Detroit: [1981]. 8 1/2 x 11" flyer, printed by xerox on white paper. The flyer for the Necros and Heart of Ideals in Detroit at the Bookie's Club, illustrated with a gruesome postmortem photograph of a mob hit - one of the classic early midwest hardcore flyers. Old cellotape to... More
Detroit: [1981]. 8 1/2 x 11" flyer, printed by xerox. Old cellotape to margins, which has yellowed, chip missing from upper right tip, two old fold lines. Good only. More
Detroit: [1982]. 8 1/2 x 11" flyer, printed by xerox. Unbelievable Midwest Hardcore line-up for this 1982 show in Detroit. Toned, with some old cellotape to upper tips and abrasions to tips at verso, some light overall grease staining to verso which doesn't show through at recto, else a very... More
np: nd. 4.25x5.5", artists' postcard, offset printed on recto on blue cardstock; verso ruled in marker. Fine. More
Paris: Les 400 Coups du Cinema, 1987. 4to, 31 pp, glue bound in photographically illustrated wraps. Text in French. Illustrated. A special issue of the periodical, devoted to the Nouvelle Vague and printing interviews with Jacques-Doniol-Valcroze, Pierre Braunberger, Agnès Guillemot, and Eric Rohmer, and hommage to Henri Decrae. Back cover... More
Rotterdam: Galerie Delta, 1965. First edition. Paperback. Oblong 4to. (8) pp. Bound in thick deep blue wraps printed in black. With an announcement for the exhibition printed on the same blue paper stock laid in. Illustrated with black and white reproductions. The catalog for this unusual 1965 flight-themed exhibition at... More
San Francisco: UC Nuclear Weapons Labs Conversion Project, 1982-? 8vo, 8pp, unbound, folded sheets. A proposal to repurpose the Livermore Weapons Laboratory to peaceful purposes. OCLC locates no holdings. Fine. More
[San Francisco]: [Riot Gear], [c. 1991]. 2 1/4 x 4 1/4" sticker, printed in black on orange sticker-backed paper, with backing still intact. A promotional sticker created to advertise the third issue of the zine which had formerly been called Three Dollar Bill. The third issue was named Riot Gear... More
New York: 1980. Approximate 29 x 17", paste-up pasted down onto a glassine overlay, tipped onto a matte backing onto which is pasted up the artwork for the back cover of the EP; profuse holograph notes and printer instructions in holograph at margins of glassine and matte. Cover matte hinged... More
![Bastard Angel 1-3 [Complete]. Harold Norse, ed.](/pictures/thumb/26687.jpg?v=1544579110)
San Francisco: Bastard Angel, 1972-74. 4to, saddle-stapled wraps. Each issue profusely illustrated. A complete run of this early 1970's little magazine. With contributions across the numbers from William S. Burroughs, Jack Kerouac, Allen Ginsberg, William S. Burroughs, Paul Bowles, Bob Kaufman, Michael McClure, Diane di Prima, Lawrence Ferlinghetti, Mohammed Mrabet... More
Barnet, UK: My Own Mag, 1965. First edition. foolscap format, side-stapled wraps. With additional pink book entitled "Pluto is Coming" affixed to cover, as issued. This issue prints material on the Sigma project, a great, short text on urban planning by Mike Kustow, A Carl Weissner piece with quotes by... More
Barnet: My Own Mag, 1965. First edition. 8 1/2 x 14", eight leaves, mimeographed on both recto and verso [with the exception of the narrow cover sheet, which is mimeographed on recto only, and of the appropriated leaf]. With cut out panels and folded to several pages, as issued. One... More
New York: Tibor de Nagy, 1965. First edition. Square 8vo, bound in decorated wraps designed by Fred R. Siegel. The first edition, regular issue, one of a limited edition of 500 copies. The first edition of the poet's last book to be published in his lifetime, a collection of love... More
New York: Tibor de Nagy, 1965. First edition. Square 8vo, bound in decorated wraps designed by Fred R. Siegel. One of only 20 signed and numbered copies of the special edition, this copy also housed in an unprinted glassine wrapper, which we've not previously encountered. The first edition of the... More
New York: Jargon / Corinth, 1960. 8vo, 160 pp, bound in full cloth with illustrated pastedowns to panels and spine. Limited edition, one of 75 numbered hardcover copies - there were also 26 lettered and signed copies. The first complete edition of Olson's work. Glover A15. Offsetting to endpapers, as often... More
New York: Jargon / Corinth, 1960. 8vo, 160 pp, bound in full cloth with illustrated pastedowns to panels and spine. Limited edition, one of 26 lettered copies signed by Olson, this being copy "X". In addition, Olson has added the note "Footprints" to the colophon page, in reference to three... More
New York: Totem Press, 1959. First edition. 8vo, 14 pp, saddle-stapled in wraps illustrated by Matsumi Kanemitsu. With errata slip laid in. The first edition of one of the most enduring and influential poetic manifestos of the last century, published by Leroi Jones at the Totem Press. Wraps heavily and... More
New York: Kensington, 1977. First edition. Omar the Beggar, aka Alan Abel, was the founder of Omar's School for Beggars. The book was republished in a limited edition in 2010 of 500 copies by Kunstverein Publishing, an edition which itself has become scarce. Despite its status as an underground classic... More
Tucson, AZ: Ironwood Press, 1975. First edition. 8vo, 88 pp, printed wraps. Special issue of the little magazine devoted to work by and about George Oppen, including a generous selection of new work by Oppen and contributions from Charles Reznikoff, Carl Rakosi, Diane Wakoski, Bruce Andrews, Mary Oppen, Theodore Enslin... More
np: Appearances Press, 1981. First edition. 8vo, [16] pp, saddle-stapled wraps. Early, scarce ad great zine by the artist, published by Appearances Press - which also published early works by Keith Haring, Betty Tompkins, and other downtown artists. Some very faint toning, else fine. More
New York: Japan Society and The Museum of Modern Art, 1986. First edition. 4to, unpaginated, saddle-stapled illustrated wraps (by Yoji Kuri). Illustrated with black and white stills. Text in English. The exhibition catalog for this series of films, shown at the two venues. Includes a foreward by David Owens, as... More
Akron, Ohio: Own the Whole World, 1984. 8vo, 20 pp, saddle-stapled wraps. With one page OTWW supplement laid in, as issued. Mid-1980's issue of the longrunning punk fanzine and art zine out of Akron. A great issue, notable for an interview with The Necros by Byron Coley, great page and... More
Akron, Ohio: Own the Whole World, 1984. 8vo, saddle-stapled wraps. With a brief one page ALS from the editor laid in. Mid-1980's issue of the longrunning punk fanzine and art zine out of Akron, this issue devoted to recording best of lists from a number of fanzine editors and musicians... More
np: Pacificmoonplanet Ecological Theatre, nd. 8 1/2 x 11", mimeographed from typescript on yellow paper. A poetry broadside. We can find no reference to the group, though we've seen other broadsides signed by the project, all with a similar poetic voice with heavy use of portmanteau word constructions. Very good with moderate creasing. More
New York: Poetry Project at St. Mark's, nd. 8 1/2 x 11", printed on recto only. Illustrated with an uncredited drawing of a pop bottle bearing a Portable Leon label. Lightly creased, with a short 1/4" nick at top margin; very good. More