Chicago: Womens Graphics Collective, 1972. 10 5/8 x 13 1/2" poster, silkscreened in two colors on cardstock. One of the best of many amazing posters done by the collective, which with striking and effective simplicity detourns one of the most visible American signs. Near fine with a crease to one..... More
San Francisco: [Zephyrus Image], nd [c. 1973-76]. First edition. Approximately 3 3/4 x 9, printed in black on white crack-n-peel. Roughly cut, as issued, some minor toning and light creasing; very good. An inventive multiple as bumper sticker made by the press during the Geary Boulevard years in San Francisco..... More
San Francisco: San Francisco Museum of Art, 1967. First edition. 13 x 16" poster, offset printed. The poster for this exhibition and event at SFMOMA devoted to avant-garde materials from the Berner collection, which encompassing such tendencies as Neo-dada, Concretism, Letterism, Spatialism, the mediocres, Fluxus, de-coll/age, etc. Some faint smudging..... More
np: 1957. Provenance: acquired by Peter Howard of Serendipity Books from Robert Creeley. The immensely talented Laubies was a visual artist associated at different times with the Tachisme, Art Informel, and Nuagisme movements. He was also the first translator of Ezra Pound into French, and it was Ezra Pound who..... More
np: 1961. 18 3/4 x 13 1/2", ink and wash on both sides of a sheet of sketch paper. Unsigned and undated. Provenance: acquired by Peter Howard of Serendipity Books from Bobbie Louise Hawkins, former wife of Robert Creeley. The immensely talented Laubies was a visual artist associated at different..... More
np: 1961. 18 3/4 x 13 1/2", ink and wash on both sides of a sheet of sketch paper. Unsigned and undated. Provenance: acquired by Peter Howard of Serendipity Books from Bobbie Louise Hawkins, former wife of Robert Creeley. The immensely talented Laubies was a visual artist associated at different..... More
np: 1961. 13 x 20", ink on paper. Signed and dated by the artist. Provenance: acquired by Peter Howard of Serendipity Books from Robert Creeley. The immensely talented Laubies was a visual artist associated at different times with the Tachisme, Art Informel, and Nuagisme movements. He was also the first..... More
np: The Artist, 1975. Oblong 4to, [24] pp, photocopied on rectos only from typescript, photographs, holograph notes and diagrams and clipbound into black plastic covers. An artists' book by White published in conjunction with his May 25, 1975 performance at LAICA, in which the artist received instructions from a tape..... More
Milano: Galleria Vismara, 1969. 11 x 22" poster [unfolded size], offset printed in two colors. The poster mailer for a 1969 exhibition at Galleria Vismara. With a text by Gillo Dorfles and a biography of the artist. folded several times as issued for mailing. Fine. More
Paris: Centre d'Informations Surrealistes, c. 1952. 8 1/2 x 11" sheet, offset printed in two colors on watermarked paper. An unused sheet of stationary for the Surrealist periodical edited by Jean Schuster. The design is unattributed, but includes an illustration of a Rorschach test - like design, and is printed..... More
[San Francisco]: [1969]. 17 x 22", offset printed in color on recto, and in b/w on verso. No imprint or authorship information; date and authorship attributions from OCLC. The verso is taken up with a striking psychedelic drawing in color; the verso prints a long single poem, along with an..... More
![Ten Thousand Lines. Six Thousand Two Hudnred and Fifty-Five Lines [Art & Project Bulletin 32]....](/images/noimage.png)
Amsterdam: Art & Project. 4to, single sheet folded once. Addressed and postmarked to fellow artist Athena Tacha. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these..... More
Rotterdam: Galerie Delta, 1963. First edition. Square 4to, [28] pp, saddle-stapled wraps. Illustrated with black and white plates on coated stock, one plate printed in two colors. Text by C. Caspari (in German) and Constant (in Dutch). A beautifully designed catalog devoted to Constant's New-Babylon drawings, with a lengthy text..... More
[New York]: [Publishing Institute of American Art], [1965]. 8vo, comb-bound at upper and lower margin, with the bound pages die-cut in half, two of which are printed glassine, with 27 loose black and white plates laid in beneath the bound pages, bound and laid into a card folder with the..... More
Amsterdam: Art & Project, 1974. 4to, single sheet of translucent glassine folded once to make four pages. Single issue of the remarkable periodical issued from the influential gallery run by Adriaan van Ravesteijn and Geert van Beijeren. Over the course of almost 20 years the gallery issued 156 of these..... More
np: 1969. 7 1/4 x 9 1/4" postcard, silkscreen on card stock. A gorgeous print to celebrate the fifth anniversary of the Zaj Group. Near fine with light creasing to extremities. More
[New York]: The Artist, 1976. 8vo, 7 pp, stapled wraps. Artists' book. An installment in the artists' rewriting of Lewis Carroll's Alice in Wonderland, published in installments and distributed in a limited fashion in the 1970's. Rare. OCLC locates only a single holding of this chapter. Name written in ink..... More
Bruxelles: Les Levres Nues, 1968. First edition. 4to. Single sheet folded twice to make 8 pp., including covers. The eighth installment in the artist's Le Fait Accompli series, one of 45 numbered copies "sur verge" out of a total edition of 70. "Noir" is crossed out on the cover in..... More
Bruxelles: Les Levres Nues, 1970. First edition. Paperback. 4to. Single sheet folded to make (8) pp. One of 95 numbered copies on Verge, out of a total edition of 100. The 39th entry in the artist's Fait Accompli series. Mariën was the editor of the important avant-garde magazine Les Lèvres..... More
Bruxelles: Les Levres Nues, 1970. First edition. Paperback. 4to. Single sheet folded to make (8) pp. One of 95 numbered copies on Verge, out of a total edition of 100. The 42nd entry in the artist's Fait Accompli series. Mariën was the editor of the important avant-garde magazine Les Lèvres..... More
Bruxelles: Les Levres Nues, 1973. First edition. Paperback. 4to. Single sheet folded to make (8) pp., including covers. Illustrated with two reproductions of playing cards. One of 45 numbered copies on Verge, out of a total edition of 70. The 77th entry in the artist's "Fait Accompli" periodical. Mariën was..... More
Healdsburg: Zephyrus Image, 1977. First edition. Broadside, letterpress and linocut in three colors with lines indicated in order to fold into a paper airplane. An unfolded and not yet assembled copy. Fine. A broadside made by Holbrook Teter and Michael Myers of the ZI in order to crash an early..... More
New York: nd [c. 1962]. 4to, 268 pp, a leatherbound lined book, which originally contained a lengthy handwritten manuscript. However, over this manuscript each page has been extensively painted and collaged into a dense palimpsest, with a number of photographs also pasted in. Each page is a dense and fully..... More
Paris: François Maspero, 1978. First edition. 205 pp, bound in french full wraps. Text in French. Superb scenario book featuring Marker's brilliant text for his film on the rise and fall of the left, known to English views as A Grin Without a Cat. Near fine with a touch of..... More
New York: Rockpool, 1986. 4 1/4 x 5 7/8" die-cut postcard, offset printed in three colors, with upper left hand tip lopped, as issued. The striking postcard, though unattributed, is the work of Lawrence Weiner. The performance was in honor of the massively influential promoter Ruth Polsky, whose career had..... More