel, based upon the 18th century novel The Monk by Lewis, and directed by the great... More
New York: Anthology Film Archives and Film Culture, 1988. First edition. 4to, 684 pp, hardcover in photographically illustrated dust jacket. Illustrated with black and white photographs. The scarcer hardcover edition of the second part of this massive work of scholarship to attempt to unravel the mystery of Deren. Fine in... More
New York: Lancer, 1967. First edition. 16mo, pocket paperback. Profusely illustrated with stills from the film. Some minor rubbing to wraps, text block a bit toned, binding somewhat fragile as expected given age and paper, but very good. More
Madison, WI: Madison Supporters of the Attica Brothers, [1974]. 10 1/2 x 16 1/2", offset printed in b/w. Provenance: from the collection of J. Wesley Miller. Original poster for a screening of the documentary film Attica, which documented the Attica Prison uprising in 1971. From the collection of the famously... More
Dayton, Ohio: Film Heritage, 1968. 8vo, 48 pp, saddle-stapled wraps. Profusely illustrated. Special issue devoted to Godard, including Raymond Federman's excellent essay Jean-Luc Godard and Americanism, and other essays by Joel Siegel, Molly Haskell, Andrew Sarris, Margot Kernan and John Simon. Very good with light toning to back panel. More
New York: Leacock Pennebaker, 1968. First edition. Square 12mo, saddle-stapled wraps. Text in English. Covers illustrated with photographs of Godard by Kate Taylor. Prints a superb interview with Godard, which includes criticism of the film world and the American film machine. Near fine with minor toning. More
Amsterdam: [1992]. 8 1/4 x 11 1/2" flyer, xeroxed from collage and holograph. With the original mailing envelope, addressed and strikingly typed in two colors by Heliczer to the Levy family in Amsterdam. Folded twice for mailing. Very good. More
Amsterdam: Soyo Productions, 1989. 16 5/8 x 23 1/4" poster, offset printed in black on yellow paper. The large poster for this multi-media event held at the Amsterdam clubs Roxy and Zaal 100, featuring poetry, prose, film, and theater. The poster is illustrated with a drawing of Andy Warhol holding... More
Paris: Paris Filmmakers' Cooperative, nd. 8 1/2 x 10 3/3", offset printed from photomontage. A flyer for a series of film screenings over two weekends at the Paris Filmmakers' Coop, featuring films by Heliczer (Robin Des Bois and Sainte Thérèse), Paul Sharits (Nothing), and Pattilee Chenis (Yoghurt Subculture The design is..... More
Chicago: Facets Multimedia, 1979. First edition. 8vo, 39 pp, saddle-stapled wraps. With "New York Zoetrope" distribution sticker to title page. An unusual publication produced for this workshop, and nicely designed, the rear wrap featuring a solarized image of the cover. Wraps heavily toned, with an old price sticker to back... More
New York: Gallery East, 1954. 4 1/2 x 5 5/8" postcard, printed on blue card stock on recto only. The invitation to a sieres of "Lecture-Readings" by William Hull at the Gallery East, which was one the incredibly early and important artist-run co-op galleries on the Lower East Side, which... More
Berkeley: Kinopraxis, 1970. 4to, single sheet folded into 8 panels. The first, and only issue of this innovatively designed and beautifully typeset film periodical, which describes itself as a "News & Text Broadside." This issue entirely devoted to Jean-Luc Godard, including texts and public comments by Godard. Very good with... More
New York: Random House, 1988. First edition. The first English edition of the work more succinctly titled in German as 'Ich Brauche Liebe'. This edition was quickly withdrawn from publication, and later reprinted as Kinski Uncut. Near fine, with a small spot of soiling to back cover, in a near... More
Paris: Gallimard, 1975. 12mo, 226 pp, trade paperback. A strange and beautiful work of time travel, written by the noted sociologist, historian of the Paris Commune, and "prospectiviste" Decouflé. Written in 1975, the book envisages what the year 2000 would be like, 25 years in the past. The vision of... More
New York: Film Culture, 1956. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1957. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1957. First edition. 4to, saddle-stapled wraps. A relatively early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1958. First edition. 4to, saddle-stapled wraps. A relatively early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1955. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1956. First edition. 4to, saddle-stapled wraps. A rare early issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues which were designed... More
New York: Film Culture, 1955. First edition. 8vo, 62 [1] pp., saddle-stapled wraps. The rare debut issue of the long-running publication, not just the most important film journal in America during the post-war period, but a periodical that would also incorporate related arts into it's scope, especially with those issues... More
Paris: Les 400 Coups du Cinema, 1987. 4to, 31 pp, glue bound in photographically illustrated wraps. Text in French. Illustrated. A special issue of the periodical, devoted to the Nouvelle Vague and printing interviews with Jacques-Doniol-Valcroze, Pierre Braunberger, Agnès Guillemot, and Eric Rohmer, and hommage to Henri Decrae. Back cover... More
New York: Japan Society and The Museum of Modern Art, 1986. First edition. 4to, unpaginated, saddle-stapled illustrated wraps (by Yoji Kuri). Illustrated with black and white stills. Text in English. The exhibition catalog for this series of films, shown at the two venues. Includes a foreward by David Owens, as... More
New York: Public Theatre, 1988. 4to, 11 leaves printed on both recto and verso on yellow paper, and stapled once at the upper left hand corner. A booklet featuring the favorite recipes of the director, translated into English by Dolly Corkidi, and issued in conjunction with a retrospective of the... More
![William Blake As Prophet [Invitation]. William Hull.](/pictures/thumb/26470.jpg?v=1544579016)
