San Francisco: More to Come, nd. Paperback. 8vo. [16] pp. [including covers]. Offset printed; saddle-stapled wraps. Illustrated with b/w photographs. Fine. A manifesto by the post-situ Bay Area group, with reference to the Carribean Situationists, Dolgoff, Reich, Coline et al; detourneed Charley Brown strip to back cover. Undated, but probably..... More

np: Tuumba Press, 1981. First edition. 8vo, saddle-stapled wraps. One of an edition of 450 numbered copies, designed and printed by Lyn Hejinian at Tuumba Press. This copy signed by Rodefer at the title page, and scarce thus. Prints Rodefer's superb long poem of the same name, an essential work..... More

Kent: Kent State University Libraries, 1978. 8vo, saddle-stapled in card wraps. With errata slip laid in. One of 100 numbered and signed copies (of a total edition of 624). The second edition, following the first edition of 1950 - this edition adds an afterword by Robert Bertholf. Touch of crimping..... More

np: 93 Publishing, 1976. Small 8vo, bound in rust wraps with printed title label. One of a limited edition of 500 numbered copies, of which this is number 118. Fine. More

Stuttgart: W. Kohlhammer, 1969. First edition. 8vo, 146 pp, printed wraps. Text in German. Though unstated, one of 2000 copies produced, the bulk of which were distributed to libraries. The rare first edition of Sebald's controversial first published book, a critical study of Carl Sternheim and a landmark work of..... More

New York: Grove Press, 1967. First edition. Signed at the title page by both Freewheelin' Frank and Michael McClure.The only example of the book we've seen or handled signed by Freewheelin' Frank. Some toning and a small stain to endpapers, else fine in a bright, near fine jacket showing only..... More

New York: Macmillan, 1940. First edition. 8vo, 83 pp, bound in blue cloth titled in gilt. Illustrated dust jacket. With mimeographed errata slip taped down onto verso of last leaf. Association copy, inscribed boldly by Rexroth at the first blank to Charles and Janet Richards. The poet's first book, an..... More

New York: James A. Carr & Robert A. Wilson, 1964. First trade edition. 8vo, 72 pp, bound in gilt-stamped blue cloth. Lacking the unprinted glassine jacket. With a wine label laid in. This copy is inscribed by Wieners to Dave Haselwood on page 23, with the printed label from a...... More

London: The Galley Press, 1962. First edition. 8vo, 204 pp, bound in yellow cloth titled in gilt. Housed in the original dust jacket illustrated by the author. The scarce first edition of this roman a clef describing postwar life in the St. Ives artist commune after the war, a period..... More

London: Suburban Press, 1971. 4to, ten leaves [first and last leaves printed on recto, then verso, only], side-stapled. Offset printed in black and white. Second issue of the legendary Situationist-influenced, proto-punk art zine issued by the Suburban Press collective, which ran for six issues and included Jamie Reid as a...... More

Girard, Kansas: Appeal Publishing Company [Cover] Appeal to REason, nd. 32mo, 62 pp, saddle-stapled in blue wraps. Our best guess: Gibbs' 35a, PPS1, Variant 1. Very good with a bump to spine at lower staple, with resulting small tear. More

Girard, Kansas: Haldeman-Julius, 1929. 32mo, saddle-stapled in light blue wraps printed in black. Gibbs' LBB2 binding. Very good with toning and a short nick to wraps. More

Girard, Kansas: Haldeman-Julius, 1925. 32mo, saddle-stapled in pale green wraps printed in black.This little study was a predecessor for Goldberg's longer work, Havelock Ellis: A Biographical and Critical Survey, published the following year. Very good with toning, fading to extremities, and a bump and resulting crease to upper tip. More