Mississauga, Ontario: Pirates of Doom, [c. 1985-86]. 4to, each issue xeroxed in black and white and stab-stapled. The first two issues, and, we believe, all issues published of this mid-1980's Toronto hardcore fanzine out of Ontario with notable skateboarding content and lots of publication specific photographs. Scene reports for Canada... More

New York: Lorenz Gude, 1963. First edition. Foolscap, mimeographed from typescript on rectos only, and stab-stapled into an offset printed cover by Joe Brainard. Collated and complete against Birmingham. With some minor ink corrections to the Harry Fainlight contributions, likely in the editor's hand. Conributors include John Ashbery, Ron Padgett... More

New York: Lorenz Gude, 1963. First edition. Foolscap format, mimeographed on rectos only; stab-stapled. Early number of the little magazine, which was of of primary importance to the formation of the second New York School. Early issues are increasingly uncommon. This issue includes contributions from Berrigan and Sandy Alper, J.... More

Dresden: Bommas Verlag, 1991. 4to, 42 pp, offset printed, saddle-stapled in printed wraps. Text in German. Eighth issue of the German periodical, this issue with a lot of great content (in German) including a rare interview with La Monte Young, as well as articles on Gerard Malanga, Maureen Tucker &... More

Kansas: Haldeman-Julius, 1944. 8vo, 41 pp, saddle-stapled in cream wraps. A larger format book from the publisher of the Little Blue Book series, published as "Digest 17". The text condensed and edited by deFord. Some creasing and chipping to wraps, a bit rubbed and fragile along the spine, with the... More

Malibu, California: World Publishing Co. 1969. 8vo, 130 pp, side-stapled and glued into printed wraps illustrated with a color photomontage, and internal black and white drawings (unattributed). Published in the AA World Library. Early, sensationalized study of the nascent computer dating technologies which began at the end of the 1960's... More

San Francisco: The New Music Society of California, 1931. First edition. Folio, 52 pp, saddle-stapled in printed wraps. With two printed errata sheets laid in, making score corrections to previous issues, Henry Cowell started the New Music Quarterly in 1927 in order to publish scores by composers who were unlikely... More

San Francisco: The New Music Society of California, 1931. First edition. Folio, 16 pp, saddle-stapled in printed wraps. Henry Cowell started the New Music Quarterly in 1927 in order to publish scores by composers who were unlikely to see exposure of their work in the mainstream. Cowell was editor of... More

Girard, Kansas: Haldeman-Julius, 1927. 32mo, saddle-stapled wraps. Very good with the usual toning and a tiny nick at foot of spine. More

Hengelo, The Netherlands [1-3] then Paris [4-6]: Jacqueline de Jong, 1962-67. All issues 4to, the first three numbers saddle-stapled in lithographed wraps, and the final 3 issues perfect bound in lithographed wraps. Nos. 1-2 and 4-5 called also International ed.; no. 3 also called the International British ed.; no. 6... More

Kent: Zephyrus Image, 1974. First edition. 8 1/4 x 13" broadside, letterpress text overlayed over a found zinc block print of Hitler shaking hands with a very large man. A couple of very faint creases to one tip, else fine. One of a series of broadsides issued as part of... More

Minneapolis: Ernest Drudge, 1989. 4to, [4] pp, two sheets xeroxed on yellow paper stapled once at the upper left hand corner. This issue of the hardcore and indie fanzine out of MPLS features record and live reviews, as well as show photographs of Dinosaur Jr., Prisonshake, Halo of Flies and... More

Strasbourg, France: Association Intra Musiques, 1984. 8vo, offset printed, saddle-stapled wraps. Text in French. This issue of the periodical devoted to avant-garde music features a Ben Watt cover, Virgule IV, Philippe Cauvin, Grand Complot, Horst Karman, etc. Very good. More