Olympia, WA: Last Word Press, 2020. First edition. 8vo, trade paperback. New from the publisher. A superb new collection of poems by Erik La Prade. La Prade's voice is always sceptical, yet constantly attuned to the possibility of love in countless forms. A careful ear for detail coupled with an..... More
np: 1961. 18 3/4 x 13 1/2", ink and wash on both sides of a sheet of sketch paper. Unsigned and undated. Provenance: acquired by Peter Howard of Serendipity Books from Bobbie Louise Hawkins, former wife of Robert Creeley. The immensely talented Laubies was a visual artist associated at different..... More
np: 1961. 18 3/4 x 13 1/2", ink and wash on both sides of a sheet of sketch paper. Unsigned and undated. Provenance: acquired by Peter Howard of Serendipity Books from Bobbie Louise Hawkins, former wife of Robert Creeley. The immensely talented Laubies was a visual artist associated at different..... More
np: 1961. 13 x 20", ink on paper. Signed and dated by the artist. Provenance: acquired by Peter Howard of Serendipity Books from Robert Creeley. The immensely talented Laubies was a visual artist associated at different times with the Tachisme, Art Informel, and Nuagisme movements. He was also the first..... More
np: 1957. Provenance: acquired by Peter Howard of Serendipity Books from Robert Creeley. The immensely talented Laubies was a visual artist associated at different times with the Tachisme, Art Informel, and Nuagisme movements. He was also the first translator of Ezra Pound into French, and it was Ezra Pound who..... More
London: Gaberbocchus Press, 1959. First UK edition. 8vo, 38 pp, bound in yellow cloth titled in copper at the spine. A collection of poems published simultaneously in the US by New Directions as "Selected Poems." Fine in a dust jacket that shows some minor toning and traces of soiling, else..... More
Oakland, CA: Black Bart Poetry Society, 1983. Four foolscap sheets, mimeographed from typescript on various colors of paper stock and stapled once in the upper left hand corner. Association copy, addressed and mailed to Hunce Voelcker. The poetry gossip rag of the Bay Area, with scathing reviews of new publications..... More
[Vancouver, BC]: Blew Ointment Press, 1967. First edition. 4to, ten leaves mimeographed from typescripts and collage. Side-stapled and backed with cloth tape in illustrated card covers. One of a limited edition of 200 copies. A collaborative artists' book of poems, collages, and exquisite corpses. Anstey, who collaborated on the exquisite..... More
Montreal: Editions d'Orphée, 1969. Narrow 4to, spiral bound along upper margin in thick card covers, the front cover silkscreened in grey-white with a typoraphic design. Text in French. Illustrated with photographs. Denoted as 'deuxieme mille" at colophone, indicating perhaps that this is a second printing. A gorgeously designed anthology of..... More
Vancouver, BC: Silver Birch Press, 1989. First edition. One of 100 copies. Single sheet of printed card stock folded once, with an additional sheet of lighter paper pasted down onto one panel but not the other. Produced by David UU for Silver Birch Press, and distributed by jwcurry's Room 302..... More
Glasgow: Caledonian Press, [1952]. 21mo, saddle-stapled wraps. An uncut copy. The first separate appearance of the text which first appeared in the National Weekly. Very good with minor toning. More
London: International Times, 1968. Tabloid format, printed on newsprint with spot color. Superb issue of the longrunning underground newspaper, which includes the New Music Supplement with material on Stockhausen, Cornelius Cardew, the Hugh Davies lectures, etc, a brief mention of the rural commune "The Family of the Holy Mushroom'," an..... More
London: International Times, 1968. Tabloid format, printed on newsprint with spot color. Superb issue of the longrunning underground newspaper, with a cover incorporating Gary Snyder's "Why Tribe" text, a fu7ll page advertisement for the First European International Pop Festival, centerfold text on Yoga Sex, Charlotte on the Digger scene in..... More
