![Queer [Exhibition Announcement]. David Wojnarowicz](/images/noimage.png)
New York: Wessel O'Connor, 1990. 4 1/4 x 6" postcard, offset printed. Addressed and mailed at verso. The announcement for the 1990 exhibit at Wessel O'Connor, a landmark group show that featured over 90 artists, including David Wojnarowicz, Hunter Reynolds, John Germain et al. Some uneven fading to the impressionable..... More
New York: Visual AIDS, 1991. 24 x 36" poster, commercial offset lithograph. Designed by Leslie Sharpe / VIsual AIDS Artists' Caucus. Illustrated with a photograph by Yarrott Benz. The poster for the third iteration of the Day Without Art, featuring the logo of the event superimposed over a photograph by..... More
New York: PPOW Gallery, 1990. 4 x 6" postcard, offset printed on coated stock on recto. Addressed and mailed at verso. The rare postcard exhibition announcement for one of the most remarkable and harrowing works of the AIDS era at PPOW, which was created by David Wojnarowicz, Paul Marcus, and..... More
New York: Alex Rosenberg Gallery, 1980. First edition. 22 x 34" sheet, offset printed on recto only, and folded into a two panel brochure. Illustrated in black and white. The beautifully designed catalog for the prescient 1980 exhibition on personal narratives by artists. With contributions from Joe Brainard, Colette, John..... More
New York and Los Angeles: John Gibson + Multiples, 1971. Double LP audio record in gatefold sleeve. No catalog number. Association copy, inscribed by Steve Reich to fellow artists Athena Tacha and Richard Spear in 1972. Gatefold sleeve has the title written on it neatly in ink by the recipient..... More
np: nd. Approximately 2 1/2 x 2 3/4", graphite and marker on irregularly cut thick cardboard. Signed "Schneeman" at verso. A remarkable, tiny, light-flooded drawing by Schneeman, who excelled at small works. The generous light and quality of felt remembrance in the work is in indirect proportion to the dimuniutive..... More
Halifax: Anna Leonoewens Gallery, Nova Scotia School of Art and Design, 1974. 8vo, 7 leaves stapled once at the upper left hand corner onto a chipboard backing. Photographically illustrated. Artist's book published in conjunction with the 1974 exhibition at NSCAD's Anna Leonoewens Gallery, documenting works from 1969-1973. Ferguson, who arrived..... More
Amsterdam: Kosmos, 1938. First edition. 8vo, 227 [1] pp, bound in black cloth decoratively stamped in silver foil. No dust jacket. First edition and only edition of the debut novel by the the Gay Dutch artist Willem Arondeus, remembered today for his heroic actions as a forger and in the..... More
Toronto: Art Metropole, 1978. First edition. 4to, saddle-stapled wraps. One of an edition of 500 copies. Artists' book in the form of a transcript of the artist's 1976 film of the same name, illustrated with three stills from the video work. In the video and the transcript, the artist inhabits..... More
Madrid: 1969. 7-1/16 x 8-7/8" print, silkscreened in silver on deep blue paper. An iconic nocturnal work by Marchetti, issued under the umbrella of the Zaj Group. Some very faint trace scratches to the surface, else fine and bright. More
Toronto: Art Metropole, 1978. First edition. 4to, unpaginated, saddle-stapled wraps. One of an edition of 500 copies. Artists' book based upon the artist's first documentary work of video art, in which the artist interviewed the subject about their interest in, and practice of S&M. The interview is illustrated with small..... More
Toronto: Art Metropole, 1978. First edition. 4to, [[24] pp, saddle-stapled wraps. One of an edition of 500 copies. A remarkable collection of images and texts by the group, followed by a videography, bibliography, and biography. Fine. More
Amsterdam: Stedelijk, 1974. First edition. 4to, unpaginated, saddle-stapled wraps. Artists' book published on the occasion of Barry's 1974 exhibition at the Stedelijk, and issued as Stedelijk Museum Catalog 565, featuring text works. Some minor toning, else fine. More
