Paris: The Olympia Press, 1963. Signed by Burroughs at the title page. 12mo, 183 pp, bound in green printed wraps and dust jacket illustrated by Ian Sommerville. One of 5000 copies printed. Maynard & Miles A6a. Spine faintly cocked, with a light crease to spine, and a touch of soiling..... More

Napoli: Lucio Amelio Modern Art Agency, 1975. 7 13/16 x 5 7/8" postcard, offset printed on red coated stock, with exhibition information printed at verso. Association copy, addressed and mailed to the artist Athena Tacha. The beautifully designed announcement for the 1975 exhibition in Napoli.Slight crease to one tip else..... More

np: [1973]. A cache of 10 items produced in conjunction with the Electric Element, a multi-media performance which was performed at the Theatre Royal Stratford in 1973 by the avant-garde theatrical performance troupe, which included the legendary musican and cybernetic artist Bruce Lacey, who appeared in Jasia Reichardt's Cybernetic Serendipity..... More

New York: American Theatre for Poets, 1965. 4to, two leaves mimeographed from typescript, and side-stapled into a yellow, mimeographed cover sheet. The program for this two day set by the Fugs at the East End Theatre, with Al Fowler, Tuli Kupferberg, Ed Sanders, Peter Stampfel, Kenneth Weaver, Steve Weber, and..... More

Copenhagen: Internationale Situationniste, 1959. First edition. 4to, [64] pp, offset lithograph in color, bound in unprinted white card wraps and housed in the original sandpaper dust jacket. Mémoires was the second book collaboration between Jorn, Debord and the printing company Permild & Rosengreen. Often anecdotally attributed to Debord, the sandpaper..... More

Amsterdam: Amsterdams Weekblad, 1972-1973. Small 4to, with some later issues in larger format, 12-16 pp. per issue. Unbounded, folded sheets with spot color covers. Profusely illustrated. Text in Dutch. A significant run of this weekly periodical from the Dutch underground which focused upon municipial planning and zoning issues and urban..... More

Paris: Groupe Architecture Principe, 1966. First edition. 4to, unpaginated, each issue saddle-stapled in wraps. Profusely illustrated with photographs, drawings and plans. A rare complete run of one of the most important and influential artists' periodicals of the 1960's (a tenth issue appeared in the 1996 reprint of the periodical, but..... More

New York: Alex Rosenberg Gallery, 1980. First edition. 22 x 34" sheet, offset printed on recto only, and folded into a two panel brochure. Illustrated in black and white. The beautifully designed catalog for the prescient 1980 exhibition on personal narratives by artists. With contributions from Joe Brainard, Colette, John..... More

Paris: Editions du Seuil, 1961. First edition. 8vo, unpaginated. Illustrated with b/w photographs. With the original printed wraparound band flattened and laid in. The scarce first edition of this artists' book printed from maquettes designed by Marker himself, which combines the spoken portion of several of his early films, matched..... More

Torino: Gian Enzo Sperone, 1973. First edition. 32mo, saddle-stapled card wraps, with title rubberstamped to cover. Artist's book featuring a title page followed by 4 photographs, here all of unmade beds An early installment in the series of deadpan artists' books sometimes referred to as his 'Bilderhefte" series, in which..... More

Amsterdam: 1943. Amsterdam: dated 1941 [actually, 1943]. ALS on lined prison stationary, marked 'S.G.S. 8105-1942’. 29 lines, written in pencil. Addressed to “Eep” [Marius Roland Holst], and signed “Tiky.” One line blacked out, likely by a censor. With an accompanying letter by Willem Sandberg to Roland Holst about the damage..... More

London: 1965. London, 28 January and February 22, 1965 . Two one sheet letters, each written in various colors of ink on both recto and verso, each approximately 250 words, the second letter signed “JL”, the first with a small circular sticker over the drawing/signature bearing the typewritten letters “l”..... More