New York: Dwan Gallery, 1968. 8 7/8 x 12" sheet of thick kraft card stock, printed entirely with flocked sand. The exhibition announcement for this important show devoted to Land Art, which included work by Carl Andre, Konrad Bayer, Walter de Maria, Michael Heizer, Robert Morris, Claes Oldenburg, Dennis Oppenheim...
New York: 1982. 4 1/4 x 6" postcard, printed on both recto and verso. A postcard invitation for two sets by the band on March 14, 1982 at The Underground, as part of the Porous Nights at the Underground series. The invitation was good for complimentary admission for 2. The...
New York: ABC No Rio, 1980. 8 1/4 x 12 1/4", offset printed. The poster for the 1980 exhibition at ABC No Rio, curated by Christy Rupp, director of City Wildlife Projects, which followed the first incarnation of the exhibition the year prior at Fashion Moda. Folded three times, else fine.
New York: Sonnabend Gallery, [1976]. 4 x 8" postcard, offset printed on coated card stock. The beautifully designed invitation to this important 1976 exhibition at Sonnabend, in which Acconci famously extended a long, low table out the third floor window, so that below it looked like a diving board or...
New York: 0 to 9, 1969. 4to, mimeographed from typescript, drawing and holograph, and side-stapled into an unprinted cover. One of an estimated edition of 200 copies. Though not denoted as such, from the collection of Athena Tacha. The sixth number of the periodical, with contributions from Jasper Johns, Yvonne...
New York: 0 to 9, 1969. 4to, unpaginated, mimeographed and offset-printed leaves on various colors and thicknesses of card stock, one of which folds out. Side-stapled. The legendary document for this series of streetworks, published as a supplement to the sixth number of 0 to 9. With contributions from Arakawa...
Stuttgart: The Artist, 1977. 8vo, [24] pp, saddle-stapled wraps. Illustrated in b/w. Artists' book addressing torture, sadism and violence, some of it re-documenting earlier work. Some light creasing and a touch of fading along spine. Very good.
Paris: Sorbonne, 1986. 4to, 88 + [64] pp. [illustrations]. Mechanically reproduced on rectos only, and comb-bound into a cover sheet illustrated in color, and an unprinted glassine cover sheet. Inscribed by the author at the title page. An early, perhaps unrecorded, and substantial work on graffiti, Basquiat and Haring, perhaps...
West Benton, Iowa City: Plagiarist Press, 1992. First edition. Oblong 32mo, xerox press, saddle-stapled wraps. Artists' book featuring xeroxed, appropriated imageries from pornography, with captions. "No Thanks to the vice-president for providing the inspiration for this publication." - back cover. Fine.
New York: 1982. A gathering of 50 items collected by an attendee at the anti-nuclear demonstration in New York City, which remains the largest political demonstration in the history of the United States. On that date approximately 1 million people gathered in the city and converged upon Central Park. The...
Paris: Comite de Lutte Anti-Nucleaire, 1958. Square 8vo, single sheet folded once. With papillon [3 1/8 x 5 1/4", offset printed on cream gummer paper] laid in. A powerful manifesto by the Surrealist Group against nuclear science and proliferation at the close of the 1950's. The text was written by...
New York: The New Museum, 1981. 8vo, oblong saddle-stitched wraps, 52 pp. Illustrated with b/w photographs. Text in English. The catalog for the 1981 exhibition at the New Museum, providing an invaluable reference to several downtown alternative arts spaces: Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, 10...
Amsterdam: 1943. Amsterdam: dated 1941 [actually, 1943]. ALS on lined prison stationary, marked 'S.G.S. 8105-1942’. 29 lines, written in pencil. Addressed to “Eep” [Marius Roland Holst], and signed “Tiky.” One line blacked out, likely by a censor. With an accompanying letter by Willem Sandberg to Roland Holst about the damage.....
Coventry, UK: Art & Language, 1971. First edition. 8vo, saddle-stapled wraps. Though unstated, one of 500-1000 copies printed. Though not denoted as such, from the library of Athena Tacha. With contributions from Terry Atkinson, Michael Baldwin, Stuart Knight, and Graham Howard, Near fine with a small green sticker to back...
Coventry, UK: Art & Language, 1972. First edition. 8vo, saddle-stapled wraps. Though unstated, one of 500-1000 copies printed. Though not denoted as such, from the library of Athena Tacha. With contributions from Terry Atkinson, Michael Baldwin, Ian Burn, Mel Ramsden, Philip Pilkington, David Rushton, Kevin Lole, and Graham Howard. Near...
Coventry, UK: Art & Language, 1972. First edition. 8vo, saddle-stapled wraps. Though unstated, one of 500-1000 copies printed. Though not denoted as such, from the library of Athena Tacha. With contributions from Ian Burn, Mel Ramsden, Terry Atkinson, Michael Baldwin, Harold Hurrell, David Bainbridge, and Victor Burgin. Near fine with...
Coventry, UK: Art & Language, 1973. First edition. 8vo, saddle-stapled wraps. Though unstated, one of 500-1000 copies printed. Though not denoted as such, from the library of Athena Tacha. With typed sticker number correction to issue number, as the issue was accidentally printed with the number of the previous issue...
Coventry, UK: Art & Language, 1974. First edition. 4to, 130 pp, printed wraps.. Though unstated, one of 500-1000 copies printed. Though not denoted as such, from the library of Athena Tacha. A special issue of the periodical, which collects a series of texts and equations which were produced in conjunction...
np: nd [c. 1991-93]. 8 1/2 x 11" poster, xeroxed in black on yellow paper. The text is unattributed, but is taken from the 1986 English translation of Wolfgang Fritz Haug's Critique of Commodity Aesthetics [1986]. A couple faint indents, else near fine.
Coventry, UK: Art & Language, 1970. First edition. 8vo, saddle-stapled wraps. Though unstated, one of 1000 copies. Though not denoted as such, from the library of Athena Tacha. With contributions from the editors and Frederic Barthelme, Stephen McKenna, Ian Burn, Robert Brown - David Hirons, Michael THompson, and Mel Ramsden...
Coventry, UK: Art & Language, 1970. First edition. 8vo, saddle-stapled wraps. Though unstated, one of 1000 copies. Though not denoted as such, from the library of Athena Tacha. With contributions from the editors and Ian Burn, Roger Cutforth, Mel Ramsden, Graham J. Howard, and B. Bihari. Near fine with a....
Coventry, UK: Art & Language, 1969. First edition. 8vo, 32 pp, saddle-stapled wraps. Though unstated, one of 1000 copies. Though unstated, from the library of Athena Tacha. The debut issue under this title, with contributions from the editors and Dan Graham, Sol Lewitt (Sentences on Conceptual Art) and Lawrence Weiner...
London: Fulgur, 1998. First edition. 4to, 295 pp, bound in black cloth stamped in silver foil. Illustrated dust jacket. Tipped-in color frontis. Profusely illustrated. Fine in a near fine jacket with a light vertical bend to back panel and some very faint scuffing.
Portland, Ore: 2012. First edition. Paperback. One of 500 copies. POEM is the first book form Portland artist Fredrik Averin. It is a beautiful work of concrete poetry which explores duration, narration, book design, and the relationship of the reader to the printed (and unprinted) page. In spirit it recalls...
New York: Sonnabend Gallery, 1980. 4 1/4 x 5 5/8" postcard, photographically illustrated at recto. The exhibition announcement postcard for the 1980 exhibition, illustrated with the work "Detail - Fugitive Essay (With Wasp". A couple very faint smudges to verso, else fine.
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