Amsterdam: Provo, 1966. Foolscap format, 6 leaves mimeographed on both recto and verso. Text in Dutch. The third issue of this rare and ephemeral Provo periodical, issued almost weekly for a short span of time in the summer of 1966, and acting as a more immediate counterpoint to the other... More
New York: LEMAR, 1965. First edition. 4to, mimeographed from typescript, holograph, and drawing on rectos only of various colors of paper stock. The rare second issue of the periodical, which includes reports on the legal actions against Orlovsky, Charles Hayden, and C. T. Smith for selling the debut issue of the... More
Leipzig: Fischer & Kürsten, 1930-1933. 4to, each issue bound in color pictorial wraps. Illustrated with black and white plates. Text in German. 17 issues of the important Weimar-era modernist lifestyle magazine which played a fundamental part in portraying the new female of the age - powerful, unapologetic, athletic, and engaged..... More
Bruxelles: Les Levres Nues, 1970. First edition. Paperback. 4to. Single sheet folded to make (8) pp. One of 95 numbered copies on Verge, out of a total edition of 100. The 42nd entry in the artist's Fait Accompli series. Mariën was the editor of the important avant-garde magazine Les Lèvres... More
Leeds: Surrealist Group in Leeds, 2006. First edition. Tabloid format, offset printed; single folded sheet. The final number of the organ of the Surrealist Group in Leeds. This issue prints Profane Revelation, a declaration by the Leeds Surrealist Group; The Wineglass No Longer Towers Out Of The Sea by Stephen... More
Leeds: Surrealist Group in Leeds, 2002. First edition. Tabloid format, offset printed; single folded sheet. The sixth no. of the organ of the Surrealist Group in Leeds. This issue prints Fool’s Gold, a declaration by the Leeds Surrealist Group; The Rich Sardine Lives In His Own Tin ( tribute to... More
Paris: Les Nouvelles Editions Musicales Modernes, 1959-64. 8vo, each issue perfect bound in photographically illustrated. The final a double number. Text in French. All issues published of one of the most important French language critical journals on jazz, which was modelled on Cahiers du Cinema. The cover of no. 14... More
Austin & San Francisco: Sluggo, 1977-79. 4to. Early issues stab-stapled; later issues comb-bound. Later issues printed on a multilith on various types and colors of paper stock, with silkscreened or hand-colored elements and multiples laid in; some pages purposefully burnt or cut; final issue bound in embossed velvet. A complete... More
Lisboa: Litoral, 1944-45. Six volumes, each an 8vo bound in blue printed wraps. Illustrated with drawings and photogravures. Texts in Portuguese. With the original printed bellyband to no. 4 laid in, as well as a separate booklet comprising the index of the first four numbers. All issues published of this... More
New York: Floating Bear, 1961. 4to, six leaves mimeographed from typescript and stapled once at the upper left hand corner. An unusual issue of the Bear, featuring Hubert Selby, Jr.'s "A Floating Bear Special", and work by Joel Oppenheimer, Charles Olson, Paul Metcalf, Max Finstein, Jerry Benjamin, and last but... More
San Francisco: Wild Dog, 1965. 4to, mimeographed from typescript and side stapled into orange card covers (front cover illustration by Don Olsen) and a half sheet of tissue with the name of the magazine rubberstamped upon it. This issue marks the arrival of the little mag to San Francisco. A.... More
New York: The Floating Bear, 1961. 4to, 7 leaves mimeographed from typescript on recto and verso, and stapled once at the upper left corner. This early issue of The Bear is largely taken up with Michael McClure's theatre work "The Feast!" written for Ornette Coleman, the only other work this... More
New York: Floating Bear, 1961. 4to, six leaves mimeographed from typescript and stapled once at the upper left hand corner. This issue of the Bear features work by George Stanley, David Ossman, Martin Green, Charles Olson, Ron Loewinsohn, Marian Zazeela, Alan Marlowe, and Gilbert Sorrentino. Some faint traces of soiling... More
New York: Floating Bear, 1965. 4to, a mixture of mimeograph and offset printing, side-stapled. Front cover by Jess [Collins]. One of the most unusual and beautiful issues of the Bear, featuring a striking cover by Jess Collins. This issue is notable for the inclusion of three different dueling versions of... More
Barnet: My Own Mag, 1965. First edition. 8 1/2 x 14", eight leaves, mimeographed on both recto and verso [with the exception of the narrow cover sheet, which is mimeographed on recto only, and of the appropriated leaf]. With cut out panels and folded to several pages, as issued. One... More
![Das Leben. Die Grosse Welt. Der Die Das [17 Issues]. Max Krell, ed.](/pictures/thumb/27121_a.jpg?v=1550271854)
![Manticore: Surrealist Communication No. 6 [with] Prehensile Tail No. 2. Surrealist Group in Leeds.](/pictures/thumb/22734.JPG?v=1550258353)
![Cahiers du Jazz 1-16/17 [Complete]. Lucien Malson, eds.](/pictures/thumb/27138.jpg?v=1552600489)
![Sluggo! Nos. 1-6 [with] Austin Vanguard No. 1 [Complete]. Zines, Nick West, eds.](/pictures/thumb/27091.jpg?v=1549650203)
![Litoral: Revista Mensal de Cultura Nos. 1-6 [Complete]. Mario Silva, dir, ed. Carlos Quieroz, Fernando Pessoa.](/pictures/thumb/27051.jpg?v=1548692562)
