San Francisco: Gnomon Press and Island Press, 1966. First edition thus, second issue, with the Duncan cover (replacing the original which RD took umbrage to). The original was first published in 1952 and circulated in a small handful of copies. Very good with some fanding to wraps at extremties, and..... More

London: Novello, 1964. First edition. 4to, 36 pp, saddle-stapled wraps. Signed by Robert Duncan at the title page. The opening phrase of the prologue to the piece is based upon Robert Duncan's line "Often I am permitted to return to a meadow," taken from The Opening of the Field. A...... More

San Francisco: Ahab Press of Jackson Square West, 1963. First edition. Oblong 8vo, unpaginated, mimeographed from typescript and side-stapled into printed wrappers, with a leaf of handmade paper with a hole burned into it so the title can be read through, as issued. "Since this work will express the notion..... More

London: Simpkin, Marshall, Hamilton, Kent and Co. [1-3] then Privately Published [4-5] then Wieland & Co., 1909-. First edition. Large 8vos, bound in illustrated paper over boards backed in yellow , each with a printed spine label. No dust jacket as issued. Early numbers limited to 1000 copies, later numbers..... More

New York: Jack Green, 1964-65. New York: Jack Green, c. 1964. Foolscap, each issue mimeographed from typescript on cheap paper and stapled once at the upper left hand corner. With 2 unnumbered supplements on Wilhelm Reich. Nos. 1-5 with smaller contents sheet at upper staple. Unpaginated with the exception of..... More

New York: 1965. Two items used by a performer at the infamous Fluxorchestra concert at Carnegie Hall on September 25, 1965. The first is the performer’s copy of the Fluxorchestra Circular No. 2 [8 1/2 x 11", printed on recto only], issued in advance of the September 23rd rehearsal for..... More

Long Beach, CA: The Pizz, c. 1984-86. 11 zines, 3 of which are in full sheet size, the remainder mini-zines of various sizes, all photomechanically reproduced, all housed in the original mailing envelope in which they were sent to a fellow artist in 1986.A collection of very early zines by..... More

The Island of Elba: Maurizio Nannucci, 1976-1982. First edition. Each issue a single folded sheet, 6 3/4" x 10" (27 x 39" unfolded). Each issue limited to 500 copies. all issues published of Nannucci's important artists' periodical, produced from the Island of Elba, which took advantage of the wide ranging..... More

France: Sordide Sentimental, 1992. First edition. Catalog No. SS MCD 004. Mini CD in card folder, tipped into a large folding color poster also housing a leaflet with release info. One of a limited numbered edition of 1000 copies, this being copy no. 73. CD is NM. Card slip shows..... More

np: Sound of Pig, nd. C60 audio cassette with title rubberstamped in red on sticker to each side, with pink insert, housed in a snap case. With zine - 5 1/2 x 8 1/2", [14] pp, photomechanically reproduced on rectos only and stapled once at the upper left hand corner..... More

New York: Alex Rosenberg Gallery, 1980. First edition. 22 x 34" sheet, offset printed on recto only, and folded into a two panel brochure. Illustrated in black and white. The beautifully designed catalog for the prescient 1980 exhibition on personal narratives by artists. With contributions from Joe Brainard, Colette, John..... More

Berkeley, CA: Systematic Record Dist, nd [c. 1980's]. 8vo, unbound, folded sheets. Straight list of releases distributed, including punk, industrial, avant-garde and various records in various formats and a small zine section. From Sluglords to Minimal Man! No illustrations, just releases and prices. Fine. More

Italy: Amiata Records, 1994. 4to, 57 pp, saddle-stapled wraps. Text entirely in Italian. Italian music fanzine devoted to new and avant-garde music, with material this issue on Hawkwind, Space Music, esoteric music, Vidna Obmana, and much more. Fine. More