Newtonabbey, Co. Antrim, Ireland: Cabaret, 1981. 8vo, 20 pp, unbound, xeroxed, folded sheets. with rubberstamping. One of a limited edition of 318 numbered copies. Fifth issue of the excellent early 1980's zine devoted to punk, avant music and mail art, edited by Ben Allen of Cabarte. With a shout out... More
Berkeley: MREVIEW, 1984-85. 4to, each issue offset printed and saddle-stapled in wraps. Illustrated with black and white photographs, drawings and diagrams. The first seven issues published of the little magazine for the tightknit community that coalesced around the Morrow Micro Decision Line, the now all-but-forgotten personal computer designed by George... More
New York: Caught in Flux, 1993-. 8vo, each issue saddle-stapled in card wraps. Association copies, from the archive of the zine puncture, several of the issues addressed and postmarked, the first two issues with holograph notes to one of the editors. All issues published of the indie fanzine, which was... More
New York: The New Museum, 1981. 8vo, oblong saddle-stitched wraps, 52 pp. Illustrated with b/w photographs. Text in English. The catalog for the 1981 exhibition at the New Museum, providing an invaluable reference to several downtown alternative arts spaces: Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, 10... More
London: Waaaah! nd. 4to, offset printed, saddle-stapled color wraps. No flexi. Second issue of the post-punk, C86 fanzine, and a good one, including interviews with Strawberry Story, Saint Etienne, The Deltones, The Field Mice et al. Very good with some light creasing to wraps. More
Mississauga, Ontario: Pirates of Doom, [c. 1985-86]. 4to, each issue xeroxed in black and white and stab-stapled. The first two issues, and, we believe, all issues published of this mid-1980's Toronto hardcore fanzine out of Ontario with notable skateboarding content and lots of publication specific photographs. Scene reports for Canada..... More
Lausanne: L'age d'homme, 1983. First edition. 8vo, 370 pp, printed wraps. Includes bibliography. Text in French. This issue of the longrunning periodical devoted to research into Surrealism focuses on Surrealism and politics, with material on anarchism, Artaud, Russian Futurism, Aragon, Eluard, etc. Short nick to rear wrap, else fine. More
New York: Lorenz Gude, 1963. First edition. Foolscap, mimeographed from typescript on rectos only, and stab-stapled into an offset printed cover by Joe Brainard. Collated and complete against Birmingham. With some minor ink corrections to the Harry Fainlight contributions, likely in the editor's hand. Conributors include John Ashbery, Ron Padgett... More
New York: Lorenz Gude, 1963. First edition. Foolscap, mimeographed from typescript on rectos only, and stab-stapled into an offset printed cover by Joe Brainard. Collated and complete against Birmingham. Conributors include John Ashbery, Ron Padgett, John Wieners, Lorenzo Thomas, LeRoi Jones, James Schuyler, Barbara Guest et al. A strong and... More
New York: Lorenz Gude, 1963. First edition. Foolscap format, mimeographed on rectos only; stab-stapled. With single word holograph addition"and" in pencil to Ted Berrigan's poem "Sonnet XXXVI". Early number of the little magazine, which was of of primary importance to the formation of the second New York School. Early issues... More
New York: Lorenz Gude, 1963. First edition. Foolscap format, mimeographed on rectos only; stab-stapled. Early number of the little magazine, which was of of primary importance to the formation of the second New York School. Early issues are increasingly uncommon. This issue includes contributions from Berrigan and Sandy Alper, J.... More
New York: C Press, 1965. First edition. Foolscap, mimeographed from typescript on rectos only, stab-stapled into an offset printed cover sheet by Joe Brainard. Collated and complete against Birmingham. Contributors include Aram Saroyan, Edwin Denby, Kenneth Koch, Barbara Guest, Kenward Elmslie, others. Some toning and light soiling to cover and... More
Villefranche: 1936-39. 12mo, first three years each bound marbled green paper over bouards, backed in crushed green morocco raised in five bands at the spine, with gilt titles, and original pictorial wraps preserved, the final nine issues each in the original saddle-stapled illustrated wraps. Profusely illustrated photographs strikingly printed by... More
New York: Lorenz Gude, 1964. First edition. Foolscap, mechanically duplicated on rectos only; stab-stapled. First, and much scarcer issue of the two issues of Brainard's artist periodical devoted to storyless or abstract comics. Illustrated throughout by Brainard with texts by many important poets of the New York School, including Bill... More
Nevada: Black Rock City, 1996. Three issues, each an 8vo, [8] pp. including covers, saddle-stapled. Three consecutive issues of the periodical, issued on successive days in 1996. The periodical began the year prior "as a sort of irreverent survival guide and ended up mutating into, well, what you're now holding... More
Kansas: Haldeman-Julius, 1944. 8vo, 41 pp, saddle-stapled in cream wraps. A larger format book from the publisher of the Little Blue Book series, published as "Digest 17". The text condensed and edited by deFord. Some creasing and chipping to wraps, a bit rubbed and fragile along the spine, with the... More
Napoli: Lo Straniero, 1992. Folio, tabloid format, offset printed. Text in English. Artists' periodical devoted to Mail Art and the avant-garde, this issue with coverage of the Stranger exhibitions in Oxford, mail art advertisements, etc. Folded twice, addressed and mailed. Very good. More
San Francisco: The New Music Society of California, 1931. First edition. Folio, 52 pp, saddle-stapled in printed wraps. With two printed errata sheets laid in, making score corrections to previous issues, Henry Cowell started the New Music Quarterly in 1927 in order to publish scores by composers who were unlikely... More
San Francisco: The New Music Society of California, 1932. First edition. Folio, 12 pp, saddle-stapled in printed wraps. Henry Cowell started the New Music Quarterly in 1927 in order to publish scores by composers who were unlikely to see exposure of their work in the mainstream. Cowell was editor of... More
San Francisco: The New Music Society of California, 1931. First edition. Folio, 16 pp, saddle-stapled in printed wraps. Henry Cowell started the New Music Quarterly in 1927 in order to publish scores by composers who were unlikely to see exposure of their work in the mainstream. Cowell was editor of... More
San Francisco: The New Music Society of California, 1932. First edition. Folio, 28 pp, saddle-stapled in printed wraps. Henry Cowell started the New Music Quarterly in 1927 in order to publish scores by composers who were unlikely to see exposure of their work in the mainstream. Cowell was editor of... More
Black Mountain: Black Mountain College, 1955. First edition. 12mo, illustrated wraps (by John Altoon). A battered, worn, fair only copy, heavily creased at spine, with a fragile, if holding binding. Beat but complete, and scarce in any condition. More
Girard, Kansas: Haldeman-Julius, 1927. 32mo, saddle-stapled wraps. Very good with the usual toning and a tiny nick at foot of spine. More
Hengelo, The Netherlands [1-3] then Paris [4-6]: Jacqueline de Jong, 1962-67. All issues 4to, the first three numbers saddle-stapled in lithographed wraps, and the final 3 issues perfect bound in lithographed wraps. Nos. 1-2 and 4-5 called also International ed.; no. 3 also called the International British ed.; no. 6... More
Paris: Internationale Situationniste, 1969. First edition. 8vo, 117 [4] pp, saddle-stapled in purple foil wraps. Text on French. The final issue. Wraps rubbed, creased, and faded along the spine, upper tip bumped, inner pages with toning. A worn, but sound example. More
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