New York: Death Press, 1964. First edition. Folio, 13 sheets, each handset and letterpress printed on glassine parchment, and housed in a printed blue folder along with an additional unprinted glassine sheet. One of a limited edition of 120 copies, each signed by the author. An unusually designed book meant..... More

Lawrence, KS: Terrence Williams, 1964. 9 x 11 1/4" broadside, illustrated at recto with a drawing by Bobbie Creeley, the verso taken up with the poem of the same name by Robert Creeley. One of 500 copies, published by Terrence Williams as the 6th installment of his Broadsides series. Creased..... More

Waco, TX: Judson Crews, 1937. 4to, unpaginated, mimeographed from typescript and side-staled into offset printed wraps. With a signed linoleum block print by Glen Stirling stapled in. A very early magazine, perhaps the first, to be published by Judson Crews, the American Pessoa, while he was attending Baylor University in..... More

Pretoria, South Africa: Ophir, 1969. 8vo, pp, saddle-stapled in lettepress printed yellow card wrappers. With subscription form laid in. A 20 part poem, and early work by the New Zealand poet and later, frequent collaborator with the filmmaker Peter Weir. Davies co-wrote The Cars that Ate Paris!A faint indent to..... More

London: My Own Mag, 1966. First edition. Foolscap, five leaves mimeographed from typescript and drawing [note: one leaf is a found sheet and 2 of the leaves are narrow and half sheet in format], side-stapled. Sixteenth issue of the little magazine, edited by Nuttall under cover at Better Books under..... More

Germany: Langer Peter Verlag, 1960. First edition. 8vo, saddle-stapled wraps. With publisher's brochure and order postcard laid in. Debut issue of the beautifully designed little mag, one of the best of the era. With contributions from the editors and Ezra Pound, Johann Klaj, Salvatore Quasimodo, Peter Rühmkorp, Hannes Brühl, Jürgen..... More

Toronto: Shuffaloff / Eternal Network Joint, 2014. First edition. 8vo, saddle-stapled wraps. One of a limited edition of only 99 copies. Incredibly posthumously published chapbook by one of the best. some minor rubbing to wraps else fine. More

Montpelier: Fata Morgana, 1968. First edition. 4to, each issue consisting of loose leaves of paper printed by a heliographic process, laid into paper-covered boards with tie enclosures and title pastedowns. Each volume also bears its own title, respectively "Tourmente," "Sorbonne." and "Le seul mot de liberté est tout ce qui..... More

Kent: Kent State University Libraries, 1978. 8vo, saddle-stapled in card wraps. With errata slip laid in. One of 100 numbered and signed copies (of a total edition of 624). The second edition, following the first edition of 1950 - this edition adds an afterword by Robert Bertholf. Touch of crimping..... More

San Francisco: M, [1962]. First edition. 4to, mimeographed from typescript and stab-stapled. First issue of the little magazine published from Gino & Carlo's Bar, where, submissions could be dropped off. Only two were published. The magazine bears some similarities with Open Space and J, and share many of the same..... More

Paris: Le Comité National des Ecrivains, 1952. Bifolium, 10 5/8 x 16 6/16", printed on rectos only with a black funeral border, and folded once (inner panels blank). Folded once, as mailed, and housed in the original mailing envelope, bordered in black, and addressed to Lucien Scheler, with stamp and..... More

Girard, Kansas: Haldeman-Julius, 1921. 32mo, saddle-stapled wraps. Gibbs 190a, second noted variation, but in an APS wrapper seemingly unrecorded by Gibbs. Short tear to crown, else a sturdy very good copy. More

New York: Henry Holt & Co., 1923. First edition. 8vo, x, 113 pp, publisher's original cloth-backed boards with title pastedown to front panel. Lacking the dust jacket. Inscribed by Frost in the year following publication; "For Marguerita Goodwin from her friend Robert Frost" with ownership signature of Marguerita (Parkinson?) above..... More