Olympia, WA: Last Word Press, 2020. First edition. 8vo, trade paperback. New from the publisher. A superb new collection of poems by Erik La Prade. La Prade's voice is always sceptical, yet constantly attuned to the possibility of love in countless forms. A careful ear for detail coupled with an..... More

np: 1961. 18 3/4 x 13 1/2", ink and wash on both sides of a sheet of sketch paper. Unsigned and undated. Provenance: acquired by Peter Howard of Serendipity Books from Bobbie Louise Hawkins, former wife of Robert Creeley. The immensely talented Laubies was a visual artist associated at different..... More

np: 1957. Provenance: acquired by Peter Howard of Serendipity Books from Robert Creeley. The immensely talented Laubies was a visual artist associated at different times with the Tachisme, Art Informel, and Nuagisme movements. He was also the first translator of Ezra Pound into French, and it was Ezra Pound who..... More

Firenze: Zona Parola &Suono, [1979]. 8 1/4 x 11 3/4" poster, typographically designed in purple ink on light brown paper. The poster announcement of Lax's participation and exhibition as part of the Parola & Suono Festival. A gorgeously designed flyer. folded once, near fine. More

Cleveland: Renegade Press, 1966. First edition. 4to, mimeographed from typescript on rectos only, and side-stapled, with an original painting print by Mara to cover, and "under the sheets i touch me," a mimeograph stencil as print by levy tipped onto the verso of the second sheet. One of a limited..... More

[London]: [Christopher Logue], nd. 4to, single folded sheet, offset printed. Artists' book by Logue, consisting of an appropriated magazine excerpt from Intellectual Life, concluding with a poem by Logue. Near fine with some moderate creasing. More

[Providence, RI]: Burning Deck, 1967. First edition. 8vo, saddle-stapled in french fold wraps. Association copy, denoted for John Wieners on the colophon, and signed by the Waldrops. A translation from poema del cante jondo, here translated into English by Keith Waldrop and "printed in a small edition for friends." A...... More

New York: Mother, 1965. First edition. Paperback. 8vo. 80 pp. Offset printed and saddle-stapled in wraps illustrated in color by George Schneeman. A great issue of the little magazine. Of special note is the contribution from Andy Warhol - a still from "13 Most Beautiful Women." Other contributors include Joe..... More

Bruxelles: Les Levres Nues, 1968. First edition. 4to. Single sheet folded twice to make 8 pp., including covers. The eighth installment in the artist's Le Fait Accompli series, one of 45 numbered copies "sur verge" out of a total edition of 70. "Noir" is crossed out on the cover in..... More

Edinburgh: CCleft, 1964. First edition. 8vo, saddle-stapled wraps. Second and last issue of the important Scottish little mag, which editor Bill McArthur started after the censorship of his previous student magazine, Gambit. Both Cleft and Gambit featured important early appearances by William S. Burroughs, in this case his text A...... More

[Buffalo]: [Gallery Upstairs Press], [1968]. First edition. 21 1/4 x 28 1/2", offset lithograph on thick cardboard stock. With rubberstamped facsimile of McClure's signature at verso. Visual reproduced from McClure's distinctive holograph in red, overlayed onto a found image of two lions roaring at the sea - a legend readng..... More

London: Novello, 1964. First edition. 4to, 36 pp, saddle-stapled wraps. Signed by Robert Duncan at the title page. The opening phrase of the prologue to the piece is based upon Robert Duncan's line "Often I am permitted to return to a meadow," taken from The Opening of the Field. A...... More

Girard, Kansas: Haldeman-Julius Company, nd. 32mo, saddle-stapled [2 staples] in wraps. Gibbs 317a, earliest recorded state of the text, in the second wrapper variation. "Hence, loathed melancholy... Wraps slightly faded at margins else fine. More