London: Oasis Books, 1977. First edition. 4to, illustrated wraps. Association copy, inscribed by Harwood to Ron Loewinsohn: "For Ron and Kitty with much affection and respect. *And remembering our walk on the dams to Rotterdam!" A superb collection, illustrated with photographs by Judith Walker, including the cover illustration which had previously... More
London: Fulcrum Press, 1976. First edition. 8vo, bound in full brown cloth titled in gilt at spine. Strikingly illustrated with a photograph printed on a tipped in glassine sheet before the title page. One of a limited edition of 100 copies numbered and signed by Harwood. Very slight outward splay... More
New York: nd. 8.5 x 11" flyer, printed in black on recto only on red paper. Folded twice, else fine fine. More
[New York]: c. 1987. 8 1/2 x 11" sheet, original xerox print on white paper. A flyer made by Piero to publicize his 1987 run for president, requesting signatures to get Heliczer's name on the ballet by sending them to the Rare Book Room. Ephemera from Heliczer's itinerant period in... More
Bolinas: Smithereens Press, 1987. First edition. 4to, stab-stapled in illustrated card covers. One of 250 copies. Association copy, inscribed to the late fellow poet Stephen Rodefer at the title page and dated in the year following publication: "To Steve Rodefer, blowing in Boulder, in old friendship. Anselm." A great association... More
Pocatello, Idaho: Wild Dog, 1963. First edition. 4to, mimeographed and stab-stapled into green covers. Early issue of the longrunning and important little mag from the west, this the issue that marked a final departure from Idaho State College, which is disavowed on the title page. A superb issue with contributions... More
New York: Gallery East, 1954. 4 1/2 x 5 5/8" postcard, printed on blue card stock on recto only. The invitation to a sieres of "Lecture-Readings" by William Hull at the Gallery East, which was one the incredibly early and important artist-run co-op galleries on the Lower East Side, which... More
New York: [Fuck You Press], 1964. 8 1/2 x 11" flyer, mimeographed from holograph on rose paper stock. A flyer from a rare early reading by Huncke at Le Metro. Though unattributed, the flyer was obviously designed by Ed Sanders of the Fuck You press. Rare. The only example of... More
[San Francisco]: Hermes Free Press, 1972. First edition. 8 x 11" broadside on newsprint. Broadside reprinting an article from the Manchester Guardian concerning war crimes by the American military in Vietnam. The title to the broadside is printed in two colors, with the two words intersecting (sharing the "R"). One... More
London: Oxford University Press, 1938. First edition. 4to, 102 pp, bound in rose cloth backed in linen, with gilt-stamped titles to front panel. Photographically illustrated dust jacket. Frontispiece illustrated by Pavel Tchelitchew. With publisher's slip laid in with information on the printing history of the poems within. Inscribed by James... More
London: James Press, 1931. First edition. 8vo, viii, 139 pp, bound in red boards backed in vellum, with title stamped in gilt at spine. T.e.g., deckled fore edge. Inscribed by James at the first blank in the year of publication; "To dearest Zosia from Edward October 1931." A substantial collection of... More
Penland, NC: Penland School, 1969. First edition. 8vo, saddle-stapled wraps. Published as Jargon 67. Touch of fading to margins, else fine. More
np: nd. 8vo, [8] pp, saddle-stapled wraps. Illustrated in b/w. Signed by Jess inside front cover. The first separate edition of this series of collages which was originally printed in a 1963 issue of the Northwest Review. Some faint handling creases, else fine. More
[London]: [1970]. 8 1/2 x 14" poster, hand-drawn in black marker on thick card stock. Either a hand-made sign, or perhaps the maquette for a printed poster for this reading by the African-American jazz Surrealist Joans at the legendary but now-closed Chelsea Pub The Queens Elm. The poster notes that... More
New York: Grove Press, 1969. First edition. Top edge a bit dusty and foxed, else near fine, in a near fine dust jacket noticeably foxed at verso, but which presents well, with the yellow pigment not yet fled. More
Providence, RI: Burning Deck, 1978. First edition. Ten letterpress postcards, letterpress printed on various colors of paper stock, housed in the original mailing envelope. One of a limited edition of 150 copies. Poets include William Bronk, Denice Joan Deitch, Ruth Krauss, Keith Waldrop, Rosmarie Waldrop, Larry Eigner, Tom Ahern, Gordon... More
[San Francisco]: [Cranium Press], [1979]. 10 1/2 x 8" broadside, letterpress printed in blue on wheat paper. Kyger's name is given as the sixth line of the poem. Though there is no imprint information, this was printed at Cranium Press by Wesley Tanner. A beautiful broadside. Fine. More
San Francisco and Ohio: [Zephyrus Image], 1974. First edition. 6 5/16 x 11 1/4", letterpress on light green paper. This appears to be a variant issue, or perhaps a proof, without the printed titled and author's name, which are here blank boxes. Very good with fading to extremities. More
San Francisco and Ohio: [Zephyrus Image], 1974. First edition. 6 5/16 x 11 1/4" on rose paper. This appears to be a variant issue, with the paper corresponding to Johnston's first state, but here with the title and author supplied in holograph in Kyger's hand. Lightly faded at extremities, with... More
San Francisco: Oyez, 1966. First edition. 8 x 11", offset printed on card stock. Photographically illustrated with a portrait of the young Lamantia. An unused proof copy of the cover for the first edition. It differs from the final version in a very important respect, being that Philip's name is... More
New York: Bonacio &Saul With Grove Press, 1955. First edition. 8vo, 72 pp, bound in green cloth titled in gilt. Printed dust jacket. Translated & with an introduction by William J. Smith. Fine in a very good jacket darked at spine, with some marginal closed tears, creasing and nicks. More
London: Faber & Faber, 1974. First edition. Hardcover in dust jacket. Very good with some foxing to top edge and endpapers, and first and last leaf, in an unclipped dust jacket which is near fine with some faint creasing near spine and minor foxing. More
np: 1961. 18 3/4 x 13 1/2", ink and wash on both sides of a sheet of sketch paper. Unsigned and undated. Provenance: acquired by Peter Howard of Serendipity Books from Bobbie Louise Hawkins, former wife of Robert Creeley. The immensely talented Laubies was a visual artist associated at different... More
np: 1961. 18 3/4 x 13 1/2", ink and wash on both sides of a sheet of sketch paper. Unsigned and undated. Provenance: acquired by Peter Howard of Serendipity Books from Bobbie Louise Hawkins, former wife of Robert Creeley. The immensely talented Laubies was a visual artist associated at different... More
np: 1961. 13 x 20", ink on paper. Signed and dated by the artist. Provenance: acquired by Peter Howard of Serendipity Books from Robert Creeley. The immensely talented Laubies was a visual artist associated at different times with the Tachisme, Art Informel, and Nuagisme movements. He was also the first... More
![William Blake As Prophet [Invitation]. William Hull.](/pictures/thumb/26470.jpg?v=1544579016)
