Eindhoven: Stedelijk van Abbemuseum, 1982. First edition. 8vo, 422 pp, bound in brown buckram with the title stamped in black at the spine. Illustrated with b/w and color plates. Of a total edition of 740 copies, this is one of 240 numbered copies with a signed and dated photograph housed..... More
![Sonsbeek 71. Sonsbeek Buiten de Perken. 2 Volumes [Complete]. Geert van Beijeren, ed](/pictures/thumb/27226.jpg?v=1596757899)
Arnhem: Park Sonsbeek, 1971. 4to, 231 + 96 pp, bound in stiff illustrated card wraps. Profusely illustrated in b/w. Text in English. With index. The 2 catalog set for the 1971 series of exhibitions, which significantly expanded the scope of the series by expanding the array of mediums, including site..... More
[San Francisco]: [1969]. 17 x 22", offset printed in color on recto, and in b/w on verso. No imprint or authorship information; date and authorship attributions from OCLC. The verso is taken up with a striking psychedelic drawing in color; the verso prints a long single poem, along with an..... More
London: The Galley Press, 1962. First edition. 8vo, 204 pp, bound in yellow cloth titled in gilt. Housed in the original dust jacket illustrated by the author. The scarce first edition of this roman a clef describing postwar life in the St. Ives artist commune after the war, a period..... More
Los Angeles: Mermaid Tavern, 1973. 8 3/4 x 10", offset lithograph. Photographically illustrated with a self-portrait of Berman. The poster for Wallace Berman's one day exhibition at the Mermaid Tavern, perhaps the rarest printed item designed by Berman, for one of his most enigmatic shows. The poster is illustrated with..... More
San Francisco: San Francisco Museum of Art, 1967. First edition. 13 x 16" poster, offset printed. The poster for this exhibition and event at SFMOMA devoted to avant-garde materials from the Berner collection, which encompassing such tendencies as Neo-dada, Concretism, Letterism, Spatialism, the mediocres, Fluxus, de-coll/age, etc. Some faint smudging..... More
Amsterdam: Feministische Uitgeverij Sara, 1982. First edition. 4to, 234 pp, photographically illustrated wraps. A beautifully designed monograph, the first devoted to the work of the great Hungarian-Dutch photographer. It includes work from all stages of her career at that point, including work shot while underground during the German occupation of the..... More
![Mieux Vivre: Revue Mensuelle. No. 1 (1936) - No. 9 (1939) [Complete in 37 numbers]. George...](/pictures/thumb/26963.jpg?v=1596674564)
Villefranche: 1936-39. 12mo, first three years each bound marbled green paper over bouards, backed in crushed green morocco raised in five bands at the spine, with gilt titles, and original pictorial wraps preserved, the final nine issues each in the original saddle-stapled illustrated wraps. Profusely illustrated photographs strikingly printed by..... More
Düsseldorf: Organisation für Direkte Demokratie, c. 1971. A substantial collection of eleven pamphlets and six posters and leaflets issued by the group. One of the pamphlets is signed on the cover. Text largely in German, with some English. 1. "Satzung und Politisches Programm." 8vo, 14 pp, offset printed in blue..... More
London: Cabinet Gallery, 1994. 6 x 8 1/4" sheet, original xerox on on pink paper. With the illustrated postcard invitation to the exhibition I've Got Demons in My Stomach!, both of which are housed in a brown envelope with the exhibition name rubberstamped in red. Addressed and postmarked to Simon..... More
[Austin, TX]: c. [1980]. Two 8 1/2 x 11" flyers, original photocopy from cut-up collage on rectos only. Two flyers issued for the nonexistent "poster band", probably made by John Slate - i. e. Control Rat X, who also edited the great zine Xiphoid Process. Bodily Funktions never played a...... More
Amsterdam: Art & Project, 1970. 4to, single sheet folded once to make four pages. Addressed and mailed to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the..... More
New York: Public Illumination, 1983-84. First edition. 32mo. Saddle-stapled wraps. Five whole issues of the pseudonymous downtown artists' periodical, housed in a rigid plastic clamshell box with printed label affixed to cover. Contents fne; plastic box very good with moderate scuffing. More
New York: Alex Rosenberg Gallery, 1980. First edition. 22 x 34" sheet, offset printed on recto only, and folded into a two panel brochure. Illustrated in black and white. The beautifully designed catalog for the prescient 1980 exhibition on personal narratives by artists. With contributions from Joe Brainard, Colette, John..... More
Paris: Le Terrain Vague, c. 1961. 8 1/2 x 11" sheet, offset litho in two colors. An unused sheet of stationary for the Surrealist periodical, edited by Breton. Brilliantly designed - the verso is printed with Breton's name and the address of Le Terrain Vague printed in reverse, so that..... More
Amsterdam: Art & Project, 1973. 4to, single folded sheet. Folded into thirds for mailing. Association copy, addressed and maile to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20..... More
Bruxelles: George Houyoux, 1960. First edition. 8vo, 22 pp, printed wraps. Published in an edition of 213 numbered copies, and 12 copies which came with an original drawing as the frontispiece by Serge Vandercam. This copy is unnumbered and out of series, as often found. Though a frontispiece was announced..... More
Amsterdam: Art & Project, 1971. 4to, single sheet folded once to make four pages. Photographically illustrated. Addressed and mailed to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20..... More
New York: Money For Food Press, 1977. First edition. Square 12mo, saddle-stapled wraps. Signed by both artists at colophon. With their joint blindstamp to first tissue leaf, and the press name rubberstamped inside front cover. Artists' book documenting their joint performance, and issued under their own Money for Food Press..... More
Amsterdam: Art & Project, 1974. 4to, single sheet of translucent glassine folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these..... More
Napoli: Lucio Amelio Modern Art Agency, 1974. 5 3/4 x 7 7/8" postcard, printed in unadorned red on coated paper stock at recto, with exhibition details at verso. Addressed and postmarked to fellow artist Athena Tacha. A fair only copy, with a chink missing from lower tip and a couple..... More
Amsterdam: Art & Project, 1971. 4to, single sheet folded once to make four pages. Photographically illustrated. Addressed and mailed to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20..... More
Antwerp: Wide White Space, 1971. 20 1/2 x 30" poster, offset lithograph. The second in a series of posters which Daniel Buren designed for his five exhibitions at the legendary gallery. The poster shows the exhibition information for the previous, 1969 exhibition, here crossed out and replaced with the details..... More
New York: John Weber Gallery, 1975. 17 x 22" sheet, folded three times. Offset printed on white coated paper stock. The poster announcement for this series of works performed by Sue Bailey, Joanne CAring, Peter Frank, Susan Heinemann, and Mark Levine, based upon choreography by Daniel Buren using 5 colors..... More
Paris: The Olympia Press, 1963. Signed by Burroughs at the title page. 12mo, 183 pp, bound in green printed wraps and dust jacket illustrated by Ian Sommerville. One of 5000 copies printed. Maynard & Miles A6a. Spine faintly cocked, with a light crease to spine, and a touch of soiling..... More