Mülheim: Tomas Schmit, 1964. First edition. 4to, unpaginated, mimeographed from typescript. Side-stapled in photographically illustrated covers. With envelope multiple by Schmit tipped-in, and the "Ozup-Bon" form by Gosewitz bound in, both as issued. Artists' publication made in conjunction with the 1964 Festival of New Art in Aachen. The covers are..... More
New York: Scat Publications, 1979. First edition. 4to, unpaginated, bound in photographically illustrated wraps. With an introduction by William S. Burroughs. A remarkable collection of photographs by the talented photographer, whose provocative body of work was cut short by his premature AIDS related death in 1990. Some faint rippling to..... More
New Haven: Holland R. Melson, Jr., 1958. First edition. 8vo, 94 [1] pp, bound in boards illustrated after a photograph by Maya Deren. One of a limited edition of 600 copies. With a foreward by Philip Johnson. A remarkable tribute volume to the designer of the New Directions New Classics..... More
London: The Galley Press, 1962. First edition. 8vo, 204 pp, bound in yellow cloth titled in gilt. Housed in the original dust jacket illustrated by the author. The scarce first edition of this roman a clef describing postwar life in the St. Ives artist commune after the war, a period..... More
London: Omphalos and Sub 71, [1970]. 4to, 24 pp, saddle-stapled wraps. Illustrated with appropriated and detourned images. This debut issue of the Situationist periodical includes essays by Eduardo Rothe, "The Conquest of Space in the Time of Power," Raoul Vaneigem, "Masters Without Slaves", and "The End of the Christian Era"..... More
Milan: Galleria Toselli, 1974. 4 x 5 13/4" postcard, printed on white card stock. Addressed and mailed to the artist Athena Tacha at verso. Some minor softening to tips, else fine. More
![Fluxus 301 [Silver Tattoos]. George Maciunas, Herman Fine Robert Watts](/pictures/thumb/28185.jpg?v=1570654951)
np: Implosions, Inc., 1967. 10 x 12 1/2" sheet, offset lithograph in silver ink on pressure-sensitive sticker. One of a series of sticker sheets created by Watts and Maciunas as part of their ambitious Implosions, Inc. company, formed to sell novelty items within the umbrella of Fluxus. [Silverman 249]. Creased, with some..... More
[New York]: Seth Siegelaub, 1969. 4to, 26 pp, saddle-stapled wraps. Text in three languages. The catalog for the 1969 exhibition, which featured work from 11 different artists or groups in 11 different locales. The artists and locations were Carl Andre (The Hague), Robert Barry (Baltimore), Daniel Buren (Paris), Jan Dibbets (Amsterdam)..... More
Halifax: Nova Scotia College of Art and Design, 1971. 4to, single A4 sheet folded once. Opens to show a double page reproduction of a still from the title work, a film loop. Addressed and mailed to the artist Athena Tacha. The announcement for the 1971 exhibition at NSCAD. Folded twice..... More
![Untitled Sequence of 9 Variable Shutter Speed Photographs [Exhibition Announcement]. Jan Dibbets](/pictures/thumb/28103.jpg?v=1570114335)
New York: Bykert Gallery, 1971. 6 1/2 x 6 5/8" card, silver gelatin print on recto of 9 variable shutter speed photographs of the gallery sign, with exhibition information printed at recto. A photographic print as exhibition announcement featured a series of 9 photographs of the same subject, the Gykert..... More
Strasbourg: 1967. 4to, folder containing a [12] pp. booklet bound in, along with five loose booklets and leaflets. Rare publication issued by the so-called Garnaultins critiquing the International Situationniste, and protesting the expulsion of the four from the group. The folder includes a reproduction of the Situationist tract that expelled..... More
Los Angeles: Claire S. Copley Gallery, 1974. 3 1/8 x 7 1/4" card, offset printed on coated card stock. Artist's postcard created in conjunction with Weiner's 1974 exhibition in Los Angeles. Fine. More