London: Goliard Press, 1967. First edition. "Unsolicited manuscripts will be burned without ceremony" 4to, [12] pp. [incl. covers]. saddle-stapled. Lithographed in brown ink, printed on white card stock in various colors. Handset in Cochin and Westminster. The only issue of one more beautiful and unusual poetry magazines of the late 60's... More
Moordrecht: ‘uitgave bobvandenberg’, 1964. Subtitle varies. 4to, each issue mimeographed on rectos only and stab-stapled into rubberstamped covers, with additional rubberstamping of the title to title page and various internal pages. The first four issues, on an unknown number published, of this beautifully designed and lively little magazine devoted to..... More
New York: New Directions, 1959. First edition. 8vo, 246 pp, bound in blue cloth. Illustrated dust jacket designed by Donn Devita. Association copy, inscribed by Rexroth at the first blank in the year of publication to Charles Richards: "Happy Birthday Dear Charles. Kenneth Oct '59." A good association - Charles Richards... More
New York: Macmillan, 1940. First edition. 8vo, 83 pp, bound in blue cloth titled in gilt. Illustrated dust jacket. With mimeographed errata slip taped down onto verso of last leaf. Association copy, inscribed boldly by Rexroth at the first blank to Charles and Janet Richards. The poet's first book, an... More
New York: New Directions, 1979. First edition. Fine in a near fine jacket with some toning and slight rubbing to fore folds. More
New York: Living Theatre, 1951. First edition. 8vo, 16 pp, saddle-stapled in thick textured yellow card wraps. The program for this very early production by the Living Theatre. It includes texts by Harold Norse and Paul Goodman, and a poem by Oscar Williams. Tiny nick to back wrap, else fine. More
Black Mountain, NC: Black Mountain Print Shop, 1947. Loose leaves, letterpress printed in Futura on various types and dimensions of paper. Provenance: from Serendipity Books, with research notes and correspondence by Peter Howard laid in. Mary Caroline Richards, a graduate of Reed College in Portland, Oregon, joined the Black Mountain... More
np: Tuumba Press, 1981. First edition. 8vo, saddle-stapled wraps. One of an edition of 450 numbered copies, designed and printed by Lyn Hejinian at Tuumba Press. Prints Rodefer's superb long poem of the same name, an essential work of the 1980's. Very good with toning and marginal creasing to wraps... More
[Chicago]: Ztangi: Distributed by Solidarity Bookshop, 1966. First edition. 4to, mimeographed from typescript and drawing. Stab-stapled in illustrated, mimeographed card covers [front cover from art by Max Ernst, and the back cover by Siné]. With folded, mimeographed sheet entitled "The Revenge of Emiliano Zapata" laid in, announcing the future publication... More
San Francisco: Free Print Shop, 1981. First edition. 16mo, 32 pp, printed wraps. First edition of this acerbic prose polemic on poetry, publishing and careerism in late capitalism, with particular reference to many of the poets of the Beat Generation. "Poets in America and other overdeveloped countries generally start off... More
New York: Fuck You Press, 1963. First edition. 4to, 46 leaves mimeographed on rectos only from typescript and drawing [with the exception of the final leaf, which is mimeographed on verso]. The magazine of skin pop! This issue includes contributions from the editor and Allen Ginsberg, Robert Kaye, Isis, Tuli... More
San Francisco: City Lights Books, 1963. First edition. 8vo, 27 pp, saddle-stapled wraps. The first edition of the poet's first book, written while incarcerated due to his participation in the Polaris protests. Some faint spots of foxing to wraps, else fine. More
New York: [1966]. 8 1/2 x 11" flyer, mimeographed from holograph and drawing on blue paper. Flyer for an appearance by Ed Sanders, speaking as part of an anarchist discussion group at CCNY. Though the flyer is illustrated with an Eye of Horus and is similar in design to various... More
New York: Fuck You Press, 1964. First edition. 4to, mimeographed from typescript and drawing on rectos only, with the exception of the final leaf which is mimeographed on verso. Side-stapled. “Printed, published, zapped, & ejaculated at a secret location in the lower east side.” The poems in the book describe..... More
New York: Fuck You Press, 1964. First edition. 4to, four leaves mimeographed from typescript and drawing and side-stapled. One of the more conceptual exercises from the press. Some minor indenting around the staples, and a touch of fading to extremities else fine. More
New York: LEMAR, 1965. First edition. 4to, mimeographed from typescript, holograph, and drawing on rectos only of various colors of paper stock. The rare second issue of the periodical, which includes reports on the legal actions against Orlovsky, Charles Hayden, and C. T. Smith for selling the debut issue of the... More
New York: Fuck You Press, 1962. First edition. 4to, mimeographed from drawing and typescript on rectos only and side-stapled. Signed by Ed Sanders at the title page and dated in 1963. A collection of lusty poems addressed to Marilyn Monrow by six male poets of the underground poetry scene; Joel... More
New York: Fug You Press [Fuck You Press], 1964. First edition. 4to. [11], 19, [1]. Mimeographed on rectos only and side-stapled into a yellow cover sheet illustrated after a drawing by Ed Sanders. Trade edition, limited to 400 copies. With contributions from Harry Fainlight, Allen Ginsberg, Ted Berrigan, John Harriman... More
New York: A Secret Location on the Lower East Side, 1967. Folio, tabloid format, [8] pp. [including covers]. Only issue published of this tabloid edited by Ed Sanders, a more gossipy compaign to Fuck You: A Magazine of the Arts. One of the best examples of the scene-gossip-as-art of the... More
New York: Fuck You Press, 1962. 4to, 21 pages on 19 leaves, mimeographed from typescript and holograph mostly rectos only, with the exception of the second and and final leaves, which are printed on both recto and verso (the number of leaves varies for this issue, with some issues we've... More
New York: Fuck You Press, 1962. 4to, mimeographed from typescript and holograph on rectos only. Side-stapled. Fourth issue of the little magazine, one of the most sexually and socially provocative of the Mimeograph Revolution. With contributions this time from John Wieners, Eric Weinberger, Carol Bergé, Taylor Mead, Michael McClure, C.... More
New York: Fuck You Press, 1962. 4to, mimeographed from typescript and holograph on rectos only on peach paper. Side-stapled. The sixth issue published of the periodical, with contributions this time around from David Rattray, Taylor Mead, Carol Bergé, John Keys, Hank Dixon et al. [Clay and Phillips pp. 166-68] Some light..... More
New York: Fuck You Press, 1964. 4to, mimeographed from typescript and holograph on rectos only, rose paper stock. Side-stapled. This issue includes contributions from LeRoi Jones, Szabo, Al Fowler, Peter Orlovsky, Frank O'Hara, Harry Fainlight, Allen Ginsberg, Nelson Barr, John Keys, Nancy Ellison, Carol berge and Joel Oppenheimer. [Clay and... More
New York: Fuck You Press, 1962. 4to, 20 leaves mimeographed on rectos only from typescript, holograph and drawing [with the exception of the final leaf, which is mimeographed on verso]. 12th leaf blank. Collated against Jed Birmingham's Mimeo Mimeo example, with the following differences; this example doesn't include the sheet... More
New York: Fuck You Press, 1963. 4to, 41 leaves mimeographed on rectos only from typescript and drawing [with the exception of the final leaf, which is mimeographed on verso]. This issue includes contributions from Lenore Kandel, Rochelle Owens, Peter Orlovsky, Jean Forst, Marc Samara, Carol Bergé, Ray Bremser, Joel Oppenheimer... More
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