Amsterdam: Art & Project, 1974. 4to, single sheet of translucent glassine folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these... More
Paris: Avant-Quart, 1970. First edition. Small 4to, illustrated wraps. Printed by offset lithography in color, on various sorts of paper stock. A special issue of the artist periodical, this issue intended for children, and including incredible work by an astonishing array of visual artists from the avant-garde and Surrealist realms... More
New York: Art & Language, 1975. First edition. 4to, 144 pp, printed wraps. One of 4,000 copies printed The first of three issues of the periodical, which was both allied with, and a proper antagonist for the Art & Language group in the UK. The periodical ceased rather spectacularly in... More
Amsterdam: Art & Project, 1977. 4to, single sheet folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost... More
Amsterdam: Art & Project, 1979. 4to, single sheet folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost... More
Gloucester, MA: The New Cartographers, 2006. Narrow 4to, saddle-stapled wraps. First issue of this unusual little mag, published on the occasion of the Gloucester New Arts Festival, and including contgributions by Nicole Peyraffite, John Landry, Christina Strong, and the editors. Ben Webster is listed as having work forthcoming, but we're... More
![Joglars Nos. 1-3 [All Published]. Clark Coolidge, eds Michael Palmer](/pictures/thumb/28023.jpg?v=1566846040)
Cambridge and Providence: Joglars, 1964-66. First edition. First two issues 8vo, each saddle-stapled in illustrated wraps. Final issue 4to, and side-stapled in card covers illustrated by John Furnival. All issues published of this excellent little magazine of the Mimeograph Revolution. The very scarce final number, the stopper, combined younger members of..... More
Kinnelon, NJ: John Crawford, 1982-83. 39 single sheet comics, each offset printed on recto only, 4 zines or multi-sheet gatherings, each offset printed on rectos only and stapled once at the upper left hand corner, 3 of which have individual titles (Rock Critic Goes to Hell, Hollywood's Hardest Man, and... More
Black Mountain, NC: Black Mountain College, 1954. First edition. 8vo, 64 pp, illustrated wraps. The third number of the little magazine, which would run for 7 numbers and become one of the most influential and important periodicals of the postwar period. With contributions from the editors and Robert Duncan, Bertram... More
Black Mountain, NC: Black Mountain College, 1954. First edition. 8vo, 64 pp, illustrated wraps. The first number of the second iteration of the periodical, which had previously been issued in a single issue under the editorship of M. C. Richardson three years prior. Under the editorship of Creeley, it would... More
New York: Top Stories, 1985. First edition. 8vo, 37 pp, saddle-stapled wraps. Published as No. 22 in the superb Top Stories series, devoted to experimental prose. A remarkable narrative involving comic artists. Not to be confused with the later title of the same name from Vintage Books. Some light curling... More
North Hollywood, CA: L.A. Artist's Publication, c. 1973. 4to, loose sheets fastened with a pressure clip at upper left hand corner. Lacking the original mailing envelope. Though not denoted as such, from the collection of Athena Tacha. Single issue of this remarkable assemblage magazine intended, as the editor states in... More
North Hollywood, CA: L.A. Artist's Publication, c. 1973. 4to, loose sheets fastened with a pressure clip at upper left hand corner. Lacking the original mailing envelope. Though not denoted as such, from the library of Athena Tacha. Single issue of this remarkable assemblage magazine intended, as the editor states in... More
North Hollywood, CA: L.A. Artist's Publication, 1972. 4to, loose sheets fastened with a pressure clip at upper left hand corner. Lacking the original mailing envelope. Though not denoted as such, from the library of Athena Tacha. Single issue of this remarkable assemblage magazine intended, as the editor states in the... More
![The Situationist Times 1-6 [Complete]. Jacqueline De Jong, ed](/pictures/thumb/25773.jpg?v=1544578794)
Hengelo, The Netherlands [1-3] then Paris [4-6]: Jacqueline de Jong, 1962-67. All issues 4to, the first three numbers saddle-stapled in lithographed wraps, and the final 3 issues perfect bound in lithographed wraps. Nos. 1-2 and 4-5 called also International ed.; no. 3 also called the International British ed.; no. 6... More
New York: The Floating Bear, 1961. 4to, 7 leaves mimeographed from typescript on recto and verso, and stapled once at the upper left corner. This early issue of The Bear is largely taken up with Michael McClure's theatre work "The Feast!" written for Ornette Coleman, the only other work this... More
Amsterdam: Art & Project, 1975. 4to, single sheet folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these bulletins, in almost... More
New York: Floating Bear, 1961. 4to, six leaves mimeographed from typescript and stapled once at the upper left hand corner. An unusual issue of the Bear, featuring Hubert Selby, Jr.'s "A Floating Bear Special", and work by Joel Oppenheimer, Charles Olson, Paul Metcalf, Max Finstein, Jerry Benjamin, and last but... More
New York: Floating Bear, 1965. 4to, a mixture of mimeograph and offset printing, side-stapled. Front cover by Jess [Collins]. One of the most unusual and beautiful issues of the Bear, featuring a striking cover by Jess Collins. This issue is notable for the inclusion of three different dueling versions of... More
New York: Floating Bear, 1961. 4to, six leaves mimeographed from typescript and stapled once at the upper left hand corner. This issue of the Bear features work by George Stanley, David Ossman, Martin Green, Charles Olson, Ron Loewinsohn, Marian Zazeela, Alan Marlowe, and Gilbert Sorrentino. Some faint traces of soiling... More
New York: Floating Bear, 1961. First edition. 4to, six leaves mimeographed from typescript, and stapled once at the upper left hand corner. Early and scarce issue of the Bear, which includes work by A.B. Spellman, Joel Oppenheimer, and Ed Dorn's fantastic essay New York, New York. Paper rather toned, with... More
Los Angeles: Pataphysics Program, 2009. First edition. 4to, unpaginated, bound in printed chipboard covers. With works by Sylvère Lotringer, Hakim Bey, John Geiger, David Pinder, Bernard Heidsieck, Jim Dolot, Chris Kraus, and interviews with Harry Matthews, John Cage, Terry Winters etc. Fine. More
Amsterdam: Art & Project, 1977. 4to, single sheet folded once to make four pages. Illustrated with color reproductions within. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156... More
New York: Un Poco Loco, 1979. First edition. 4to, five leaves mimeographed from typescript and stapled once at the upper left hand corner. Association copy, addressed and mailed to Jackson Mac Low. This issue of UPL devoted to the work of the great Bernadette Mayer, a fantastic issue including the... More
San Francisco: City Lights, 1963. 8vo, photographically illustrated wraps. The debut issue, with contributions from Allen Ginsberg, Richard Brautigan, ed Sanders, Jack Kerouac, Bruce Conner et al. Wraps and edges of text block heavily toned, else a sturdy very good example. More