New York: Gordon & Breach, 1972. First edition. 4to, 120 pp, perfect bound in wraps. The first issue of the periodical to be published by Gordon & Breach, and the first issue to not be issued in tabloid format. This issue prints a foreward by the members of Raindance corporation..... More
Toledo: FLOC, [1984]. 8 1/2 x 11: offset printed in two colors on recto, and in b/w on verso. Union bug to lower right hand corner. Artist unattributed. A brilliant poster featuring artwork that detourneed the iconic Campbell's soup can. The poster was created by the FLOC in 1984 for..... More
Chicago: I.W.W. Publishing Bureau, [1917]. Early printing. 12mo, 30 pp, saddle-stapled wraps. Flynn’s first book, an analysis of the uses of sabotage which takes as it’s starting point the case of Fredric Sumner Boyd, and Flynn’s own work during the Paterson silk strike of 1913. Flynn wrote the text soon..... More
New York: [Folklore Center], nd [c. late 1960's]. 8 1/2 x 11", mimeographed on blue paper. Poster calling for this project "to bring the joys of Folk Music to the people in underprivileged areas throughout the city." The flyer proposes the first foray to be in the South Bronx. The..... More
Berlin: Buchverlag der Arbeiter-Kunst-Ausstellung, 1921. First edition. 8vo, 232 pp, bound in illustrated boards backed in black cloth illustrated by Käthe Kollwitz. Profusely illustrated in black and white. Edges of text block died red. Text in German. Inscribed by the editor, Ernst Friedrich, at the first blank and dated 1923..... More
Berkeley: Point-Blank! 1973. 8vo, [12] pp. [incl. covers]. Offset printed. Saddle-stapled wraps. Pamphlet on the occupation of the Lip watch factory in Besançon, here presented in English and published by Point-Blank. Ford 174. Very good with light creasing to the wraps. More
[New York]: [Gran Fury], nd [c. 1992]. 4 1/4 x 6" postcard, offset lithograph. One of the best known visual works of the group, a detourned American Flag with skulls replacing the stars - a potent reflection of the violent complacency of President Bush towards the AIDS crisis. This is..... More
![Architecture Principe 1-9 [Complete]. Claude Parent, eds Paul Virilio](/pictures/thumb/28682.jpg?v=1602873992)
Paris: Groupe Architecture Principe, 1966. First edition. 4to, unpaginated, each issue saddle-stapled in wraps. Profusely illustrated with photographs, drawings and plans. A rare complete run of one of the most important and influential artists' periodicals of the 1960's (a tenth issue appeared in the 1996 reprint of the periodical, but..... More
[San Francisco]: the Fund and the San Francisco AIDS Foundation, c. early 1980's. 10 panel brochure, folded to a 4 x 5 1/2" pamphlet. Offset printed on coated stick. Illustrated with cartoons. This brochure was handed out yearly for five consecutive years at San Francisco's Gay Freedom Day Parade, each..... More
Oakland, CA: Hellarity House, c. 2008-2012. A small stack of material relating to the long-lived Oakland Squat, which began in the 1990's, and struggles against eviction after a developer bought the property. 1. Dreams of Donuts #14. R.I.P. Hellarity House. 8vo, saddle-stapled wraps. Photomechanically reproduced. A residents account of the..... More
Leipzig: Johann Ambrosius Barth, 1910. Leipzig: Johann Ambrosius Barth, 1910. The third, expanded, and first public edition. 8vo, vii, 234 pp. Bound in violet paper covered boards with titles stamped in white. Foreward by Ernst Mach. With the ownership signature of Wely v. Döring to title page, and on the fep a...... More
Los Gatos, CA: Pacific Domes, 1970. First edition. Folio, 56 pp, saddle-stapled wraps. Profusely illustrated with photographs and diagrams. The first edition of this landmark work of the counterculture, assembled in the space of only 14 days at the Whole Earth headquarters by Lloyd Kahn and others, with help from..... More
![Kabouter Krant Nos. 1-12 [with] Kabouterkrant Extra. Gemeenteblad OranjeVrijstaat Amsterdam....](/pictures/thumb/28925.jpg?v=1603845037)
