![The Cube the White the Idealism (1967-1975) followed by Going Through: a guide for the two exhibitions "To transgress" and "To place" respectively and simultanously [sic] visible at The Leo Castelli Gallery and at The John Weber Gallery, 420 West Broadway, New York, September, 1976. Daniel Buren.](/pictures/thumb/26731.jpg?v=1539105799)
New York: John Weber Gallery, 1976. Artists' book. 4to, [25] pp, xeroxed on rectos only and clip-bound into a yellow cover sheet and unprinted glassine covers. Glassine a bit creased and clouded, else near fine. More
New York: [1954. 4 x 8 1/4", offset printed on recto; cream card stock. The original handbill for two performances by David Tudor in 1954 at Carnegie Hall. The first night notes that there will be performances of pieces by Earle Brown, Christian Wolff and John Cage. Though not mentioned... More
np: Campbell's Soup Company, nd [c. 1966-67]. Paper dress [80% celluloid and 20% wool], printed in three colors. Made at the height of the paper dress craze of the 1960's, this dress was manufactured by the company itself, certainly as a response to the popularity of Warhol's Campbell's soup can... More
New York: Redtape, 1982. First edition. 4to, offset printed in black and white with two color cover, saddle-stapled. The debut issue of one of the most essential magazines to come out of the Downtown Writing scene, the "the manual to the darker side of the era." (Stosuy p. 458). This... More
![X Motion Picture Magazine Vol. 1, No. 1; Vol. 2, Issues 2 & 3; Vol. 2, Issues 4, 5 & 6 [Complete]. COLAB.](/pictures/thumb/26767.jpg?v=1539290960)
New York: Published by the authors under the Auspices of COLAB, 1978-79. Tabloids, each printed in black and white on newsprint. All issues published of one of the most visceral and fascinating artists' periodicals of the late 1970's, and formally inventive for the cooperative manner in which each artist financed... More
Paris: Daniel Gervais, 1972. Single sheet folded once, offset printed, with color reproduction to cover [folded size 6 1/2 x 8"]. The announcement for the 1972 exhibition in Paris. Some minor traces of soiling, small crease to one tip else near fine. More
[San Francisco]: [1969]. 17 x 22", offset printed in color on recto, and in b/w on verso. No imprint or authorship information; date and authorship attributions from OCLC. The verso is taken up with a striking psychedelic drawing in color; the verso prints a long single poem, along with an... More
[Paris]: none, 1960. 9 1/2 x 12" broadside printed on coated yellow paper stock. Text in French and English. A Surrealist tract attacking Salvador Dali and Marcel Duchamp on the occasion of the 1960 exhibit of international surrealism at D'Arcy Gallery in New York. The tract bears the printed signatures... More
New York: Art City, 1986. 10 1/2 x 12" sheet, offset printed on coated card stock. Folded once, as issued, and addressed and postmarked. Text by Klaus Ottman. The poster exhibition announcement for this prescient and far too little-known exhibition at Art City devoted to "manifestations of space in a.... More
Bronx: Fashion Moda, 1980. 8 1/2 x 14" poster, offset printed on pink paper. The poster for this 1980 event at Fashion Moda, which included a performance by the feminist no wave supergroup Disband, which at one time or another included Ilona Granet, Donna Henes, Barbara Kruger, Ingrid Sischy, Diane... More
Philadelphia: Diter Rot, [1964]. Irregularly cut diazotype sheet, approximately 23 x 35", folded twice, with glue remnants at verso. Titled in graphite in Rot's hand "an almost dummy", with a note at bottom edge reading "sorry D. R. 64". In 1964, Rot was invited to Philadelphia to create an artists'... More
Poughkeepsie & Silverton: Division Leap / Fast Books, 2018. First edition. Dodd, John P. My Funny Valentine. Poughkeepsie & Silverton: Division Leap / Fast Books, 2018. First edition. Small 4to, 120 pages, offset printed in color, with one folding plate tipped-in by hand. One of a limited edition of 250... More
![Untitled Drawing [Gestalt]. Robert Duncan.](/pictures/thumb/21735.jpg?v=1471301071)
