New York: Public Illumination, 1983-84. First edition. 32mo. Saddle-stapled wraps. Five whole issues of the pseudonymous downtown artists' periodical, housed in a rigid plastic clamshell box with printed label affixed to cover. Contents fne; plastic box very good with moderate scuffing. More
New York: Lorenz Gude, 1964. First edition. Foolscap, mechanically duplicated on rectos only; stab-stapled. First, and much scarcer issue of the two issues of Brainard's artist periodical devoted to storyless or abstract comics. Illustrated throughout by Brainard with texts by many important poets of the New York School, including Bill... More
Amsterdam: Art & Project, 1973. 4to, single folded sheet. Folded into thirds for mailing. Typewritten address. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins... More
Knokke-Zoute: Ronny Van de Velde, 2012. First edition. 4to, 104 pp, bound in black boards with photographically illustrated pastedown in color to front panel. Text in English, French, and Dutch. The beautifully produced bibliography issued in conjunction with the 2012 exhibition, an essential reference. Some faint rubbing to boards, else fine. More
Bruxelles: 1947. Single sheet folded once to make a 4 pp. booklet. printed by letterpress. A manifesto originating from the Belgian Revolutionary Surrealist group, attacking the perceived slowness of the larger Surrealist movement to engage with political identity in the postwar period. It is notable for being signed by a.... More
Amsterdam: Art & Project, 1972. 4to, single folded sheet. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost all cases a single sheet... More
Amsterdam: Art & Project, 1973. 4to, single sheet folded ionce. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost all cases a single... More
Amsterdam: Art & Project, 1975. 4to, single sheet folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost... More
Amsterdam: Art & Project, 1974. 4to, single sheet of translucent glassine folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these... More
London: Atlas Press, 1995. First edition. 8vo. 63 pp. Wraps. One of a limited edition of 300 numbered copies. The Printed Head Vol.III, No. 6. Near fine with a sticker ghost to rear panel. More
New York: [1954. 4 x 8 1/4", offset printed on recto; cream card stock. The original handbill for two performances by David Tudor in 1954 at Carnegie Hall. The first night notes that there will be performances of pieces by Earle Brown, Christian Wolff and John Cage. Though not mentioned... More
New York: [1954. 4 x 8 1/4", offset printed on recto; green card stock. The original handbill for two performances by David Tudor in 1954 at Carnegie Hall. The first night notes that there will be performances of pieces by Earle Brown, Christian Wolff and John Cage. Though not mentioned... More
New York: Redtape, 1982. First edition. 4to, offset printed in black and white with two color cover, saddle-stapled. The debut issue of one of the most essential magazines to come out of the Downtown Writing scene, the "the manual to the darker side of the era." (Stosuy p. 458). This... More
Amsterdam: Art & Project, 1979. 4to, single sheet folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost... More
New York: Elizabeth Weiner Gallery, 1980. 4 1/8 x 6" postcard, photographically illustrated. Addressed and mailed at verso, with address label, stamp, and postal frank. Near fine with minor creasing to extremities. More
Paris: Daniel Gervais, 1972. Single sheet folded once, offset printed, with color reproduction to cover [folded size 6 1/2 x 8"]. The announcement for the 1972 exhibition in Paris. Some minor traces of soiling, small crease to one tip else near fine. More
[San Francisco]: [1969]. 17 x 22", offset printed in color on recto, and in b/w on verso. No imprint or authorship information; date and authorship attributions from OCLC. The verso is taken up with a striking psychedelic drawing in color; the verso prints a long single poem, along with an... More
[Philadelphia]: nd [c. 1980's]. 22 1/2 x 25", ink on heavyweight paper, edged in black gaffer's tape, as hung. Unsigned and undated. A large scale flash poster,completely handdrawn, by the influential tattoo artist Crazy Philadelphia Eddie, aka Eddie Funk, which hung in his Philadelphia tattoo parlor. Eddie began his career... More
London: Cabinet, 1999. 4 1/4 x 5 13/16" postcard, unusually printed in glossy offwhite ink on white card stock. With the original press release, both housed in the original mailing envelope. Creed's exhibition, the first in the gallery's new location, consisted of measuring the cubit feet of air in the... More
np: E. D. A., 1994. First edition. 8vo, 98 pp, saddle-stapled wraps. A prose novel. Rare; OCLC locates only the Bibliotheque National copy. Fine. More
Clichy Cedex, France: E. D. A., 1985. First edition. 8vo, unpaginated, glue bound in printed wraps. Xeroxed from cut-up collage and typescript. One of only 50 copies printed, the entire edition, of this beautiful hypergraphique novel. With a preface by Francois Poyet. OCLC locates only two holdings. Fine. More
New York: Art City, 1986. 10 1/2 x 12" sheet, offset printed on coated card stock. Folded once, as issued, and addressed and postmarked. Text by Klaus Ottman. The poster exhibition announcement for this prescient and far too little-known exhibition at Art City devoted to "manifestations of space in a.... More
New York: Appearances Press, 1981. First edition. 8vo, saddle-stapled wraps. Fantastic artists' book / zine by Dickson, dedicated "To Mom", and featuring drawings of men and their cocks. Later reprinted in the 1990's by No Press, this first edition is now very scarce. Near fine with minor toning to wraps. More
Bronx: Fashion Moda, 1980. 8 1/2 x 14" poster, offset printed on pink paper. The poster for this 1980 event at Fashion Moda, which included a performance by the feminist no wave supergroup Disband, which at one time or another included Ilona Granet, Donna Henes, Barbara Kruger, Ingrid Sischy, Diane... More
Philadelphia: Diter Rot, [1964]. Irregularly cut diazotype sheet, approximately 23 x 35", folded twice, with glue remnants at verso. Titled in graphite in Rot's hand "an almost dummy", with a note at bottom edge reading "sorry D. R. 64". In 1964, Rot was invited to Philadelphia to create an artists'... More
