Detroit: [White Panther Party], [1970]. 8 1/2 x 11" broadside, mimeographed from typescript on recto only. A broadside issuedas protest against the CIA raid of the White Panther House on June 22, 1970. After a poem by Anderson, the broadside announces a "PAPER RADIO PAPER RADPAPER RADIO PAPER RADIO PAPER... More
New York: Fuck You Press, 1965. First edition thus. 8vo, unbound, folded sheets laid into printed wraps. Mimeographed from typescript. One of a limited edition of 300 copies. The first separate edition of the poem attributed to Auden, though W.H. didn't cop to authorship. The work was clandestinely circulated before... More
San Francisco: Auerhahn Press, nd. Paperback. 5 x 8" sheet of blue paper, folded once, with bird device to front panel. Some faint handling creases else fine. An advertising leaflet offering the services of the press, suggesting that they can produce a wide variety of material, from stationary to reproduction... More
San Francisco: Auerhahn Press, 1964. Approximately 11 1/2 x 17 1/2" sheet of Curtis rag, letterpress printed in two colors in Caslon types, with a black Van Aver bird with a red background, and ornamental borders in red and black. Beautifully printed poster announcing forthcoming works by Diane Di Prima... More
New York: Fuck You Press, 1964. First edition. 4to, 20 leaves mimeographed from typescript and drawing on rectos only. Side-stapled. The first edition of the author's first book, a report on the legendary 1963 conference at the University of British Columbia, made in order to "respond to the intense interest... More
Los Angeles: Mermaid Tavern, 1973. 8 3/4 x 10", offset lithograph. Photographically illustrated with a self-portrait of Berman. The poster for Wallace Berman's one day exhibition at the Mermaid Tavern, perhaps the rarest printed item designed by Berman, for one of his most enigmatic shows. The poster is illustrated with... More
San Francisco: Batman Gallery, 1961. 15 x 20", lithograph in two colors on beige paper. The striking poster designed by Wallace Berman, for an exhibition by George Berms at Batman Gallery in San Francisco. This was the first poster to be designed by Berman, and features a photograph by him... More
New York: Lorenz and Ellen Gude, 1966. First edition. Foolscap format, 31 pp., mimeographed, stab-stapled covers. The 13th and final regular issue of the seminal little mag of the second generation of the New York School. This issue includes work by Joe Brainard, Ted Berrigan, William Saroyan, Dick Gallup, Pierre... More
New York: Lorenz Gude, 1963. First edition. Foolscap, mimeographed from typescript on rectos only, and stab-stapled into an offset printed cover by Joe Brainard. Collated and complete against Birmingham. With some minor ink corrections to the Harry Fainlight contributions, likely in the editor's hand. Conributors include John Ashbery, Ron Padgett... More
New York: Lorenz Gude, 1963. First edition. Foolscap, mimeographed from typescript on rectos only, and stab-stapled into an offset printed cover by Joe Brainard. Collated and complete against Birmingham. Conributors include John Ashbery, Ron Padgett, John Wieners, Lorenzo Thomas, LeRoi Jones, James Schuyler, Barbara Guest et al. A strong and... More
New York: Lorenz Gude, 1963. First edition. Foolscap format, mimeographed on rectos only; stab-stapled. With single word holograph addition"and" in pencil to Ted Berrigan's poem "Sonnet XXXVI". Early number of the little magazine, which was of of primary importance to the formation of the second New York School. Early issues... More
![C: A Journal of Poetry Vol. 1, No. 2 [with an Unpublished Holograph Poem by Berrigan]. Ted Berrigan, ed.](/pictures/thumb/20315.jpg?v=1515623718)
New York: Lorenz Gude, 1963. First edition. Foolscap format, mimeographed on rectos only; stab-stapled. Early number of the little magazine, which was of of primary importance to the formation of the second New York School. Early issues are increasingly uncommon. This issue includes contributions from Berrigan and Sandy Alper, J.... More
New York: C Press, 1965. First edition. Foolscap, mimeographed from typescript on rectos only, stab-stapled into an offset printed cover sheet by Joe Brainard. Collated and complete against Birmingham. Contributors include Aram Saroyan, Edwin Denby, Kenneth Koch, Barbara Guest, Kenward Elmslie, others. Some toning and light soiling to cover and... More
San Francisco: Analecta Press, [1968]. 9 x 14", offset litho on both recto and verso. The promotional poster for the book, illustrated with drawings by R. Crumb, with lengthy blurbs for Blazek's work by t.l. kryss, Don Cauble, Karen Waring, d. r. wagner, William Wantling, Eric Oatman, Charles Bukowski, Gershon... More
New York: Lorenz Gude, 1964. First edition. Foolscap, mechanically duplicated on rectos only; stab-stapled. First, and much scarcer issue of the two issues of Brainard's artist periodical devoted to storyless or abstract comics. Illustrated throughout by Brainard with texts by many important poets of the New York School, including Bill... More
San Francisco: Dave Haselwood Books, 1967. Second edition. 8vo, 51 pp, illustrated wraps. Illustrated with calligraphic work by Gysin. Well-rubbed at extremities, with a hard bump at head of spine. About very good. More
Paris: Two Cities Editions, 1960. First edition. 8vo, 63 pp, printed wraps illustrated at back cover with drawings by Brion Gysin. One of 1000 copies printed. Burroughs' third book, and the first standalone publication to employ the cut-up technique as Gysin & co. envisioned it. Maynard & Miles A3a. Margins... More
Paris: [Surrealist Group], [1933]. 8 7/8 x 12 1/4", letterpress in red and black. Surrealist manifesto denouncing Louis Aragon and Romain Rolland for their support of the Communist party, and also the League of Nations conference. 1" closed tear to left margin, some faint toning and vertical bend to left margin, else clean and very good. More
London: Crafts Council Gallery, 1986. 4to, 64 pp., saddle-stapled in thick card wraps with a photographic pastedown to front panel. Includes a bibliography. Some creasing to wraps resulting in a light vertical bend to first few pages, and a few spots of foxing to covers only, else very good. More
np: Tangram, 1999. First edition. 8vo, saddle-stitched in handmade paper with a title label pasted down onto the front panel. One of 150 copies, the entire edition. Association copy, inscribed by Corman to Jerome Rothenberg on the dedication page; "For another Jerry - [illegible] CC." The book was dedicated to... More
New York: Death Press, 1964. First edition. Folio, 13 sheets, each handset and letterpress printed on glassine parchment, and housed in a printed blue folder along with an additional unprinted glassine sheet. One of a limited edition of 120 copies, each signed by the author. An unusually designed book meant... More
[San Francisco]: [1969]. 17 x 22", offset printed in color on recto, and in b/w on verso. No imprint or authorship information; date and authorship attributions from OCLC. The verso is taken up with a striking psychedelic drawing in color; the verso prints a long single poem, along with an... More
San Francisco: Cranium Perss, nd. 5 1/2 x 13" broadside, letterpress. Illustrated with a single footer image of a train going over a bridge. A type specimen sheet advertising different fonts available at the press. Includes typesettings of quotes rom Plato, Palissy, Heraclitus and Eugen Gomringer, and, a quote from... More
Bolinas: 1973. 5 x 8", broadside, letterpress on cream paper. This, an undistributed copy without the wrappers which were present on distributed copies. Fine. More
np: nd. 4to, [28] pp, xeroxed in b/w, stab-stapled and tape bound at spine. With the rubberstamp of the San Francisco Poetry Center to covers and first page. A collection of poems by the anarchist, poet and member of Provo - some of them from work connected with the One... More