Np: nd. 11 1/2 x 17", printed in silver ink with a purple tint on textured cream paper paper. Folded once, with a horizontal crease, and toning to margins and fold line; small 1/2" diameter circular stain to upper margin, affecting image. Worn, but about very good. An untitled poster... More
Manchester, UK: Factory Records, 1988. First edition. Oblong 12mo. [31] leaves.Offset printed on thick card stock and bound with thick plastic screws. Catalog number: FAC 235. A flipbook consisting of drawings of William Wegman's Weimaraner Fay by the great Robert Breer, issued as a christmas gift and mailed to friends... More
Amsterdam: Art & Project, 1973. 4to, single folded sheet. Folded into thirds for mailing. Typewritten address. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins... More
Knokke-Zoute: Ronny Van de Velde, 2012. First edition. 4to, 104 pp, bound in black boards with photographically illustrated pastedown in color to front panel. Text in English, French, and Dutch. The beautifully produced bibliography issued in conjunction with the 2012 exhibition, an essential reference. Some faint rubbing to boards, else fine. More
![Mon cher Immendorf [Open Letter]. Marcel Broodthaers.](/pictures/thumb/26549.jpg?v=1544579065)
Antwerp: Museum Voor Moderne Kunsten, Département des Aigles, 1969. 8 1/4 x 11 3/4" , mimeographed from typescript on white paper (watermarked "firn"). One of the artist's "Open Letters," or "Lettres Ouvertes," the fictive, conceptual, and oftentimes bureacratic broadsides which constitute the Section Littéraire. Paper toned, as usual, but a.... More
np: nd [c. 1969]. 8 1/4 x 11 5/8" sheet, mimeographed from typescript on white paper with "firn" watermark. One of the artist's "Open Letters," or "Lettres Ouvertes," the fictive, conceptual, and oftentimes bureacratic broadsides which constitute the Section Littéraire. Light crease to right margin, paper toned as usual. Near fine. More
Bruxelles: 1947. Single sheet folded once to make a 4 pp. booklet. printed by letterpress. A manifesto originating from the Belgian Revolutionary Surrealist group, attacking the perceived slowness of the larger Surrealist movement to engage with political identity in the postwar period. It is notable for being signed by a.... More
Amsterdam: Art & Project, 1972. 4to, single folded sheet. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost all cases a single sheet... More
Amsterdam: Art & Project, 1973. 4to, single sheet folded ionce. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost all cases a single... More
Düsseldorf: Organisation für Direkte Demokratie, c. 1971. A substantial collection of eleven pamphlets and six posters and leaflets issued by the group. One of the pamphlets is signed on the cover. Text largely in German, with some English. 1. "Satzung und Politisches Programm." 8vo, 14 pp, offset printed in blue..... More
Los Angeles: Rosamund Felsen, 1982. 4 1/4 x 6" postcard. Addressed and mailed at verso. The xxhibition announcement for The Flying Kayak, U-Fly-It, and More Devil Drawings show at Rosamund Felsen. Very good. More
Amsterdam: Art & Project, 1974. 4to, single sheet of translucent glassine folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these... More
![The Cube the White the Idealism (1967-1975) followed by Going Through: a guide for the two exhibitions "To transgress" and "To place" respectively and simultanously [sic] visible at The Leo Castelli Gallery and at The John Weber Gallery, 420 West Broadway, New York, September, 1976. Daniel Buren.](/pictures/thumb/26731.jpg?v=1544579154)
New York: John Weber Gallery, 1976. Artists' book. 4to, [25] pp, xeroxed on rectos only and clip-bound into a yellow cover sheet and unprinted glassine covers. Glassine a bit creased and clouded, else near fine. More
London: Atlas Press, 1995. First edition. 8vo. 63 pp. Wraps. One of a limited edition of 300 numbered copies. The Printed Head Vol.III, No. 6. Near fine with a sticker ghost to rear panel. More
New York: [1954. 4 x 8 1/4", offset printed on recto; cream card stock. The original handbill for two performances by David Tudor in 1954 at Carnegie Hall. The first night notes that there will be performances of pieces by Earle Brown, Christian Wolff and John Cage. Though not mentioned... More
np: Campbell's Soup Company, nd [c. 1966-67]. Paper dress [80% celluloid and 20% wool], printed in three colors. Made at the height of the paper dress craze of the 1960's, this dress was manufactured by the company itself, certainly as a response to the popularity of Warhol's Campbell's soup can... More
New York: Redtape, 1982. First edition. 4to, offset printed in black and white with two color cover, saddle-stapled. The debut issue of one of the most essential magazines to come out of the Downtown Writing scene, the "the manual to the darker side of the era." (Stosuy p. 458). This... More
![X Motion Picture Magazine Vol. 1, No. 1; Vol. 2, Issues 2 & 3; Vol. 2, Issues 4, 5 & 6 [Complete]. COLAB.](/pictures/thumb/26767.jpg?v=1544579173)
New York: Published by the authors under the Auspices of COLAB, 1978-79. Tabloids, each printed in black and white on newsprint. All issues published of one of the most visceral and fascinating artists' periodicals of the late 1970's, and formally inventive for the cooperative manner in which each artist financed... More
New York: Elizabeth Weiner Gallery, 1980. 4 1/8 x 6" postcard, photographically illustrated. Addressed and mailed at verso, with address label, stamp, and postal frank. Near fine with minor creasing to extremities. More
New York: Martha Jackson Gallery, [1972]. 5 1/8 x 7" postcard announcement, offset printed. The announcement for this 1972 exhibition by Conner at Martha Jackson Gallery. Near fine with a couple of faint spots of discoloration at verso. More
Paris: Daniel Gervais, 1972. Single sheet folded once, offset printed, with color reproduction to cover [folded size 6 1/2 x 8"]. The announcement for the 1972 exhibition in Paris. Some minor traces of soiling, small crease to one tip else near fine. More
[San Francisco]: [1969]. 17 x 22", offset printed in color on recto, and in b/w on verso. No imprint or authorship information; date and authorship attributions from OCLC. The verso is taken up with a striking psychedelic drawing in color; the verso prints a long single poem, along with an... More
[Philadelphia]: nd [c. 1980's]. 22 1/2 x 25", ink on heavyweight paper, edged in black gaffer's tape, as hung. Unsigned and undated. A large scale flash poster,completely handdrawn, by the influential tattoo artist Crazy Philadelphia Eddie, aka Eddie Funk, which hung in his Philadelphia tattoo parlor. Eddie began his career... More
[Paris]: none, 1960. 9 1/2 x 12" broadside printed on coated yellow paper stock. Text in French and English. A Surrealist tract attacking Salvador Dali and Marcel Duchamp on the occasion of the 1960 exhibit of international surrealism at D'Arcy Gallery in New York. The tract bears the printed signatures... More
np: E. D. A., 1994. First edition. 8vo, 98 pp, saddle-stapled wraps. A prose novel. Rare; OCLC locates only the Bibliotheque National copy. Fine. More