np: nd. 8 1/2 x 8”, ink on paper. Undated. Signed by Duncan within the image. Provenance: from the collection of the artist Ernesto Edwards, a longtime friend of Jess and Robert Duncan, who has a section devoted to his work in An Opening of the Field (pp. 188-193). A.... More
Hamburg: Quer-Verlag, 1968. First edition. Hardcover. Oblong 16mo. Side-stapled in cardboard covers, with photographic pastedown to front panel. Illustrated with two black and white photographs. The first and only edition of the only book on Eiffe, who is widely considered to be the first modern graffiti artist in Germany. His... More
Paris: Editions Polyglottes, 1956. First edition. 8vo, [4] pp, single sheet printed in two colors and folded once. Illustrated with a reproduction of portrait of Trotsky by Annenkoff. Surrealist broadside issued to denounce the Stalinist betrayal of Trotsky and the French communists. The recto is beautifully designed with a text... More
7 1./2 x 13 1/4" poster, offset printed, and illustrated with a photograph of a billboard by Paul Whitehead. Poster for this project, which installed billboards by California artists in the Greater Metropolitan Area of New York. Participants included Neon Park, Jack Frost, Paul Whitehead, Karen Carson, Sri Chinmoy, Masashi... More
[Denmark]: Copenhagen Pages, 1963. 8vo, single sheet folded once. Offset printed. Illustrated with b/w photographs. Text in Danish and English. Artists' periodical, and perhaps a one-shot (we've seen no other issues) which presents the collaborative work in which excerpts from Filliou's Whispered Art History series were recorded and available in... More
![[altered postcard]. Albert M. Fine, attr.](/pictures/thumb/20510.jpg?v=1533760649)
New York: [Albert M. Fine], n.d. First edition. 3 1/2 x 5 1/2", Found picture postcard depicting Palm Beach, Florida, with U.S. and Canadian stamps; altered by artist with excision, staples, pink spray paint, rubber-stamped arrows, writing. Staples across excision replace a bridge in the postcard image. Address label reads... More
Glassingale, Dunblaine: Morningstar Publications, [1995]. First edition. 4 1/8 x 5 7/8" artists' postcard, offset printed in color on coated stock, and reproducing a drawing by Hincks of everyone's favorite motorcycle jump. Near fine with a faint touch of foxing. More
Black Mountain College: nd. 12 x 16" sheet (image size approximately 8 x 10 1/2"), ink and gouche on paper. Signed by the artist at the lower right hand corner. Provenance: from the collection of Robert Creeley, with his ownership signature at verso, as well as the phrase "Black Mountain... More
np: Fluxpress, 1968. First edition. Narrow 4to, 11 pp, offset printed and saddle-stapled. Illustrated with b/w reproductions. Cover photograph by Diane Wakoski. The first standalone publication by Flynt, and a key 1960's document with regards to institutional critique, Fluxus, and anti-art. As well as the introductory statement by Flynt, the... More
New York: nd [c. early 1980's]. 4 3/4 x 5 3/8" postcard. Recto illustrated with a drawing and photomontage by Carl George. The invitation to this series of performances at ABC No Rio, including Samoa (co-founder of The Voluptuous Horror of Karen Black), Donald Miller (of Borbetomagus), Brian Doherty (of... More
Italy: Biblioteca Civica Gambalunga in collaborazione col Centro Programmazione Spetacoli dell'ARCI, 1979. 25 x 37" poster, offset lithograph in two colors. Original, rare poster for this 1979 poetry conference in Italy, which included Allen Ginsberg, Gregory Corso, Peter Orlovsky, Julian Beck, Judith Malina, and Fabrizio Rinaldi. The event was organized... More
San Francisco: Girl With Arms Akimbo, [1990]. 24 x 35 1/2" poster, cyanotype process on white paper. One of an extremely limited number of copies of the poster printed with a cyanotype process. The normal edition of the poster was printed using a photocopy process in black and white. The... More
Np: La Balance, 1989. First edition. Oblong 4to, unpaginated. Five unbound, folded sheets housed in an orange card folder with title pastedown to front panel. Illustrated with a color engraving by Henri Goetz, as well as a reprodution of a 1947 photograph of the Surrealist Group, including Kober, Goetz, Breton... More