Cleveland: Renegade Press, 1964. First edition. 8vo, letterpress printed in on various colors of paper stock, and side-stapled into letterpress printed white card wraps. Illustrated with prints by Katherine Wasil, Cuz, and Kent Taylor. With a foldout sheet bound in, spirit-duplicated from typescript, giving thanks and noting Asphodel Bookshop and..... More
Philadelphia: Whetstone, 1955. First edition. 8vo, 48 pp, printed wraps. Debut issue of the little magazine out of Philadelphia, with contributions by Judson Crews, as well as his possible heteronym, Mason Jordan Mason, as well as William Margolis, Lawrence Lipton, Henry Birnbaum, Neal Karrer, Evelyn Thorne, Eugene Walter, James Boyer..... More
[Healdsburg]: [Zephyrus Image], c. 1977. 7 1/2 x 12" broadside, letterpress, with zinc print of a serial image of an eclipse down the left side. See Johnston p. 212. Fine. More
[Providence, RI]: Burning Deck, 1967. First edition. 8vo, saddle-stapled in french fold wraps. Association copy, denoted for John Wieners on the colophon, and signed by the Waldrops. A translation from poema del cante jondo, here translated into English by Keith Waldrop and "printed in a small edition for friends." A...... More
Np`: 1963. 4to, mimeographed from typescript and side-stapled. A cycle of poems for Pete Seeger, incorporating two songs adapted from the work of Guillevic, and also a statement about Medgar Evers by Aaron Henry which appeared in The Peacemaker. Near fine with some faint toning and minor indenting. More
Berkeley: The Miscellaneous Man, 1954. First edition. 4to, saddle-stapled wraps. Third issue of the original incarnation of the Beat Generation little magazine, which ran to 15 issues. With contributions from Judson Crews, as well as his heteronym Trumbull Drachler, Leslie Woolf Hedley, Frona Lane, Miriam Jans, Harland Ristau, Theodore Kloski..... More
Bruxelles: Les Levres Nues, 1968. First edition. 4to. Single sheet folded twice to make 8 pp., including covers. The eighth installment in the artist's Le Fait Accompli series, one of 45 numbered copies "sur verge" out of a total edition of 70. "Noir" is crossed out on the cover in..... More
New York: Carp & Whitefish, 1967. First edition. 3 1/2 x 6 5/16" card, offset lithograph, reproducing a work by William Heine at recto, and publication information at verso. The announcement for the first book published under the C & W imprint, which was created by Irving Rosenthal in his..... More
np: c. 1940's-50's. 8vo, comb-bound in printed boards. Illustrated with 8 tipped-in photographic reproductions, all of which seem to have been clipped out of magazines, mostly from nudist magazines. One of the rarest books published by MJM, which is probably a heteronym of Judson Crews. Very good, with some light..... More
![Item #30770 Search for Tomorrow 1-5 [Complete]. George Mattingly, ed](https://divisionleap.cdn.bibliopolis.com/pictures/30770.jpg?width=320&height=427&fit=bounds&auto=webp&v=1681342923)
Iowa City: Blue Wind, 1971-72. 8vo, the first three numbers in saddle-stapled wraps, the final, double issue perfect bound in photographically illustrated wraps. Profusely illustrated. A complete run of this innovative little magazine, which combined poetry with numerous found images and other texts. With contributions across the numbers from Joe..... More
Toronto: Aya Press, 1984. Second print. 8vo, [114] pp, bound in wraps with integral illustrated dust jacket. One of 200 copies printed. The second printing of the influential collaboration between the two Canadian avant-garde poets, which was first published in an edition of 733 copies in 1979. This second printing..... More
Toronto: Gronk, 1970. First edition. 4to, four leaves, side-stapled. Illustrated with diagrams and drawings. Single issue of the longrunning Canadian avant-garde periodical devoted to concrete and experimental poetry. With contributions this issue from Gilles Feisy, david uu, Gregg Simpsonb, Tri-Solar-Pool company, Gregg Jupiter, & Herr Ged Retced. Fine. More