[Buffalo]: [Gallery Upstairs Press], [1968]. First edition. 21 1/4 x 28 1/2", offset lithograph on thick cardboard stock. With rubberstamped facsimile of McClure's signature at verso. Visual reproduced from McClure's distinctive holograph in red, overlayed onto a found image of two lions roaring at the sea - a legend readng..... More

London: Novello, 1964. First edition. 4to, 36 pp, saddle-stapled wraps. Signed by Robert Duncan at the title page. The opening phrase of the prologue to the piece is based upon Robert Duncan's line "Often I am permitted to return to a meadow," taken from The Opening of the Field. A...... More

Girard, Kansas: Haldeman-Julius Company, nd. 32mo, saddle-stapled [2 staples] in wraps. Gibbs 317a, earliest recorded state of the text, in the second wrapper variation. "Hence, loathed melancholy... Wraps slightly faded at margins else fine. More

New York: Neither/Nor, nd [c. 1980's]. 8 1/2 x 11" flyer, photomechanically reproduced on white paper stock. The reading featured performances by Jemeel Moondoc and The Divine Monochord; poets included Qunicy Trope, Tato Laviera, Bina Sharif, DAniele Watson, Zoe Angelesey, Michael Carter, Nanvy Ancrom, Jill Burton and John Farris. Folded..... More

New York: Gotham Book Mart, 1935. First edition. 4to, single sheet folded twice. Published in an edition of 350 copies, this example marked H.C. Morley, author of the Haunted Bookshop, was inspired to write the Rubaiyat one day while visiting Frances Steloff at the Gotham Book Mart, when he witnessed..... More

Wivenhoe, Essex, UK: Chicago, 1974. First edition. Paperback. 4to, mimeographed from typescript on rectos only and side-stapled into covers illustrated by George Schneemann. Third number of the European edition of Chicago, issued from Essex, UK after Notley left Chicago (the city) but continued Chicago (the magazine). With contributions from the..... More

My Own Mag, [1964]. Paperback. foolscap format, five leaves of various colors of paper stock mimeographed from drawing and typescript. Side-stapled. Unnumbered, but the tenth issue of the little magazine. With contributions from Dave Cunliffe, Joanna, Bob Knapp, Bill Butler, and Tom McGrath. A very good example with three old..... More

San Francisco: Auerhahn Press, 1965. First edition. 4to, 160 pp, bound in boards woodblock by Robert Lavigne printed in color, and back in vellum with titled stamped in gilt. Illustrated with a frontipiece portrait of Olson by Kenneth Irby. Lacking the unprinted paper jacket, as often. One of the most..... More

New York: Totem Press, 1959. First edition. 8vo, 14 pp, saddle-stapled in wraps illustrated by Matsumi Kanemitsu. With errata slip laid in. The first edition of one of the most enduring and influential poetic manifestos of the last century, published by Leroi Jones at the Totem Press. Toned at margins..... More

[London]: Privately Printed, [1959]. Foolscap format, 20 leaves, mimeographed from typescript on rectos only, side-stapled, and backed in black cloth tape. A remarkable two part essay, followed by a selection of poems, by this key figure in British Bohemia, in which she calls for poetry performance to be remade with..... More

Vancouver, BC: Bed, nd [1975]. 4to, mimeographed from typescript on rectos only, and stapled at upper left hand corner into illustrated card covers. Debut issue of this scarce 1970's little magazine out of Vancouver, B.C., that was edited by poets close to Jack Spicer, and which is very much in..... More

Girard, Kansas: Haldeman-Julius, nd. 32mo, saddle-stapled wraps. Gibbs 186c, first noted wrapper state. Very good. More

Portland, Ore. Charles Seluzicki, 2004. 14 1/2 x 13" broadside, letterpress printed from hand-set type and photopolymer plates on Hahnemuhle German Etching paper. One of 75 copies. This broadside was designed and printed by the great Inge Bruggeman. Fine. More