Amsterdam: Oranje Vrijstaat, 1970-71. 4to, tabloid format, offset printed on newsprint with spot color. Profusely illustrated with photographs and drawings. Text in Dutch. All issues published of this periodical produced by the Kabouters, a Dutch anarchist group at the dawn of the 1970's which grew out of the Provo movement..... More
London: Sigma, [c. 1964]. 14 1/4 x 23 1/2" poster, folded to 8 1/4 x 11 3/4". Offset litho in two colors. "Sigma 11" lightly written in pencil to cover. A poster prospectus for the Fun Palace, issued as an installment of Alexander Trocchi's Sigma Portfolio. Fun Palace was a...... More
Brooklyn: Out & Out Books, 1980. First edition thus. 8vo, [8] pp, saddle-stapled in orange card wraps. First public edition, following the privately distributed 1978 edition of the text made on the occasion of the Feminist Perspectives on Pornography conference in San Francisco. The paper had previously been delivered in..... More
San Francisco: More to Come, nd. Paperback. 8vo. [16] pp. [including covers]. Offset printed; saddle-stapled wraps. Illustrated with b/w photographs. Fine. A manifesto by the post-situ Bay Area group, with reference to the Carribean Situationists, Dolgoff, Reich, Coline et al; detourneed Charley Brown strip to back cover. Undated, but probably..... More
Berkeley: Negation, 1973. Revised edition. 4to, 16 pp, mimeographed from typescript on rectos only. Side-stapled in yellow card covers. On negation of the objects of Capitalism, by the Bay Area post-situ group. Covers creased and soiled, name written neatly in ink to first page. About very good. More
New York: The Open Press, [1967]. 8 1/2 x 11" flyer, mimeographed from typescript and holograph on recto in English, with a full Spanish translation on verso. A remarkable broadside documenting the Happening on August 6th, 1967, at which Country Joe and the Fish played and 3,000 ""hippies, Puerto Ricans..... More
[Paris]: Carnet latino de Rhinocéros jr, 1997. First edition. Square 16mo, 48 pp, bound in still photographically illustrated wrappers. One of a limited edition of 1500 copies. This unusual book, which presents photographs of Emiliano Zapata and his circle, along with transcriptions of documents and other ephemera, is one of..... More
![Processed World Nos. 1-32 [Complete, with] Fake Program Cover for the 1982 Office Automation...](/pictures/thumb/28081.jpg?v=1567713927)
San Francisco: Processed World, 1981-1994. Nos. 1-13 each an 8vo in saddle-stapled card wraps. Subsequent issues each a saddle-stapled 4to, save for Nos 26-32, which are perfect bound. All print issues of the paradigmatic zine of 80's officeplace dissatisfaction. Processed World arose out of the ashes of the Union of..... More
Amsterdam: Provo, 1966. Foolscap format, 6 leaves mimeographed on both recto and verso. Text in Dutch. The third issue of this rare and ephemeral Provo periodical, issued almost weekly for a short span of time in the summer of 1966, and acting as a more immediate counterpoint to the other..... More
Amsterdam: Provo, 1966. Foolscap format, 7 leaves, mimeographed from typescript, drawing and collage and stapled once at the upper left hand corner. Single issue of this rare and ephemeral Provo periodical, issued almost weekly for a short span of time in the summer of 1966, and acting as a more..... More
Amsterdam: Provo. 8 1/2 x 13 1/2", mimeographed on recto only. A leaflet announcing the Provo movement's White House Plan, which addressed the low inventory for family housing in Amsterdam due to rampant real estate speculation by advocating squatting. Creased and soiled, but complete and about very good. More
[Amsterdam]: Provo, 1966. 8 1/2 x 11 1/2", mimeographed from typescript and drawing on both recto and verso. Illustrated by Willem (Bernard Holtrop). One of the most geographically specifica dn symbolic Provo flyers, illustrated with drawings by Bernard Holtrip of familiar statues around Amsterdam. The title translates roughly into English..... More
New York: 1980's-. A collection of material relating to Adam Purple's Garden of Eden, which he constructed on the Lower East Side beginning in 1975 in a vacant lot behind his besidence, and grew it over the years as a public garden, using only hand tools, and famously biking up..... More