New York: 1982. 4 1/4 x 6" postcard, printed on both recto and verso. A postcard invitation for two sets by the band on March 14, 1982 at The Underground, as part of the Porous Nights at the Underground series. The invitation was good for complimentary admission for 2. The... More
![FACT/US 46 [Sticker]. A Certain Ratio.](/pictures/thumb/26336.jpg?v=1544578976)
New York: Factory Records US, 1981. 3 1/4 x 5 1/8" sticker, letterpress printed in black on metallic silver foil. With scored breakaway backing intact. FACTUS 46. The beautifully designed sticker for this New York performance by A Certain Ratio and the screenings of the Factory Video Circus compilation, which included... More
![FACT/US 46 [Sticker]. A Certain Ratio.](/images/noimage.png)
New York: Factory Records US, 1981. 3 1/4 x 5 1/8" sticker, letterpress printed in red on metallic silver foil. With scored breakaway backing intact. FACTUS 46. The beautifully designed sticker for this New York performance by A Certain Ratio and the screenings of the Factory Video Circus compilation, which included... More
Newtonabbey, Co. Antrim, Ireland: Cabaret, 1981. 8vo, 20 pp, unbound, xeroxed, folded sheets. with rubberstamping. One of a limited edition of 318 numbered copies. Fifth issue of the excellent early 1980's zine devoted to punk, avant music and mail art, edited by Ben Allen of Cabarte. With a shout out... More
![Caught in Flux 1-7 [Complete]. Mike Appelstein, ed.](/pictures/thumb/25603.jpg?v=1544578769)
New York: Caught in Flux, 1993-. 8vo, each issue saddle-stapled in card wraps. Association copies, from the archive of the zine puncture, several of the issues addressed and postmarked, the first two issues with holograph notes to one of the editors. All issues published of the indie fanzine, which was... More
New York: Dunetz & Lovetz, 1965. First edition. 4to, [16] pp, photographically illustrated wraps. A souvenir booklet celebrating the life of the musician, produced in conjunction with the production at the Ambassador Theatre that year. Very good with some toning and rubbing along the spine. More
London: Waaaah! nd. 4to, offset printed, saddle-stapled color wraps. No flexi. Second issue of the post-punk, C86 fanzine, and a good one, including interviews with Strawberry Story, Saint Etienne, The Deltones, The Field Mice et al. Very good with some light creasing to wraps. More
New York: Ork Records, [1977]. 14 x 17", black and white xerox from photograph and typescript. Overall creasing; very good. The original poster announcing Lester Bangs' punk "debut", at CBGB's in June of 1977. The poster announces that his band will consist of J. D. Dougherty, Robert Quine, Jody Harris... More
[Austin, TX]: Ryebread Rodeo, 2018. First edition. Oblong 4to, unpaginated, bound in full black cloth titled in blind. No dust jacket as issued. At long last, Panic! prints over 70 black and white photographs of Black Flag before they were Black Flag. From the publisher's website - "In September 1978... More
[Austin, TX]: c. [1980]. Two 8 1/2 x 11" flyers, original photocopy from cut-up collage on rectos only. Two flyers issued for the nonexistent "poster band", probably made by John Slate - i. e. Control Rat X, who also edited the great zine Xiphoid Process. Bodily Funktions never played a.... More
San Francisco: 1986. 8 1/2 x 11" flyer, photocopy process. Flyer for this 1986 show at Vis Club by the three avant-punk bands. Folded several times, else clean and very good. More
np: nd. 8vo, pp. 202-219, offset printed and stab-stapled. Illustrated with diagrams and musical notation. Inscribed by the author - "Don't try to read it. D. B." Though not noted as such, from the library of fellow composer Lou Harrison. An offprint, from the Journal of the American Musicological Society... More
New York: [1954. 4 x 8 1/4", offset printed on recto; cream card stock. The original handbill for two performances by David Tudor in 1954 at Carnegie Hall. The first night notes that there will be performances of pieces by Earle Brown, Christian Wolff and John Cage. Though not mentioned... More
London: Independent Project Records, 1985. 4 x 6" postcard, letterpress in four colors on thick chipboard stock. Addressed at verso by hand, but not postmarked. A postcard made for this very early show by Camper Van Beethoven, here still called Camper Van Beethoven and the Border Patrol, along with Box... More
Chicago: Redoubt Press, 1990. First edition. 8vo, perfect bound in wraps. The first edition, not to be confused with the revised edition later published by 2.13.61. Very good with light overall rubbing to the wraps. More
Lisboa: Livraria Guimaraes, 1903. First edition. 8vo, 270 pp, rebound at a contemporary or early date in marbled boards backed in red leatherette titled and banded in gilt. Original wraps not present. Illustrated with 13 photographs and drawings. Text in Portuguese. Previous owner's early and tasteful typographic bookplate to fep... More
New York: The New Music Society, 1928. Third edition. 4to, 11 pp, offset printed and saddle-stapled in printed wraps. Third edition of this early issue of the periodical, which is entirely devoted to Sonatina for Violin and Piano by Carlos Chavez. Though not noted as such, this copy comes from... More
San Francisco: The New Music Society of California, 1931. First edition. Folio, 52 pp, saddle-stapled in printed wraps. With two printed errata sheets laid in, making score corrections to previous issues, Henry Cowell started the New Music Quarterly in 1927 in order to publish scores by composers who were unlikely... More
San Francisco: The New Music Society of California, 1932. First edition. Folio, 12 pp, saddle-stapled in printed wraps. Henry Cowell started the New Music Quarterly in 1927 in order to publish scores by composers who were unlikely to see exposure of their work in the mainstream. Cowell was editor of... More
San Francisco: The New Music Society of California, 1931. First edition. Folio, 16 pp, saddle-stapled in printed wraps. Henry Cowell started the New Music Quarterly in 1927 in order to publish scores by composers who were unlikely to see exposure of their work in the mainstream. Cowell was editor of... More
San Francisco: The New Music Society of California, 1932. First edition. Folio, 28 pp, saddle-stapled in printed wraps. Henry Cowell started the New Music Quarterly in 1927 in order to publish scores by composers who were unlikely to see exposure of their work in the mainstream. Cowell was editor of... More
Detroit: c. 1977-1982. 69 flyers, most 8 1/2 x 11", all either printed by original photocopy process or offset, of which 44 are flyers for individual shows, and the remaining 7 are club calendars, listing all shows for a particular venue for a month. A cache of posters documenting both... More
![How to Become a Radio Artist [Little Blue Book No. 1470]. Betty Van Deventer.](/pictures/thumb/26860.jpg?v=1544579237)
Girard, Kansas: Haldeman-Julius, 1929. 32mo, stapled pale blue wraps printed in black. Very food with some light fraying and a couple of bumps to extremities. Division Leap stocks thousands of other Little Blue Books and other Haldeman-Julius publications in our Chinatown bookshop. More
Newtown, NSW: Dirty on the Shovel, 1991. 4to, original xerox, stab-stapled. Debut issue of the Australian fanzine, this time around with an interview with Duncan Graham of The Breaknecks, comics by D. Nichols, and a piece on Half. Very good. More